Like many of my fellow citizens [that's the first time since my naturalization I've ever used explicitly such a phrase], I watched with interest the lengthy TV evening devoted to the French prime minister François Fillon, born 54 years ago in the city that hosts the famous 24 Hours of Le Mans sports car race... which was just won, incidentally, an hour or so ago, for the 8th time, by Audi and the Danish driver Tom Kristensen. In fact, François Fillon himself knows how to handle the wheel of a Le Mans racing car. Apparently, he once took Nicolas Sarkozy for a lap or two on a circuit, and the French president was green when he got out of the automobile.
As easy as it is to be annoyed by Sarko, if not sickened in extreme cases, it's difficult not to admire his friend Fillon, who has a totally different personality and style to the president. He's quiet and unassuming, with no apparent wish to have stories and pictures of himself, his Welsh wife and their five children appearing in people magazines. He's not flashy ("bling bling") in a nouveau riche style, and he speaks calmly but firmly, without twitches or gesticulations.
Although we must assume that Nicolas Sarkozy and François Fillon share identical viewpoints, and are working together with the same political goals in mind, they come through as quite different individuals. And I'll let you guess which of the two I prefer.
Sunday, June 15, 2008
My dog's little joys
I've often noticed that Sophia is not interested in strawberries. She doesn't seem to see their red color and, when I put a few strawberries under her snout, she's not inclined to taste them. Cherries, though, are a different affair, including the tiny specimens that fall from one of my rare roadside trees.
Sophia crunches the cherries, seeds and all, before swallowing them.
In the case of walnuts, of course, the process is different. She crunches the nuts slightly, to break them apart, and then she delicately picks out the edible kernel fragments.
One of Sophia's regular preoccupations consists of searching for mysterious creatures, maybe lizards or mice, under the edge of the old concrete footpath in front of the house.
As soon as she detects an animal odor, Sophia barks a little (maybe to warn me that there's an undesirable alien presence at Gamone) and starts to dig a preliminary hole by scratching out soil and loose pebbles. As soon as the opening is big enough, Sophia sticks her snout in and starts to snort. And this activity can preoccupy her for half an hour.
A day or so later, after Sophia has either captured and destroyed the intruder (?) or forgotten about its presence, all that remains for me is to poke the soil and pebbles back in place.
Sophia crunches the cherries, seeds and all, before swallowing them.
In the case of walnuts, of course, the process is different. She crunches the nuts slightly, to break them apart, and then she delicately picks out the edible kernel fragments.
One of Sophia's regular preoccupations consists of searching for mysterious creatures, maybe lizards or mice, under the edge of the old concrete footpath in front of the house.
As soon as she detects an animal odor, Sophia barks a little (maybe to warn me that there's an undesirable alien presence at Gamone) and starts to dig a preliminary hole by scratching out soil and loose pebbles. As soon as the opening is big enough, Sophia sticks her snout in and starts to snort. And this activity can preoccupy her for half an hour.
A day or so later, after Sophia has either captured and destroyed the intruder (?) or forgotten about its presence, all that remains for me is to poke the soil and pebbles back in place.
Friday, June 13, 2008
Views from down in the village
The tiny village of Choranche is located about 3 km down from Gamone. I say "down from", but the difference in altitude between the two places is primarily of a psychological kind. The village is located at the bottom of a gigantic bowl, surrounded by cliffs, whereas Gamone seems to be higher in that it is located on grassy slopes above the Bourne River.
At the top of this blog window, there's a picture of the Cournouze mountain, located above the commune of Châtelus, on the other side of the Bourne. This same stone peninsula, jutting out from the Vercors plateau, has a quite different shape and appearance when you're looking up at it from down in the village of Choranche:
The cliffs above the village, towards Presles to the north (which I always think of as the direction of Paris), are vast and ominous:
To the east (which I think of as the direction of Italy), the village seems to be separated from the Vercors by the following gigantic wall of stone:
For me, the panorama from Gamone is "gentler" than views from the village, but this is no doubt a biased outlook, since Gamone is my home place, whereas the village is a relatively alien territory.
I'm always amazed by the fact that, in a mountainous environment, the aerial perspectives change continually whenever you modify—even slightly—your location on the ground.
At the top of this blog window, there's a picture of the Cournouze mountain, located above the commune of Châtelus, on the other side of the Bourne. This same stone peninsula, jutting out from the Vercors plateau, has a quite different shape and appearance when you're looking up at it from down in the village of Choranche:
The cliffs above the village, towards Presles to the north (which I always think of as the direction of Paris), are vast and ominous:
To the east (which I think of as the direction of Italy), the village seems to be separated from the Vercors by the following gigantic wall of stone:
For me, the panorama from Gamone is "gentler" than views from the village, but this is no doubt a biased outlook, since Gamone is my home place, whereas the village is a relatively alien territory.
I'm always amazed by the fact that, in a mountainous environment, the aerial perspectives change continually whenever you modify—even slightly—your location on the ground.
Thursday, June 12, 2008
A fight to remember
Back in the early '80s [before the existence of the Internet], I succeeded in finding this photo of the steamship Marathon, which took my future grandfather from his native London to Australia, when he was 17 years old.
My grandfather once told me that his ship reached Sydney on the same day—December 26, 1908—that a big boxing match would be taking place, between the white Canadian Tommy Burns and the black American Jack Johnson. This detail intrigued me, because I don't recall my grandfather being attracted to boxing [the only sport he liked was tennis], and I've often wondered why the Burns/Johnson fight [which he didn't even see, because he couldn't afford a ticket] would have stayed in his memory. It was only last night that I finally found an explanation, when I watched a French TV version of the splendid film by Ken Burns entitled Unforgivable Blackness: The Rise and Fall of Jack Johnson.
Up until last night's TV show, I had ignored the fact that, prior to the match in Sydney in 1908, no white-skinned boxer had ever deigned to defend his world heavyweight title against a black man. In America, at the start of the 20th century, it would have been unthinkable for such a match to take place. This explains why, although the boxers were from Northern America, their encounter of fourteen rounds could only be organized in a faraway land such as Australia. The match had a shameful ending. When it was clear that Burns was about to be knocked out by the giant son of former slaves, Sydney police officers stepped in and stopped, not only the fight, but the filming of the event... because the White Establishment considered it politically incorrect that the image of a white boxer being thrashed by a black man should be handed down to posterity.
My grandfather once told me that his ship reached Sydney on the same day—December 26, 1908—that a big boxing match would be taking place, between the white Canadian Tommy Burns and the black American Jack Johnson. This detail intrigued me, because I don't recall my grandfather being attracted to boxing [the only sport he liked was tennis], and I've often wondered why the Burns/Johnson fight [which he didn't even see, because he couldn't afford a ticket] would have stayed in his memory. It was only last night that I finally found an explanation, when I watched a French TV version of the splendid film by Ken Burns entitled Unforgivable Blackness: The Rise and Fall of Jack Johnson.
Up until last night's TV show, I had ignored the fact that, prior to the match in Sydney in 1908, no white-skinned boxer had ever deigned to defend his world heavyweight title against a black man. In America, at the start of the 20th century, it would have been unthinkable for such a match to take place. This explains why, although the boxers were from Northern America, their encounter of fourteen rounds could only be organized in a faraway land such as Australia. The match had a shameful ending. When it was clear that Burns was about to be knocked out by the giant son of former slaves, Sydney police officers stepped in and stopped, not only the fight, but the filming of the event... because the White Establishment considered it politically incorrect that the image of a white boxer being thrashed by a black man should be handed down to posterity.
