Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Monday, May 11, 2009

School in Paris

At the age of 12, I started secondary school in my native town of Grafton, Australia, and I left for Sydney at the age of 16. Aged 23, on the other side of the planet, I spent two months working as a sailor, first on the Greek cargo Persian Cyrus from London to Kuwait, then back to Rotterdam on the BP tanker British Glory. My basic schooling then took off once again in a totally different context, in Paris, as an assistant teacher of English in one of the most celebrated secondary schools of France: the Lycée Henri IV in the Latin Quarter of Paris. I spent some two academic years there, from November 1963 up until my marriage with a girl from Brittany in May 1965.

Truly, my destiny as a future resident and citizen of France was sealed when I set foot at Henri IV. It was the school of Guy de Maupassant, André Gide, Jean-Paul Sartre, Georges Pompidou... In such a high-powered historic and intellectual context, it was unthinkable that a young Australian, fascinated by existentialism and all things French, could resist the attraction of being adopted by this great nation and people. The catalyst was an exceptional individual: Christine. And the rest is the story of our life...

I've spoken already, in this blog, of high points in my life at that time. In a roundabout way, my post entitled Concept "bling-bling" [display] evoked a precious encounter of that epoch with a splendid young man named Benito Italiani, who was my Italian-language counterpart at the Lycée Henri IV. Benito was far more than a colleague. In his subtle Adriatic style, he taught me the meaning of European culture.

Considering Benito as one of my most marvelous friends in those formative days in the City of Light, I was stupefied to be informed by his American wife, in the winter of 1964-1965, that my former colleague at the Lycée Henri IV was no longer in the land of the living. He had been frozen to death in an Abruzzo skiing accident.

Yesterday, I was overjoyed to receive a blog comment [display] from Michael Italiani, Benito's son. Soon, maybe, I hope we shall meet up with one another and become friends...

Saturday, April 18, 2009

Ancient hospital, legendary surgeon

During my many years in the heart of Paris, I was mildly obsessed (I hesitated before using this word, but it's fairly accurate) by a great and ancient hospital on the Ile de la Cité, not far away from the cathedral of Notre-Dame de Paris: the Hôtel-Dieu.

I had always been fascinated by the way in which this hospital was perceived by Malte Laurids Brigge, the hero of the celebrated novel by Rainer Maria Rilke [1875-1926]. Everybody knows that Malte was in fact Rilke's alter ego. Well, even before my arrival in Paris, Malte had also become my alter ego.

I’m afraid. You have to take action against fear when it lays hold of you. It would be terrible to fall ill here. If ever somebody were to take me to the Hôtel-Dieu, I would certainly die there. [...] This excellent Hôtel is very ancient. Even in King Clovis' time, people died there in a number of beds. Now they are dying there in five hundred and fifty-nine beds. Of course the whole business is mechanical. With such an enormous output, an individual death is not so thoroughly carried out; but that is, after all, of little consequence. It is quantity that counts. Who cares anything today for a well-finished death? No one. Even wealthy people who could afford this luxury are beginning to be careless and indifferent about the matter. The desire to have a death of one's own is growing more and more rare. In a little while, it will be as rare as a life of one's own.

In Rilke's time, the hospital looked like this:

At my habitual bar in Paris, the Petit Gavroche, I used to run into a cultivated old Swiss fellow—a former lawyer, whom we referred to, respectfully, as Monsieur Jean—who was also a Rilke enthusiast. One evening, he whispered to me excitedly: "I've discovered a small door into the Hôtel-Dieu that is often left open after midnight, for the night staff. Would you like to visit this Rilkean temple?" With a good few beers under my belt, it sounded like a great idea. It was a totally weird excursion, strolling stealthily in the semi-darkness of the vast corridors of this ancient hospital, while knowing full well that we shouldn't have been there. Behind closed doors, just a few meters away from us, there were wards where sick people were no doubt dying "in five hundred and fifty-nine beds". You might say that Monsieur Jean and I looked upon our visit as a kind of literary experience: an outlandish way of soaking up retrospectively the heavy atmosphere of Rilke's turn-of-the-century Paris. Luckily, we didn't run into anybody. Indeed, the hospital gave the spooky impression that it was deserted... and this enhanced the Rilkean aroma of our nocturnal excursion.

At the start of the 19th century, the Hôtel-Dieu was associated with a legendary surgeon: Guillaume Dupuytren. Born in humble circumstances near Limoges, Guillaume moved up to Paris at the age of twelve, to finish his schooling. His favorite pastime consisted of reading medical textbooks. In the aftermath of the French Revolution, by the age of eighteen, he had taught himself enough about human anatomy to be hired by the Faculty of Medicine for two separate jobs. On the one hand, he gave courses on anatomy to students. On the other hand, he was placed in charge of all the autopsies carried out by the Department of Anatomy. He learned so much through these dissections that he was able to publish a successful treatise on the subject. He was awarded his medical degree in 1803, and was immediately appointed as a surgeon at the Hôtel-Dieu. He soon became renowned as the most brilliant surgeon in France, but his personality was so abominable that his colleagues feared and hated him. Indeed, he refused to speak with any of them, reserving his conversations for patients.

