In less than a week, Australia has been invited to perform actively and directly in the Eurovision Song Contest… though not strictly as a contestant. Truly, this is the biggest planetary media happening since the marriage of our queen in 1947. History—as they say—is in the making.
Clickherefor an exciting article on Australia’s presence at these Olympic Games of song. Above all, there’s a great possibility for the victory of an outsider such as France. This year, for the first time since the Abba epoch, the odds are stacked against all those nasty ex-Communist nations who always get in the way of good music. No doubt for the first time ever, next week, Russia is unlikely to vote massively for Ukraine, and Ukraine is equally unlikely to vote massively for Russia. The world will be turned upside down, and victory in the contest is truly up for grabs.
One point, Australia!
And here, to get you in the right spirit: “Vutta Loe” (as the lovely lady in pink put it).
PS Maybe I’m weird, but whenever I see the tall blonde Agnetha Fältskog prancing around in her shiny blue kitsch costume, she reminds me immediately—at least from the knees down—of the Tin Man in The Wizard of Oz. Worse still, I have the disturbing feeling that the lower section of one of her slender silver legs might get disjointed and snap off. And how can I possibly enjoy their award-winning song when crazy thoughts like that are going through my mind?
Shame on me: I almost forgot to sign off with the great old Eurovision theme music from my former employer, ORTF [French Radio-Television Broadcasting System], the Te Deum of Marc-Antoine Charpentier [1643-1704].
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