Tuesday, June 10, 2008
From existentialism to evolution
My article of 25 December 2006 entitled The meaning of life [display] was designed deliberately to be misunderstood. All I really wanted to say was a truism: The presence of life in the Cosmos is an outcome of the existence of organisms capable of reproducing themselves. And I wanted to celebrate the work of the mathematician John von Neumann, who had developed a theory of self-replicating automata. At an anecdotal level, I started out that article by saying that I used to be infatuated by the works of French existentialists, whereas I've never agreed with Albert Camus, at any moment in my life, that suicide is a "truly serious philosophical problem".
Today, I would like to correct, or at least attenuate, the false suggestion that I'm no longer impressed by the work of the French existentialists. When Natacha and Alain were driving me through Lourmarin in the Luberon, I was constantly conscious of the fact that this was the place where the Nobel laureate was buried, after his death in an automobile accident in 1960. His Myth of Sisyphus remains one of the major texts of my adolescent years in Sydney, along with English translations of books by Jean-Paul Sartre and Simone de Beauvoir.
Camus, above all, was a non-believer (from a religious viewpoint) who nevertheless clung to humanistic values rather than falling into some kind of nihilistic and suicidal despair. "I do not believe in God," he declared, before adding: "And I am not an atheist." Today, I would say that the juxtaposition of these two statements is illogical, but I can understand that Camus did not wish to be thrown into the same ballpark as the notorious Roman emperor Caligula, subject of one of his plays, who imagined that, once God was chased off the cosmic stage, only barbarian infamy could remain.
Jumping ahead to the present day, I was thrilled by a recent appraisal of Richard Dawkins by a US psychologist, David Barash, who places the English writer firmly in the domain of the literature of the absurd, alongside Camus and Beckett... not to mention the late great writer friend of Dawkins named Douglas Adams, author of A Hitchhiker's Guide to the Galaxy. The vast verbal vortex of half a century from existentialism à la Camus to evolution as explained by Dawkins has been indeed, for me as a reader, a fabulous trip through our Earth-centered corner of the Cosmos. And the only possible name of that fascinating guided excursion, of course, is Absurdity.
Today, I would like to correct, or at least attenuate, the false suggestion that I'm no longer impressed by the work of the French existentialists. When Natacha and Alain were driving me through Lourmarin in the Luberon, I was constantly conscious of the fact that this was the place where the Nobel laureate was buried, after his death in an automobile accident in 1960. His Myth of Sisyphus remains one of the major texts of my adolescent years in Sydney, along with English translations of books by Jean-Paul Sartre and Simone de Beauvoir.
Camus, above all, was a non-believer (from a religious viewpoint) who nevertheless clung to humanistic values rather than falling into some kind of nihilistic and suicidal despair. "I do not believe in God," he declared, before adding: "And I am not an atheist." Today, I would say that the juxtaposition of these two statements is illogical, but I can understand that Camus did not wish to be thrown into the same ballpark as the notorious Roman emperor Caligula, subject of one of his plays, who imagined that, once God was chased off the cosmic stage, only barbarian infamy could remain.
Jumping ahead to the present day, I was thrilled by a recent appraisal of Richard Dawkins by a US psychologist, David Barash, who places the English writer firmly in the domain of the literature of the absurd, alongside Camus and Beckett... not to mention the late great writer friend of Dawkins named Douglas Adams, author of A Hitchhiker's Guide to the Galaxy. The vast verbal vortex of half a century from existentialism à la Camus to evolution as explained by Dawkins has been indeed, for me as a reader, a fabulous trip through our Earth-centered corner of the Cosmos. And the only possible name of that fascinating guided excursion, of course, is Absurdity.
Finding the right foodstuffs
In my articles of 30 December 2006 entitled My daughter at Gamone [display] and 15 January 2007 entitled Show me your machines [display], I mentioned that I had purchased a splendid cooking gadget, which might be described as a multifunction grill and griddle, manufactured by a US firm named Cuisinart.
There's no problem in using it to make delicious toasted sandwiches of the kind that Australians often eat for breakfast. Recently, I've also used it successfully as a hot plate to cook a Thai dish, hotly-spiced prawn rissoles. But I had never succeeded in preparing one of my favorite foodstuffs: the flat panini sandwiches that I buy on the street whenever I visit Grenoble or Valence. The problem was that I had never found the right resource: that's to say, the basic uncooked panini bread roll. Employees in food shops don't necessarily know from whom their boss acquires their raw materials, while those who do imagine that it's a professional supplier with no retail outlets. Most often, they tell me that I can surely find the panini rolls I'm seeking in supermarkets. But, when cooked upon my Cuisinart griddle, the texture and taste of the rectangular panini rolls sold in the sliced-bread section of supermarkets simply don't end up tasting anything like the products I buy on the street in Grenoble and Valence.
This morning, I finally got around to solving the panini problem. The following photo shows the tasteless supermarket product at the top and, underneath it, a big authentic deep-frozen panini roll of the kind used by professionals.
Early this morning, I happened to be in St-Marcellin to get my car repaired, and I stepped into an excellent bakery to buy a couple of croissants. Once again, I popped the panini question, and the baker's kind wife supplied me immediately with the name and address of a wholesale supplier near Romans who nevertheless sells to ordinary clients like me. As soon as my old Citroën was repaired, I hurried off to the place in question. The only minor problem was that I had to purchase a big cardboard box of forty deep-frozen rolls, and then I had to dash home as quickly as possibly to put them in my deep-freezer, where they occupy an entire drawer.
With cold turkey and tomato filling, and served up with fresh Gamone lettuce, sliced cheese and a sprinkling of walnut oil, the culinary result exceeds my most optimistic expectations.
PS Natacha, who considers (quite rightly) that many of the Earth's finest products come from her native Provence, will be happy to learn that the manufacturer of my deep-frozen panini rolls purchased in Romans has his factory in Tarascon.
There's no problem in using it to make delicious toasted sandwiches of the kind that Australians often eat for breakfast. Recently, I've also used it successfully as a hot plate to cook a Thai dish, hotly-spiced prawn rissoles. But I had never succeeded in preparing one of my favorite foodstuffs: the flat panini sandwiches that I buy on the street whenever I visit Grenoble or Valence. The problem was that I had never found the right resource: that's to say, the basic uncooked panini bread roll. Employees in food shops don't necessarily know from whom their boss acquires their raw materials, while those who do imagine that it's a professional supplier with no retail outlets. Most often, they tell me that I can surely find the panini rolls I'm seeking in supermarkets. But, when cooked upon my Cuisinart griddle, the texture and taste of the rectangular panini rolls sold in the sliced-bread section of supermarkets simply don't end up tasting anything like the products I buy on the street in Grenoble and Valence.
This morning, I finally got around to solving the panini problem. The following photo shows the tasteless supermarket product at the top and, underneath it, a big authentic deep-frozen panini roll of the kind used by professionals.