Well, even today, posthumously, Guillaume Dupuytren is treated rather disrespectfully by the young medical staff at the Hôtel-Dieu, who like to dress up his statue in all kinds of costumes and disguises.

On the left, Guillaume is wearing French Revolutionary pants, but he has an Elvis hairdo. On the right, as we can gather from the date and the US flag, he has become a blood-stained GI, wearing a metal helmet, on a beach in Normandy.

Guillaume can become a soccer player when the world cup is at stake...

... but he can switch to rugby, if need be, and even become the mascot (as indicated by the sash "en grève") of striking medical personnel.

One day, Guillaume's a surfer, then later he's the double of the French singer Michel Polnareff.

Sometimes, Guillaume even imagines himself as an exotic movie creature.

Malte Laurids Brigge would have been intrigued by all these individuals associated with the surgeon of the Hôtel-Dieu hospital:

For one thing, it has never occurred to me before how many different faces there are. There are quantites of people, but there are even more faces, for each person has several. There are some who wear the same face for years. Naturally, it wears out. It gets dirty. It splits at the folds. It stretches, like gloves one has worn on a journey. These are thrifty, simple folk. They do not change their face. They never even have it cleaned. It is good enough, they say, and who can prove the contrary? The question of course arises, since they have several faces, what do they do with the others? They keep them. Their children will wear them. But sometimes, too, it happens that their dogs go out with them on. And why not? Faces are faces.

Sunday, March 8, 2009

Two sisters in Paris

Long ago in Paris, I got to know two sisters. Well, I always believed they were sisters, because there was a family look about them, and they were never far away from one another. I used to see them often, whenever I happened to cross the Place de l'Hôtel de Ville, and I was attached to both of them, but in quite different ways. In spite of their being sisters, of roughly the same age, they were not at all identical individuals. One was a scientist; the other, an artist.


Normally, this distinction between the two sisters should have been clear-cut and fixed, but it wasn't. At times, I had the strange impression that the scientist was in fact more of an artist than her sister, and inversely. But I never saw them as twins, because they remained distinct women, with contrasting personalities and behaviors. Maybe "complementary" would be a better adjective than "contrasting", because one seemed to possess what was lacking in the other, and vice versa. In any case, they were splendid sisters, each in her specific style, and I was happy to be their friend.

à la mémoire de Dominique

Saturday, January 24, 2009

Wanderlust

It appears that ceramic garden gnomes were invented in Germany in the middle of the 19th century. But it was in my native land, Australia, that an amazing gnome event first occurred, in 1986. A woman in the eastern suburbs of Sydney woke up one morning to discover that her garden gnome Bilbo had disappeared, leaving a note: "Dear Mum: I couldn't stand the solitude any longer. I've gone off to see the world. Don't be worried. I'll be back soon. Love and kisses, Bilbo." During the months that followed, in her mail, the lady received photos of her gnome in various well-known European settings: in front of Big Ben, alongside the Eiffel Tower, in a Venetian gondola, etc. And scribbled words of affection on the back of each photo assured his mum in Sydney that he was having the time of his life.

Finally, one night, Bilbo reappeared unobtrusively in his native Sydney garden. His wanderlust was fulfilled, and his mum found him posed calmly among the flowers as if nothing had ever happened. But his gnome's heart was in fact full of contentment and pride in his exploit.

We learn today that this same kind of wanderlust has struck in an unlikely place: Easter Island.

The French press has just revealed that one of the 980 giant statues—referred to as moai—has expressed the desire to travel to Paris "to emit spiritual energy that will change the conscience of humanity". Thanks to the Louis Vuitton group, the maoi's wish will be granted. Next year, a giant statue will be brought from Easter Island to the City of Lights, and it will be posed for a fortnight in the Tuileries gardens.

In my opinion, that's an excellent address for a maoi on a short trip to Paris. It will reside between the obelisk of the Place de la Concorde and the glass pyramid of the Louvre. On the other hand, unlike its homeland, there won't be a view of the vast ocean.

That particular site was chosen by two members of the island's Rapanui community, who came to Paris especially for that purpose. One of them told us what to expect from the maoi's presence: "It will metamorphose the conscience of the materialistic world into a more humanistic conscience." In my humble opinion, in this time of economic crisis and fear about global warming, that's exactly what we need, in France and elsewhere. The Easter Island fellow added: "The maoi is not a mere hunk of stone. It's a link. They show the world that, in attacking Nature, Man destroys himself. The story of Easter Island is the history of Humanity."

