During this pleasant trip to Christine's place, it became clearer than ever to me that each of us is living in an ideal location: Christine in Brittany, and me in the Dauphiné. Each of us appreciates the other's home place, and admires its many charms, while realizing that it would surely be an error for either of us to try to live in the other's region. For me, Brittany is quaint, sturdy in a stony style, and ultra-folkloric. The people there appear to live on an island, and take pride in being Breton prior to being French.

Christine, who owns and lives in an ancient presbytery, possesses detailed documents on Gommenec'h priests, including a martyr who was struck down by silly revolutionaries. But this morning, while leaving the village, I was amused to discover that Christine hadn't yet stumbled upon the tombstone, fixed to the wall of the local church, of a 19th-century Gommenec'h priest who died at the age of 30. Who was this young fellow? As I said, words are lovelier and more effective than stones... even though the latter can be moving.
I agree with Christine that my beloved Dauphiné is a rude country, whose inhabitants often reside in ramshackle abodes. My analysis of the situation is as follows. Dauphiné residents live in the shadow of mountains, which are surely the most permanent entities on the surface of the planet. A Breton might build his home in stone as a reaction against the ephemeral waves and windy mists of the sea, whereas a Dauphiné peasant would look silly if he attempted to construct an artificial fragment of an eternal mountain. So, our Dauphiné artifacts are primarily simple shelters from the elements, bivouacs, not monuments. At an adjacent level, I would be tempted to suggest that Brittany may not even think in the same way as the Dauphiné... but that's an enormous subject, which I cannot approach within such a superficial context as my Antipodes blog.
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