Early this morning, I happened to be in St-Marcellin to get my car repaired, and I stepped into an excellent bakery to buy a couple of croissants. Once again, I popped the panini question, and the baker's kind wife supplied me immediately with the name and address of a wholesale supplier near Romans who nevertheless sells to ordinary clients like me. As soon as my old Citroën was repaired, I hurried off to the place in question. The only minor problem was that I had to purchase a big cardboard box of forty deep-frozen rolls, and then I had to dash home as quickly as possibly to put them in my deep-freezer, where they occupy an entire drawer.
With cold turkey and tomato filling, and served up with fresh Gamone lettuce, sliced cheese and a sprinkling of walnut oil, the culinary result exceeds my most optimistic expectations.
PS Natacha, who considers (quite rightly) that many of the Earth's finest products come from her native Provence, will be happy to learn that the manufacturer of my deep-frozen panini rolls purchased in Romans has his factory in Tarascon.
Cult of Mac
Way back in 1984, I wrote a book about the Macintosh, when this machine was as little known as the Internet concept. But it would be wrong to brand me as an elitist Mac cultist. Some of my best friends still use PCs. But this post is not for them.
Dyed-in-the-wool Macnuts are ordinary-looking folk who feel frustrated around noon if they haven't yet heard something new and spectacular from or about our Favorite Computer Company. For us, there's now a website [display] that enables us to view old images of Steve and hear exiting words that made us salivate with Apple lust back in the days when we were losing, for eternity, our consumer innocence.
Dyed-in-the-wool Macnuts are ordinary-looking folk who feel frustrated around noon if they haven't yet heard something new and spectacular from or about our Favorite Computer Company. For us, there's now a website [display] that enables us to view old images of Steve and hear exiting words that made us salivate with Apple lust back in the days when we were losing, for eternity, our consumer innocence.
Monday, June 9, 2008
Obama can now attack his true opponent
It's great that Barack Obama can now, at last, get to grips with his true opponent: John McCain. However, the time lost in wrangling with Hillary Clinton was not really lost in the sense that America has realized that two amazingly novel hypotheses—that of a female president, or that of a black president—have now become recognized as plausible in the US mentality. It was certainly worthwhile losing a bit of time and energy in order to gain this kind of revolutionary awareness.
Sunday, June 8, 2008
Flight pioneers
Over the last year or so, there has been some discussion about the claim that the hang glider was invented by John Dickenson in Grafton, but there now appears to be an international consensus of opinion that he deserves this honor.
Click the photo to access a recently-developed and well-documented website on this question.
When his Dickenson-designed wing soared above the Clarence River on 8 September 1963, the pilot Rod Fuller was in fact being tugged by a speed boat. I've often thought that the presence of this noisy aquatic partner may have diminished the impact of these pioneering flights. Observers tend to associate the mythical dream of Icarus with an aerial and ethereal world of silence, devoid of mechanical monsters such as speedboats. We imagine the god of flight as a giant but quiet bird.
In July 2006, this Japanese aircraft powered by dry-cell batteries took off, ascended to an altitude of five meters, stayed in the air for about a minute and covered a distance of several hundred meters.
In April of this year, the Boeing corporation tested in real flight, in Spain, a tiny plane that runs on hydrogen batteries.
The propeller-driven test aircraft flew at a speed of a hundred kilometers an hour, at an altitude of about a thousand meters, for twenty minutes. Later, a spokesman for the manufacturer suggested that aviation power based upon hydrogen batteries could become a feasible technological and commercial possibility within some twenty years. In my imagination, that would be the authentic dream of Icarus.
Click the photo to access a recently-developed and well-documented website on this question.
When his Dickenson-designed wing soared above the Clarence River on 8 September 1963, the pilot Rod Fuller was in fact being tugged by a speed boat. I've often thought that the presence of this noisy aquatic partner may have diminished the impact of these pioneering flights. Observers tend to associate the mythical dream of Icarus with an aerial and ethereal world of silence, devoid of mechanical monsters such as speedboats. We imagine the god of flight as a giant but quiet bird.
In July 2006, this Japanese aircraft powered by dry-cell batteries took off, ascended to an altitude of five meters, stayed in the air for about a minute and covered a distance of several hundred meters.
In April of this year, the Boeing corporation tested in real flight, in Spain, a tiny plane that runs on hydrogen batteries.
The propeller-driven test aircraft flew at a speed of a hundred kilometers an hour, at an altitude of about a thousand meters, for twenty minutes. Later, a spokesman for the manufacturer suggested that aviation power based upon hydrogen batteries could become a feasible technological and commercial possibility within some twenty years. In my imagination, that would be the authentic dream of Icarus.
Autopsy of fake photos
The art of producing fake photos used to be practiced primarily, and more or less expertly, by tyrants such as Joseph Stalin [1879-1953], wishing to remove undesirable individuals from group snapshots.
These days, countless computer users have tried their hand at innocent "Photoshopping", often in a crude fashion, as demonstrated in my fake photo of Marseille's ferry boat scampering around out in the sea as if it were an offshore racer:
On last year's April Fool's Day, my article entitled Stray animal at Gamone [display] wasn't intended to convince anybody that my donkey Moshé really rolled around in the dust at Gamone with a visiting red kangaroo:
Things get a little bit murkier when professional people use Photoshop retouching in a deliberate attempt to pull the wool over our eyes. My article of 23 August 2007 entitled Photoshop surgery [display] indicated a ridiculous case of such an operation:
A much talked-about recent case of falsification was this Chinese image of Tibetan antelopes racing away from a high-speed train:
Observers were amazed that a photographer, Liu Weiqing, could be present at exactly the moment that the train emerged on the viaduct, sending the herd of rare animals hurtling away in fear. Well, he wasn't! It's simply yet another fake photo, obtained by combining the train and the antelopes. The story of how this photo was first acclaimed as a masterpiece, before being revealed as a fake, is utterly fascinating.
Today, I learn [once again from the excellent Scientific American magazine, mentioned in my previous blog article] that there's a clever US specialist named Hany Farid who has developed methods of revealing that such-and-such a photo is fake. I advise you to visit his fine website [display] to see specimens of Farid's art and findings. In his magazine article, Farid offers us this lovely image of Jan Ullrich shaking hands with an attractive female cyclist:
Cautious viewers, discovering this image, might ask semantic questions. First of all: What on earth was this unusual cycling event that brought together Ullrich and a female in a yellow jersey, with long hair and superbly muscular legs? Second: How come the female's helmet appears to be a recolored clone of Ullrich's helmet? Last, but not least: What's that American fire hydrant doing alongside the road? Did Jan Ullrich ever get around to competing in the USA in a mixed male/female event (?) during the brief period in 2003 when he was a member of the Bianchi team? Click the fake photo [or, better still, subscribe to Scientific American] to find answers.
Many observers are anguished when they realize how easy it has become to cheat with photos. Hany Farid's excellent article entitled Digital Image Forensics informs us that the goodies and baddies are at love-all. [Excuse me for borrowing a tennis metaphor... but the final of the French Open is about to start at Roland-Garros.] The image crooks use ingenious techniques to create fake photos, but the cops have a lot of excellent detection tricks up their sleeves.
