Voices from the edge of the sea

Ever since my student days in Australia, I've been fascinated by Under Milk Wood, the celebrated play for voices by the Welsh author Dylan Thomas, who died in New York at the age of 39. The play reveals the acts and sentiments of a few dozen citizens of the mythical Welsh seaside village of Llareggub ("bugger all" spelt backwards), which is said to be based upon the real place, Laugharne, where Dylan Thomas spent the four final years of his life.

The title of this blog post—Voices from the edge of the sea—needs a short explanation. I've spent very little time in Wales (purely as a tourist), whereas I happen to be far more familiar with small seaside villages a little further to the south, in Brittany. And I like to imagine that the spirit of many Breton villages, looking out across the sea towards the British Isles, would be on a par with that of Llareggub, for the people in such places surely end up sharing the same kinds of visions and phantoms. For example, I can well imagine Milk Wood being located on the slopes above Plouézec, in the Côtes d'Armor.

Or, better still, above the tiny magical fishing port of Gwin Zégal:

Maybe my son François, who's a more experienced traveler than me, and a more expert witness, will tell me if he agrees with my amalgam of sites on the edge of that Celtic sea (once crossed in flimsy boats by ancient saints disseminating their faith) that separates Britain and Ireland from Brittany.

The Internet provides us with an excellent opportunity of appreciating this audio creation. Towards the end of the present blog post, I've included eight YouTube videos that present a BBC production of Under Milk Wood starring the Welsh actor Richard Burton. If you need the full text of the play, you can download it from this Gutenberg website. And here's a list (from Wikipedia) of the major characters in Under Milk Wood, which you can consult while listening to the play:

Captain Cat — The old blind sea captain who dreams of his deceased shipmates and lost lover Rosie Probert. He is one of the play's most important characters, as he often acts as a narrator. He observes and comments on the goings-on in the village from his window.

Rosie Probert — Captain Cat's deceased lover, who appears in his dreams.

Myfanwy Price — Sweetshop-keeper who dreams of marrying Mog Edwards.

Mr Mog Edwards — Draper, infatuated by Myfanwy Price. Their romance, however, is restricted strictly to the letters they write one another and their interactions in their dreams.

Jack Black — Cobbler, who dreams of scaring away young couples.

Evans the Death — Undertaker, who dreams of his childhood.

Mr Waldo — Rabbit catcher, barber, herbalist, cat doctor, quack, dreams of his mother and his many unhappy, failed marriages. He is a notorious alcoholic and general troublemaker, and is involved in an affair with Polly Garter.

Mrs Ogmore-Pritchard — Owner of a guesthouse, who dreams of nagging her two late husbands. She refuses to let anyone stay at the guesthouse because of her extreme penchant for neatness.

Mr Ogmore — Deceased, Linoleum salesman, late of Mrs. Ogmore-Pritchard.

Mr Pritchard — Deceased, failed bookmaker, late of Mrs. Ogmore-Pritchard. He committed suicide "ironically" by ingesting disinfectant.

Gossamer Beynon — Schoolteacher (daughter of Butcher Beynon), dreams of a fox-like illicit love. During the day, she longs to be with Sinbad Sailors, but the two never interact.

Organ Morgan — Church organ player, has perturbed dreams of music and orchestras within the village. His obsession with music bothers his wife intensely.

Mrs Organ Morgan — Shop owner who dreams of silence, as she is disturbed during the day by Organ Morgan's constant organ-playing.

Mr and Mrs Floyd — Cocklers, an elderly couple, seemingly the only couple to sleep peacefully in the village. They are mentioned only during the dream sequence.

Utah Watkins — Farmer, dreams of counting sheep that resemble his wife.

Ocky Milkman — Milkman, dreams of pouring his milk into a river, 'regardless of expense'.

Mr Cherry Owen — Dreams of drinking, and yet is unable to as the tankard turns into a fish, which he drinks.

Mrs Cherry Owen — Cherry Owen's devoted wife, who cares for him and delights in rehashing his drunken antics.

Police Constable Attila Rees — The policeman, relieves himself into his helmet at night, knowing somehow he will regret this in the morning.

Mr Willy Nilly — Postman, dreams of delivering the post in his sleep, and physically knocks upon his wife as if knocking upon a door. In the morning they open the post together and read the town's news so he can relay it around the village.

Mrs Willy Nilly — Postman's wife who, because of her husband's knocking upon her, dreams of being spanked by her teacher for being late for school. She assists Willy Nilly in steaming open the mail.

