My decision to use the typescript of my Jewish novel for a self-publishing experiment was intended above all as an experiment, enabling me to understand the revolutionary Ingram-Spark system. My All the Earth is Mine script was totally familiar, because I had been playing around for years with this imaginary political-fiction tale, and the only graphical stuff in the future book would be a simple diagram of Israel. So, this test enabled me to build up confidence in myself before tackling the far more complicated challenges of my two genealogy books: A Little Bit of Irish and They Sought the Last of Lands. Funnily enough, I believe today that this crazy novel—inspired by my lengthy fascination for the Hebrew religion and language, not to mention my love of the modern land of Israel—was in fact a more profound writing endeavor than my two family-history studies. Meanwhile, bringing out this novel was a memorable initiation process for Gamone Press.
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