These days, countless computer users have tried their hand at innocent "Photoshopping", often in a crude fashion, as demonstrated in my fake photo of Marseille's ferry boat scampering around out in the sea as if it were an offshore racer:
On last year's April Fool's Day, my article entitled Stray animal at Gamone [display] wasn't intended to convince anybody that my donkey Moshé really rolled around in the dust at Gamone with a visiting red kangaroo:
Things get a little bit murkier when professional people use Photoshop retouching in a deliberate attempt to pull the wool over our eyes. My article of 23 August 2007 entitled Photoshop surgery [display] indicated a ridiculous case of such an operation:
A much talked-about recent case of falsification was this Chinese image of Tibetan antelopes racing away from a high-speed train:
Observers were amazed that a photographer, Liu Weiqing, could be present at exactly the moment that the train emerged on the viaduct, sending the herd of rare animals hurtling away in fear. Well, he wasn't! It's simply yet another fake photo, obtained by combining the train and the antelopes. The story of how this photo was first acclaimed as a masterpiece, before being revealed as a fake, is utterly fascinating.
Today, I learn [once again from the excellent Scientific American magazine, mentioned in my previous blog article] that there's a clever US specialist named Hany Farid who has developed methods of revealing that such-and-such a photo is fake. I advise you to visit his fine website [display] to see specimens of Farid's art and findings. In his magazine article, Farid offers us this lovely image of Jan Ullrich shaking hands with an attractive female cyclist:
Cautious viewers, discovering this image, might ask semantic questions. First of all: What on earth was this unusual cycling event that brought together Ullrich and a female in a yellow jersey, with long hair and superbly muscular legs? Second: How come the female's helmet appears to be a recolored clone of Ullrich's helmet? Last, but not least: What's that American fire hydrant doing alongside the road? Did Jan Ullrich ever get around to competing in the USA in a mixed male/female event (?) during the brief period in 2003 when he was a member of the Bianchi team? Click the fake photo [or, better still, subscribe to Scientific American] to find answers.
Many observers are anguished when they realize how easy it has become to cheat with photos. Hany Farid's excellent article entitled Digital Image Forensics informs us that the goodies and baddies are at love-all. [Excuse me for borrowing a tennis metaphor... but the final of the French Open is about to start at Roland-Garros.] The image crooks use ingenious techniques to create fake photos, but the cops have a lot of excellent detection tricks up their sleeves.
Saturday, June 7, 2008
Blogging is good for you
In the latest issue of my favorite magazine, Scientific American, there's a brilliant one-page article by a New York freelance writer named Jessica Wapner on the therapeutic value of blogging. She starts by declaring that "self-medication may be the reason the blogosphere has taken off ". In a nutshell, we bloggers seek to take advantage of "the therapeutic benefits of writing about personal experiences, thoughts and feelings ".
Jessica suggests that creative writing in general, and blogging in particular, provide physiological benefits of many kinds... involving appetite for food and sex, and even cancer treatment!
[If only Nicolas Sarkozy were to read Antipodes, if not Scientific American, I'm sure he would promptly "invent" the idea that blogging expenses should be reimbursed by France's splendid health system.]
Jessica quotes a Harvard neuroscientist named Alice Flaherty who provides us with a word that we bloggers should paint in large letters on the wall above our computer: hypergraphia, designating an uncontrollable urge to write. Maybe it's a viral affliction. Personally, I see it as a genetic thing. You're born with this psychosis, and you simply have to learn to live with it... but it seems to get worse with age.
Gee, I feel so much better since writing the above stuff. I only hope that my words don't sicken any disgruntled readers...
Jessica suggests that creative writing in general, and blogging in particular, provide physiological benefits of many kinds... involving appetite for food and sex, and even cancer treatment!
[If only Nicolas Sarkozy were to read Antipodes, if not Scientific American, I'm sure he would promptly "invent" the idea that blogging expenses should be reimbursed by France's splendid health system.]
Jessica quotes a Harvard neuroscientist named Alice Flaherty who provides us with a word that we bloggers should paint in large letters on the wall above our computer: hypergraphia, designating an uncontrollable urge to write. Maybe it's a viral affliction. Personally, I see it as a genetic thing. You're born with this psychosis, and you simply have to learn to live with it... but it seems to get worse with age.
Gee, I feel so much better since writing the above stuff. I only hope that my words don't sicken any disgruntled readers...
Republican Calendar
French researchers in genealogy or local history inevitably run into a quaint but annoying thing (little known outside France) called the Republican Calendar. Shortly after the French Revolution of 1789, and for a period of fourteen years (from 1792 until 1805), France abandoned the ancient Church-inspired calendar, designated as Gregorian, and replaced it by a rapidly-contrived system with new names for years, months and days. For example, my birthday, on 24 September, is named Chestnut in the Republican Calendar, while Christine's, on 8 January, is Marble. [It's not hard to understand why our marriage couldn't possibly be harmonious!]
The inventor of the new names was a romantic author referred to as Fabre d’Églantine, who joined the revolutionary leaders as a secretary in 1792. [In this concocted name, Églantine designates a wild rose.] An egoistic scoundrel, he was guillotined with Georges Danton on the Republican date of 17 germinal an II [April 5, 1794]. These days, we remember Fabre d’Églantine as the poet who wrote the words of a famous lullaby: Il pleut, il pleut, bergère. It's a love song addressed to a girl who's minding her sheep out in the fields.
It's raining, raining, shepherdess! The singer tells the wet girl that rumbling thunder indicates an approaching storm, and he invites her into the warmth of his house. Recently, in a splendid TV saga entitled Voici venir l'orage [Look, a storm is coming! ], concerning the dramatic flight from Russia of the Jewish ancestors of the French movie directrice Nina Companeez, the words and music of this lullaby symbolized in a moving manner the trials they had to face, first in Bolshevik Russia, and later in Nazi-occupied France.
The revolutionaries of 1789 imagined that their cause and spirit were, not just French, but universal. It's amusing to discover that, in their eagerness to replace the old names of the Gregorian Calendar, they invented terms that are anything but universal, because they're based upon French seasons and agricultural activities. My birthday, for example, falls in the first month of the Republican Calendar, called vendémiaire, which is related to the word vendanges, meaning grape-picking. But Fabre d'Églantine and his friends forgot, or ignored, that, during the month of September in Australia, say, there's not much in the way of grape-picking. All the other names for months are similarly parochial in a naive fashion: October/November is brumaire, evoking autumn mist and fog; July/August is thermidor, evoking hot sunny days; etc. The revolutionaries would have surely been upset by the upside-down maps of the world in which tiny France looks as if it would be crushed if ever the giant African continent happened to "drop down" onto her.
Incidentally, my writer-hero Richard Dawkins refers to the kind of naming anomaly made by Fabre d'Églantine as a case of "unconscious northern hemisphere chauvinism". Here's how he speaks about "consciousness-raisers" in our atheists' bible, The God Delusion:
It is for a deeper reason than gimmicky fun that, in Australia and New Zealand, you can buy maps of the world with the South Pole on top. What splendid consciousness-raisers those maps would be, pinned to the walls of our northern hemisphere classrooms. Day after day, the children would be reminded that 'north' is an arbitrary polarity which has no monopoly on 'up'. The map would intrigue them as well as raise their consciousness. They'd go home and tell their parents — and, by the way, giving children something with which to surprise their parents is one of the greatest gifts a teacher can bestow.
[If only Nicolas Sarkozy were to read Antipodes, if not the books of Dawkins, I'm sure he would promptly "invent" the idea of decreeing that upside-down maps of the world be pinned on the walls of every French classroom.]