Mary Ann Sailors — 83 years old, dreams of the Garden of Eden. During the day she announces her age ("I'm 83 years, 3 months and a day!") to the town.

Sinbad Sailors — Barman, dreams of Gossamer Beynon, who he cannot marry because of his grandmother's disapproval.

Mae Rose Cottage — Seventeen and never been kissed, she dreams of meeting her "Mr Right". She spends the day in the fields daydreaming, and unseen, draws lipstick circles around her nipples.

Bessie Bighead — Hired help, dreams of the one man that kissed her "because he was dared".

Butcher Beynon — The butcher, dreams of riding pigs and shooting wild giblets. During the day he enjoys teasing his wife about the questionable meat that he sells.

Mrs Butcher Beynon — Butcher Beynon's wife, dreams of her husband being persecuted for selling "owl's meat, dogs' eyes, manchop".

Reverend Eli Jenkins — Poet and preacher, who dreams of Eisteddfodau. Author of the White Book of Llareggub.

Mr Pugh — Schoolmaster, dreams of poisoning his domineering wife. He purchases a book named "Lives of the Great Poisoners" for ideas on how to kill Mrs Pugh; however, he does not do it.

Mrs Pugh — Nasty and undesirable wife of Mr Pugh.

Dai Bread — Bigamist baker who dreams of harems.

Mrs Dai Bread One — Dai Bread's first wife, traditional and plain.

Mrs Dai Bread Two — Dai Bread's second wife, a mysterious and sultry gypsy.

Polly Garter — Innocent young mother, who dreams of her many babies. During the day, she scrubs floors and sings of her lost love.

Nogood Boyo — Lazy young fisherman who dreams peevishly of 'nothing', though he later fantasizes about Mrs Dai Bread Two in a wet corset. He is known for causing shenanigans in the wash house.

Lord Cut Glass — Man of questionable sanity, who dreams of the 66 clocks that he keeps in his house.

Lily Smalls — Dreams of love and a fantasy life. She is the Beynons' maid, but longs for a more exciting life.

Gwennie — Child in Llareggub, who insists that her male schoolmates "kiss her where she says or give her a penny".

To listen to the entire play, you'll need to dispose of an hour and a quarter. It's truly worthwhile...

PART 1/8

PART 2/8

PART 3/8

PART 4/8

PART 5/8

PART 6/8

PART 7/8

PART 8/8

French Lady Chatterley

I spent the evening of January 1 watching, on TV, the full-length version (2 hours 40 minutes) of a splendid French movie produced in 2006: Lady Chatterley and the Man in the Woods. It's a cinematographic adaptation, by the French director Pascale Ferran, of the second version of D H Lawrence's famous novel, whose third version is better known as Lady Chatterley's Lover.

The role of Lady Chatterley is played exquisitely by Marina Hands, daughter of the British stage director Terry Hands and the French actress Ludmila Mikaël.

A little-known French stage actor, Jean-Louis Coulloc'h, plays the role of Parkin, the virile man in the woods. His performance is perfectly solemn and low-key, as befits this solitary personage who says little but senses profoundly everything around him.

As soon as the relationship between the lady and the lord's employee started to warm up physically, I wondered how Pascale Ferran was going to handle the explicit sexual scenes and language that had once shocked prudish English society in Lawrence's notorious novel. Well, I soon discovered that everything has been handled superbly, in a style of Garden-of-Eden innocence. And, when heavy rain pours down upon Eden, Adam and Eve are not afraid of getting wet.

When the movie first came out, in 2006, a critic said: "Every frame of the film seems alive with a sensuality that is both wild and intelligent." For a movie based upon the work of an English novelist, I would say that Pascale Ferran's film is astoundingly French. But was D H Lawrence really a typical English novelist? Of course not. He was a sensitive author of the world in the style of James Joyce and Lawrence Durrell. Nevertheless, the harsh class-conscious sentiments expressed by Lord Chatterley reflect faithfully the political setting of early 20th-century Georgian England. But the first two versions of Lawrence's novel, entitled simply Lady Chatterley, are not as tediously oriented towards society and politics as the third version, entitled Lady Chatterley's Lover. Personally, as a reader, I've always preferred this excellent French translation of the initial version, prefaced by the author's widow, Frieda Lawrence.

Talking about D H Lawrence, I wonder if many of my compatriots are aware that, in 1922, this great writer actually spent a few months out in the New South Wales seaside suburb of Thirroul, near Wollongong. This experience resulted in a plausible political novel entitled Kangaroo, published in 1923... which, in spite of its title, has nothing to do with bush marsupials.