Close the Dawkins parenthesis. The Republican Calendar dominates the decade that concerns me in my research about the origins of my property at Gamone. I've always believed that the place once belonged to the Chartreux monks at Bouvantes whose monastery and other possessions were auctioned off between December 1790 and March 1791. It's quite likely that their outlying properties in Choranche were sold during the years that followed, maybe at a time when the Republican Calendar was operational.
In the archives that I've examined already in Grenoble, I was astounded to discover that, in the notes on political events in the Isère department during the three or four years following the French Revolution, there's no serious mention whatsoever of Choranche or even Pont-en-Royans. A possible reason for this curious absence is the fact that, throughout the revolutionary period, this part of the Royans still remained, to a certain extent, under the influence of the ancient Bérenger family, lords of Sassenage. [In medieval times, there was a so-called prince of Pont-en-Royans!] I even came across a parliamentary note about a complaint lodged by the lord Bérenger of that epoch because the revolutionaries had not yet returned various documents that he had apparently lent them. In about 1793, the archives of the commune of Pont-en-Royans were deliberately burnt in the middle of the village. On the other hand, the good lord's precious Sassenage archives concerning the Royans "principality" were saved for posterity in his charming little castle on the outskirts of Grenoble... which means that we're able to consult them today on our computers.
The inventor of the new names was a romantic author referred to as Fabre d’Églantine, who joined the revolutionary leaders as a secretary in 1792. [In this concocted name, Églantine designates a wild rose.] An egoistic scoundrel, he was guillotined with Georges Danton on the Republican date of 17 germinal an II [April 5, 1794]. These days, we remember Fabre d’Églantine as the poet who wrote the words of a famous lullaby: Il pleut, il pleut, bergère. It's a love song addressed to a girl who's minding her sheep out in the fields.
It's raining, raining, shepherdess! The singer tells the wet girl that rumbling thunder indicates an approaching storm, and he invites her into the warmth of his house. Recently, in a splendid TV saga entitled Voici venir l'orage [Look, a storm is coming! ], concerning the dramatic flight from Russia of the Jewish ancestors of the French movie directrice Nina Companeez, the words and music of this lullaby symbolized in a moving manner the trials they had to face, first in Bolshevik Russia, and later in Nazi-occupied France.
The revolutionaries of 1789 imagined that their cause and spirit were, not just French, but universal. It's amusing to discover that, in their eagerness to replace the old names of the Gregorian Calendar, they invented terms that are anything but universal, because they're based upon French seasons and agricultural activities. My birthday, for example, falls in the first month of the Republican Calendar, called vendémiaire, which is related to the word vendanges, meaning grape-picking. But Fabre d'Églantine and his friends forgot, or ignored, that, during the month of September in Australia, say, there's not much in the way of grape-picking. All the other names for months are similarly parochial in a naive fashion: October/November is brumaire, evoking autumn mist and fog; July/August is thermidor, evoking hot sunny days; etc. The revolutionaries would have surely been upset by the upside-down maps of the world in which tiny France looks as if it would be crushed if ever the giant African continent happened to "drop down" onto her.
Incidentally, my writer-hero Richard Dawkins refers to the kind of naming anomaly made by Fabre d'Églantine as a case of "unconscious northern hemisphere chauvinism". Here's how he speaks about "consciousness-raisers" in our atheists' bible, The God Delusion:
It is for a deeper reason than gimmicky fun that, in Australia and New Zealand, you can buy maps of the world with the South Pole on top. What splendid consciousness-raisers those maps would be, pinned to the walls of our northern hemisphere classrooms. Day after day, the children would be reminded that 'north' is an arbitrary polarity which has no monopoly on 'up'. The map would intrigue them as well as raise their consciousness. They'd go home and tell their parents — and, by the way, giving children something with which to surprise their parents is one of the greatest gifts a teacher can bestow.
[If only Nicolas Sarkozy were to read Antipodes, if not the books of Dawkins, I'm sure he would promptly "invent" the idea of decreeing that upside-down maps of the world be pinned on the walls of every French classroom.]
Close the Dawkins parenthesis. The Republican Calendar dominates the decade that concerns me in my research about the origins of my property at Gamone. I've always believed that the place once belonged to the Chartreux monks at Bouvantes whose monastery and other possessions were auctioned off between December 1790 and March 1791. It's quite likely that their outlying properties in Choranche were sold during the years that followed, maybe at a time when the Republican Calendar was operational.
In the archives that I've examined already in Grenoble, I was astounded to discover that, in the notes on political events in the Isère department during the three or four years following the French Revolution, there's no serious mention whatsoever of Choranche or even Pont-en-Royans. A possible reason for this curious absence is the fact that, throughout the revolutionary period, this part of the Royans still remained, to a certain extent, under the influence of the ancient Bérenger family, lords of Sassenage. [In medieval times, there was a so-called prince of Pont-en-Royans!] I even came across a parliamentary note about a complaint lodged by the lord Bérenger of that epoch because the revolutionaries had not yet returned various documents that he had apparently lent them. In about 1793, the archives of the commune of Pont-en-Royans were deliberately burnt in the middle of the village. On the other hand, the good lord's precious Sassenage archives concerning the Royans "principality" were saved for posterity in his charming little castle on the outskirts of Grenoble... which means that we're able to consult them today on our computers.
Labels:
Chartreux monks,
Choranche,
French history,
Gamone
Friday, June 6, 2008
Fascinating painting
People at Google must be aficionados of the Spanish painter Diego Velázquez [1599-1660], because they've celebrated his birthday by creating a graphic Google banner based upon the famous painting called Las Meninas [Maids of Honor].
Here's a fragment of the original Velázquez masterpiece:
The intriguing nature of this painting was first brought to my attention back in 1966 when I read a popular work of modern philosophy, Les mots et les choses by Michel Foucault [translated into English as The Order of Things], which starts with an in-depth analysis of the Velázquez painting. Foucault suggests that this painting demonstrates, or at least symbolizes, the existence of an invisible emptiness at the heart of the world that we attempt vainly to circumscribe... not by images, but by language. So, let us see rapidly what is so upsetting about this painting.
At first sight, one has the impression that the subject of the painting is the blonde child between the two maids. Her name is Margarita, and she's the eldest daughter of the Spanish queen. When we examine the individuals more closely, however, we find that the artist Velázquez himself is present, standing behind the left-hand maid, and that he is looking directly, not at the little princess, but at us, the viewers. Then a blurry mirror on the rear wall, just to the right of the painter's head (as we see things), reveals the true subject of the painter's work: the barely-recognizable king and queen of Spain, Philip IV and Marianna.
The painting is inverted in such a way that we see, not the true subject, but rather the regard of those who can see this subject. In the antipodean sense that I evoke often in this blog, the painter has turned his world upside-down and inside-out. At a visual level, the two most prominent subjects in the foreground of the painting, from our viewpoint, are a bulky pet dog and a plump male dwarf in female attire (said to be an Italian jester). Meanwhile, supposedly major individuals such as the royal couple and a noble man are seen as mere images on rear-wall mirrors, suggesting that Velázquez himself was not overly preoccupied with the task of reproducing their image on his canvas.
This complex work of art (designated by many admirers as the greatest painting ever made) is an excellent symbol for Google. We throng to Google in the hope of receiving profound knowledge about our world... whereas Google, in reality, is simply throwing back at us, through its endless lists of websites of all kinds, our own imperfect image. Maybe a vast but essentially empty image.
Here's a fragment of the original Velázquez masterpiece:
The intriguing nature of this painting was first brought to my attention back in 1966 when I read a popular work of modern philosophy, Les mots et les choses by Michel Foucault [translated into English as The Order of Things], which starts with an in-depth analysis of the Velázquez painting. Foucault suggests that this painting demonstrates, or at least symbolizes, the existence of an invisible emptiness at the heart of the world that we attempt vainly to circumscribe... not by images, but by language. So, let us see rapidly what is so upsetting about this painting.
At first sight, one has the impression that the subject of the painting is the blonde child between the two maids. Her name is Margarita, and she's the eldest daughter of the Spanish queen. When we examine the individuals more closely, however, we find that the artist Velázquez himself is present, standing behind the left-hand maid, and that he is looking directly, not at the little princess, but at us, the viewers. Then a blurry mirror on the rear wall, just to the right of the painter's head (as we see things), reveals the true subject of the painter's work: the barely-recognizable king and queen of Spain, Philip IV and Marianna.
The painting is inverted in such a way that we see, not the true subject, but rather the regard of those who can see this subject. In the antipodean sense that I evoke often in this blog, the painter has turned his world upside-down and inside-out. At a visual level, the two most prominent subjects in the foreground of the painting, from our viewpoint, are a bulky pet dog and a plump male dwarf in female attire (said to be an Italian jester). Meanwhile, supposedly major individuals such as the royal couple and a noble man are seen as mere images on rear-wall mirrors, suggesting that Velázquez himself was not overly preoccupied with the task of reproducing their image on his canvas.
This complex work of art (designated by many admirers as the greatest painting ever made) is an excellent symbol for Google. We throng to Google in the hope of receiving profound knowledge about our world... whereas Google, in reality, is simply throwing back at us, through its endless lists of websites of all kinds, our own imperfect image. Maybe a vast but essentially empty image.
Plug taken out of river
Julie, a kinesiologist at the place in Chatte that I've been attending twice a week for the last two months, happens to be a former junior world champion in rowing, a member of the Romans club on the banks of the Isère. This morning, I asked her: "Have you seen what they've done with your river?"
Yes, she had. A week ago, the electricity authorities manipulated their dams in such a way that the only water flowing into the Isère at the level of the village of St-Nazaire came from the Bourne: the noble little stream that flows through Choranche and Pont-en-Royans. The Bourne is largely a mountain torrent, since its volume depends constantly on what's happening, in the way of rain or snow, up on the Vercors plateau.
At the place in St-Nazaire shown in this photo, there's normally a beautiful lake formed by the confluence of the Bourne and the Isère. Visitors are always stunned by the beauty of the red rocks at the tip of the peninsula, reflected in the green waters. Once upon a time, there was a fluvial port here named Rochebrune [meaning "brown rocks"]. The Chartreux monks used flat boats to bring down iron ore from distant Allevard. From St-Nazaire, these raw materials were transported by donkeys up to furnaces at Bouvantes, operated by the same monks who used to make wine at Gamone.
Julie's rowing boats are not the only grounded vessels. Against the backdrop of the aqueduct at St-Nazaire, the Royans river-boat for tourists looks like a stranded whale. Happily, this weird situation will not last for long: just the time it takes for dam workers to remove logs that have floated into their electricity installations.
Yes, she had. A week ago, the electricity authorities manipulated their dams in such a way that the only water flowing into the Isère at the level of the village of St-Nazaire came from the Bourne: the noble little stream that flows through Choranche and Pont-en-Royans. The Bourne is largely a mountain torrent, since its volume depends constantly on what's happening, in the way of rain or snow, up on the Vercors plateau.
At the place in St-Nazaire shown in this photo, there's normally a beautiful lake formed by the confluence of the Bourne and the Isère. Visitors are always stunned by the beauty of the red rocks at the tip of the peninsula, reflected in the green waters. Once upon a time, there was a fluvial port here named Rochebrune [meaning "brown rocks"]. The Chartreux monks used flat boats to bring down iron ore from distant Allevard. From St-Nazaire, these raw materials were transported by donkeys up to furnaces at Bouvantes, operated by the same monks who used to make wine at Gamone.
Julie's rowing boats are not the only grounded vessels. Against the backdrop of the aqueduct at St-Nazaire, the Royans river-boat for tourists looks like a stranded whale. Happily, this weird situation will not last for long: just the time it takes for dam workers to remove logs that have floated into their electricity installations.
Wednesday, June 4, 2008
Fulfilling day in Grenoble
Once again, I took the train to spend the day in Grenoble at the Archives départementales de l'Isère: a friendly and efficient patrimonial institution. I can think of no more enjoyable excursion than this return to rare documentary sources concerning Choranche. It's pure luxury: taking a comfortable train ride to a building in a nice city where I can simply look up the marvelous notarial documents revealing the background of my adoptive home place, Gamone. Every old document that I encounter [today, I was examining the years 1880 and 1881] is a mini-masterpiece of humanity. I skim through all kinds of consequential, less consequential, but often dramatic events.
This morning, as I was driving down from Gamone, I ran into my neighbor Georges Belle on his moped. He told me he was coming up here to see whether he could find saplings for his tomato plantation. Georges is an old-timer who lives in the splendid Carthusian building located midway between Gamone and the village of Choranche. He knows I'm interested in local history... but there's no way in the world that this grumpy old guy might invite me into his Carthusian abode, which is probably quite a mess.
Before my day in Grenoble was over, I had learned that the property of Georges once belonged to a certain Julien Chabert. I also learned that a former owner of Gamone, the carpenter Eugène Gerin [1843-1891], purchased a vegetable garden in Pont-en-Royans on July 11, 1881... which suggests that, at that date, he hadn't yet acquired Gamone. Why would a fellow buy a vegetable patch in Pont-en-Royans if he already had enough space to grow vegetables—as I do today—at Gamone? So, that leaves me with a decade of notarial archives within which I should theoretically be able to find a document concerning Eugène Gerin's purchase of Gamone. The vegetable plot thickens...
Searching through archives is in fact a relatively sporting activity. First, you need to be intellectually alert, in the sense that you're using your powers of reasoning to find needles in haystacks. You have to be able to manipulate the fat dossiers of rusty old documents. And you need sufficiently good eyesight to browse rapidly through piles of hand-written pages of notarial acts, trying to glimpse a significant term such as Choranche. Personally, in a normal day of researching, I find that I can get through some two years of notarial documents. After that, everything starts to get blurry... which is definitely not good for this kind of activity. Maybe, one of these days, genealogy and local history research will be accepted as Olympic sports.
This morning, as I was driving down from Gamone, I ran into my neighbor Georges Belle on his moped. He told me he was coming up here to see whether he could find saplings for his tomato plantation. Georges is an old-timer who lives in the splendid Carthusian building located midway between Gamone and the village of Choranche. He knows I'm interested in local history... but there's no way in the world that this grumpy old guy might invite me into his Carthusian abode, which is probably quite a mess.
Before my day in Grenoble was over, I had learned that the property of Georges once belonged to a certain Julien Chabert. I also learned that a former owner of Gamone, the carpenter Eugène Gerin [1843-1891], purchased a vegetable garden in Pont-en-Royans on July 11, 1881... which suggests that, at that date, he hadn't yet acquired Gamone. Why would a fellow buy a vegetable patch in Pont-en-Royans if he already had enough space to grow vegetables—as I do today—at Gamone? So, that leaves me with a decade of notarial archives within which I should theoretically be able to find a document concerning Eugène Gerin's purchase of Gamone. The vegetable plot thickens...
Searching through archives is in fact a relatively sporting activity. First, you need to be intellectually alert, in the sense that you're using your powers of reasoning to find needles in haystacks. You have to be able to manipulate the fat dossiers of rusty old documents. And you need sufficiently good eyesight to browse rapidly through piles of hand-written pages of notarial acts, trying to glimpse a significant term such as Choranche. Personally, in a normal day of researching, I find that I can get through some two years of notarial documents. After that, everything starts to get blurry... which is definitely not good for this kind of activity. Maybe, one of these days, genealogy and local history research will be accepted as Olympic sports.
Tuesday, June 3, 2008
Deadly level crossings
Yesterday, for the second time in a week, I caught the inter-city train from St-Marcellin to Grenoble in order to spend time exploring the archives concerning the history of my property. This excursion is truly luxurious in the sense that the traveler arrives in the center of Grenoble and gets swept up immediately by a tram that takes you to any place whatsoever inside the Alpine city.
At about the same time I was making the return voyage, seven adolescents met their deaths in a level-crossing catastrophe, elsewhere on this regional transport network, up towards the lake of Geneva, when their bus stalled on the rails.
Here's the scene today, as authorities attempt to determine what happened:
In my recent article entitled Doubling the line [display], I evoked the anguishing theme of level crossings, of which there are still some 15 thousand in rural France.
The following specimen, which I use almost daily, is a true death trap:
Normal French Cartesian logic seems to have got screwed up here in a potentially mortal manner. Since it's a dangerous crossing, lying just alongside the busy highway from St Marcellin to Romans, somebody decided that orange lamps should flash here constantly, aimed at warning motorists that they should behave cautiously. But these orange lamps interfere with the more urgent message of a red lamp that goes into action periodically when the barriers are about to descend, because a train is arriving. Motorists who arrive here regularly, like me, day in day out, end up ignoring the constantly-flashing orange lamps, insofar as they do not indicate any kind of imminent danger. Consequently, they're conditioned subconsciously to ignore also the red lamp, whose flashes signal a matter of life or death. To put it bluntly, this place is waiting for a mortal accident to occur.
At about the same time I was making the return voyage, seven adolescents met their deaths in a level-crossing catastrophe, elsewhere on this regional transport network, up towards the lake of Geneva, when their bus stalled on the rails.
Here's the scene today, as authorities attempt to determine what happened:
In my recent article entitled Doubling the line [display], I evoked the anguishing theme of level crossings, of which there are still some 15 thousand in rural France.
The following specimen, which I use almost daily, is a true death trap:
Normal French Cartesian logic seems to have got screwed up here in a potentially mortal manner. Since it's a dangerous crossing, lying just alongside the busy highway from St Marcellin to Romans, somebody decided that orange lamps should flash here constantly, aimed at warning motorists that they should behave cautiously. But these orange lamps interfere with the more urgent message of a red lamp that goes into action periodically when the barriers are about to descend, because a train is arriving. Motorists who arrive here regularly, like me, day in day out, end up ignoring the constantly-flashing orange lamps, insofar as they do not indicate any kind of imminent danger. Consequently, they're conditioned subconsciously to ignore also the red lamp, whose flashes signal a matter of life or death. To put it bluntly, this place is waiting for a mortal accident to occur.
Saint Laurent
Without Yves Saint Laurent, France is a little more naked than usual. Talking of nakedness, recall the magnificent statement of this gay guy who seemed to understand women in a sublime fashion:
Nothing is more beautiful than a naked body. The most lovely clothes to attire a woman are the arms of the man she loves. For women who cannot achieve such happiness, I am available.
Personal anecdote : YSL played a major role in the French perfume business. Once upon a time, I was driven mad by a Parisian maiden named Valérie who was perfumed by a product named Kouros, designed theoretically for males. What a diabolical idea that a female might wear such a perfume! Thankfully and harmoniously, my body ended up becoming an intimate friend both of Valérie and of Kouros.
Nothing is more beautiful than a naked body. The most lovely clothes to attire a woman are the arms of the man she loves. For women who cannot achieve such happiness, I am available.
Personal anecdote : YSL played a major role in the French perfume business. Once upon a time, I was driven mad by a Parisian maiden named Valérie who was perfumed by a product named Kouros, designed theoretically for males. What a diabolical idea that a female might wear such a perfume! Thankfully and harmoniously, my body ended up becoming an intimate friend both of Valérie and of Kouros.
Monday, June 2, 2008
Aussie crime-buster: arrested, innocent
This nicely-dressed clean-shaven 51-year-old Aussie guy is Mark Standen. Yesterday, in the fight against organized crime, he was Australia's top cop.
Today, he has been arrested, suspected of master-minding a scheme to import chemicals enabling the production of millions of dollars of narcotic stuff known as ice. It goes without saying that, for the moment, this Aussie drug cop is presumed to be innocent.
Today, he has been arrested, suspected of master-minding a scheme to import chemicals enabling the production of millions of dollars of narcotic stuff known as ice. It goes without saying that, for the moment, this Aussie drug cop is presumed to be innocent.
Mutual horse help
In my recent article entitled Horse sense [display], I didn't try to conceal my irritation about Alison's horses escaping and then pounding across my lawn at Gamone. The surroundings of my house are so rudimentary [the soil at Gamone is full of rocks] that they hardly deserve to be called a lawn. Well, I'm happy to say that Alison hasn't come down here yet to retrieve her animals... which is fine. They are still devouring, with obvious pleasure, huge quantities of delicious Gamone grass and weeds. And I prefer to see these lovely horses at Gamone, happy, rather than back up on Bob's muddy slopes, which simply don't have the same vegetal resources as here. For me, a hungry horse is like a mistreated dog. I can't stand such images. I'm terribly sensitive to the sufferings of animals.
Although there's still a lot of rain at Gamone, the weather is warm, and flies have become a constant problem for my donkeys and for Alison's horses. Betsy [the beige female] and Diamond [the white male] often stand side by side, eye to arse, in such a way that the sweeping tail of one animal chases flies from the head of the other. Nice thinking. My donkeys Moshé and Mandrin [located on the upper side of the electric fence] often watch the horses in amazement. This kind of cooperation would be unthinkable between intelligent but egotistic donkeys. Let's face it, in Aussie donkey-like terms: Would you, or would you not, be prepared to stick your nose in a mate's arse simply because he's bothered by flies?
Although there's still a lot of rain at Gamone, the weather is warm, and flies have become a constant problem for my donkeys and for Alison's horses. Betsy [the beige female] and Diamond [the white male] often stand side by side, eye to arse, in such a way that the sweeping tail of one animal chases flies from the head of the other. Nice thinking. My donkeys Moshé and Mandrin [located on the upper side of the electric fence] often watch the horses in amazement. This kind of cooperation would be unthinkable between intelligent but egotistic donkeys. Let's face it, in Aussie donkey-like terms: Would you, or would you not, be prepared to stick your nose in a mate's arse simply because he's bothered by flies?
Magic roses, minimum dog
Christine took this photo to show me roses of the Albertine variety that blossomed recently, almost magically, alongside her house in Brittany:
Apparently it's an old rose-bush that was there long before Christine acquired her property. She cleaned up the harsh rocky surroundings of the plant, which soon blossomed splendidly, no doubt for the first time in years... thanking her for her care, as it were. And the most amazing thing is this magnificent variety of rose has the same name that Christine once chose for her antiquarian book shop.
On the right edge of the photo, we can just make out the snout of a dog, who seems to be making an effort to get included in the picture. This minimum dog is of course Christine's Gamone, the delightful daughter of my Sophia.
Apparently it's an old rose-bush that was there long before Christine acquired her property. She cleaned up the harsh rocky surroundings of the plant, which soon blossomed splendidly, no doubt for the first time in years... thanking her for her care, as it were. And the most amazing thing is this magnificent variety of rose has the same name that Christine once chose for her antiquarian book shop.
On the right edge of the photo, we can just make out the snout of a dog, who seems to be making an effort to get included in the picture. This minimum dog is of course Christine's Gamone, the delightful daughter of my Sophia.
Saturday, May 31, 2008
Spokesmen
During a brief period in 2003, I was tempted to make fun of the USA's search for mythical weapons of mass destruction in Iraq, which I likened to a quest for the Grail [display]. I didn't carry on with this website for long, because I soon discovered that things weren't in any way funny. Back in those days, everybody laughed a lot at the comical declarations of the Iraqi spokesman Muhammad Saeed al-Sahhaf.
You can find several amusing samples of al-Sahhaf's outpourings on YouTube. As for the man himself, it's said that he's currently leading a happy family existence in the United Arab Emirates. Maybe, observing the situation in Iraq, al-Sahhaf is having the last laugh.
In my sarcastic website, I imagined a certain Aristobulus Flavius, Scribe of the Oval Office, latter-day image of Josephus Flavius, author of The Jewish War. The real man in question was Ari Fleischer, who resigned in 2003 after getting horribly mixed up in the Scooter Libby affair... which I've often mentioned briefly in the past:
— article of February 3, 2007: All my trials, Lord [display]
— article of March 7, 2007: Goat stories [display]
— article of July 9, 2007: Woman who has paid the price [display]
— article of August 14, 2007: Brain removal [display]
All of that is past history. Today, we learn that a dyed-in-the-wool Bushman, also a former presidential spokesman, has just turned traitor. The mere title of the memoirs published by Scott McClellan sets the tone: What Happened: Inside the Bush White House and Washington's Culture of Deception.
Obviously, we've reached the stage where it's no longer wise for a head of state such as Saddam or Bush to employ a spokesman. Would this mean that chiefs should henceforth speak personally for and by themselves, unaided? That could well be a greater calamity.
You can find several amusing samples of al-Sahhaf's outpourings on YouTube. As for the man himself, it's said that he's currently leading a happy family existence in the United Arab Emirates. Maybe, observing the situation in Iraq, al-Sahhaf is having the last laugh.
In my sarcastic website, I imagined a certain Aristobulus Flavius, Scribe of the Oval Office, latter-day image of Josephus Flavius, author of The Jewish War. The real man in question was Ari Fleischer, who resigned in 2003 after getting horribly mixed up in the Scooter Libby affair... which I've often mentioned briefly in the past:
— article of February 3, 2007: All my trials, Lord [display]
— article of March 7, 2007: Goat stories [display]
— article of July 9, 2007: Woman who has paid the price [display]
— article of August 14, 2007: Brain removal [display]
All of that is past history. Today, we learn that a dyed-in-the-wool Bushman, also a former presidential spokesman, has just turned traitor. The mere title of the memoirs published by Scott McClellan sets the tone: What Happened: Inside the Bush White House and Washington's Culture of Deception.
Obviously, we've reached the stage where it's no longer wise for a head of state such as Saddam or Bush to employ a spokesman. Would this mean that chiefs should henceforth speak personally for and by themselves, unaided? That could well be a greater calamity.
Magic talents
This is a rare photo of me engaged in the mysterious activity known as dowsing. If you don't happen to know the meaning of this term, you might take a look at my article of 13 August 2007 entitled Strange skills [display], or you might do better to go directly to the Wikipedia article on this subject [display]. Basically, I'm using a pair of metal rods to search for water beneath the lawn at Gamone. The image is rare in the sense that I don't usually authorize people to take photos of me when I'm engaged in dowsing, because this art involves a set of secret principles that I do not wish to divulge. Exceptionally, this particular photo and the one that follows were taken by a professional dowsing colleague from Marseille who was visiting Gamone in order to watch me in action, and partake of my wisdom in this domain.
In this second image, you might be able to discern, on my black tracksuit trousers, my sponsor's logo. As you can see from my tense concentration, this activity is akin to a high-level competitive sport such as curling.
So, it's normal that the big guys in the sponsorship arena seek out talented dowsing athletes such as yours truly.
To be perfectly truthful, on the particular day these photos of me were taken, I did not actually succeed in detecting the presence of water alongside my house in Gamone. But that was neither here nor there, because it rained for most of the weekend. And, in any case, I'm hooked up to the municipal water supply at Choranche.
In this second image, you might be able to discern, on my black tracksuit trousers, my sponsor's logo. As you can see from my tense concentration, this activity is akin to a high-level competitive sport such as curling.
So, it's normal that the big guys in the sponsorship arena seek out talented dowsing athletes such as yours truly.
To be perfectly truthful, on the particular day these photos of me were taken, I did not actually succeed in detecting the presence of water alongside my house in Gamone. But that was neither here nor there, because it rained for most of the weekend. And, in any case, I'm hooked up to the municipal water supply at Choranche.
Friday, May 30, 2008
Religious insanity in God's own country
In the following video clip, we see a funky guy introducing, in boxing-match style, a white pastor named Michael Pfleger who then made fun of Hillary Clinton while preaching last Sunday in Barack Obama's Trinity United Church of Christ:
When I see such clownish antics, bordering on some kind of clinical emotional problem, words fail me. If I were a Christian, I would pray that the pastor might be forgiven by his brethren and maybe even enlightened by the Lord. If I were a US voter, I would also be inclined to do a bit of praying, no matter whether or not I believed in God. It goes without saying that I wouldn't dare to suggest that the silly preacher should be punished in hell. On the other hand, I do feel that everything in the world would go a little more intelligently if all the religious crackpots in America, including—above all—those in presidential spheres, would quietly go to hell... at least until after the election's over.
When I see such clownish antics, bordering on some kind of clinical emotional problem, words fail me. If I were a Christian, I would pray that the pastor might be forgiven by his brethren and maybe even enlightened by the Lord. If I were a US voter, I would also be inclined to do a bit of praying, no matter whether or not I believed in God. It goes without saying that I wouldn't dare to suggest that the silly preacher should be punished in hell. On the other hand, I do feel that everything in the world would go a little more intelligently if all the religious crackpots in America, including—above all—those in presidential spheres, would quietly go to hell... at least until after the election's over.
Subscribe to:
Posts (Atom)