Do you know what I think? I reckon that the super bright guy from Hawai, young Barack, might be pulling the strings behind this unexpected and extraordinary scheme for transferring some Pacific wisdom to the Old World. Besides, I wouldn't be at all surprised if the halt in Paris were just a stopover on the way to the White House...

Monday, June 23, 2008

Phantoms from an ancient world

After arriving in Paris for the first time, in February 1962, and starting to work with IBM Europe in the Madeleine quarter, I developed the pleasant habit of residing in cheap romantic Latin Quarter hotels... often in tiny upper-story rooms called chambres de bonnes, which used to be occupied by maids. Naturally, I ate out all the time. Today, Christine and our children think I'm maybe telling tales when I say that one of my regular eating places was the Procope in the rue de l'Ancienne-Comédie, where I developed a taste for snails. I assure them that, in 1962, it was a perfectly ordinary Left-Bank restaurant, well within the means of a young Aussie who happened to be earning his living as a computer programmer with IBM.

In those distant days, the Latin Quarter soon became my everyday backyard, and I ventured into every nook and cranny of this exotic territory that had belonged primarily, not so long before then, to the students of the Sorbonne and the existentialists. One of the quaintest places I chanced upon was an archaic art gallery known as the Akademia Raymond Duncan, whose boss was an aging American artist who paraded around in a Greek robe, as if he were a reincarnation of Aristophanes. French friends told me that the claim to fame of this ridiculous fossilized Californian, who had nothing in particular to exhibit in his Latin Quarter Academy, apart from his silly self, was the fact that his long-departed sister, Isadora Duncan, had been an amazing innovator in the world of modern dance.

Indeed, I soon discovered that everybody in Paris had heard of Raymond's amazing sister, who liked to dance half-naked to Ancient Greek themes. Even if they knew little about Isadora's celebrated choreography, Parisians remembered the terrible anecdote about her accidental death in 1927, in Nice. Isadora's friend Benoît Falchetto was going to take her for a ride in a fabulous Bugatti automobile named the Amilcar GS 1924. Nonchalantly, the lovely dancer threw a scarf around her neck. This scarf was caught up instantly in the spoked wheels of the automobile, and Isadora Duncan was choked to death.

For me, through the presence of her aging offbeat brother, this anecdote of the American dancer's death—35 years and a world war before my arrival in France—remained terribly present in my mind during my first encounter with the fascinating City of Light.

Tuesday, April 15, 2008

Two Paris restaurants

On Sunday, we had lunch at the charming Café Louis Philippe on the Right Bank, just a hundred meters east of the Hôtel de Ville, opposite the Ile St Louis.

It's a delightful setting, with interior decor dating from 1810. The food is traditional, so Christine and I chose a dish that we would not normally cook at home: veal blanquette.

On Monday, just before leaving Paris, we had lunch in a quite different but equally charming place: the restaurant Le Bourgogne, near the St-Martin canal.

François and his friend Stéphane often go there, and it's a great address. As its name suggests, if it weren't located in the heart of Paris, you might refer to it as a typical provincial restaurant.

Tourists in Paris

It was rather unusual, for Christine and me, to wander around Paris as tourists. Naturally, we did the sort of things that tourists do, such as crossing the St-Martin canal on one of the old arched bridges.

I was happy to see that the Rue Rambuteau had not changed considerably. Christine and François sat down at the old café on the corner, which has always been an ideal observation point for watching everybody in the street.

Meanwhile, I started to take the kind of photos that tourists take.

Outside the Palais-Royal, we admired our reflections in this big pile of chromium-plated balls:

In general, we were both favorably suprised by the quality of Parisian gardens, which seem to be designed differently, with more imagination, than when we lived here.

Christine had never strolled around the Place Vendôme before.

I was keen to visit the place where I had started work with IBM in 1962: a private street named Cité du Retiro. Today, the inner sanctum has been acquired by Cartier and transformed into a vast citadel of glass and shiny steel.

Finally, if I were asked to indicate the change that impressed me most in my rapid vision of Paris during the weekend, I would not hesitate in replying: the huge quantity of scooters parked everywhere.

Christine's colorful admirer

On a sunny Sunday afternoon in the City of Light, Christine introduced me to one of her old-time admirers from the world of books.

This colorful gentleman, named Pascal, started his professional activities by pushing a trolley around the Latin Quarter and collecting unwanted books from shops. Then he would sell them to tourists. Today, he's a celebrated merchant with an outdoor stall on the Right Bank of the Seine. And filmmakers hire him regularly for small roles in movies about Paris.

Pascal owns a house in Normandy where he grows roses. He even told us his secret for the rapid creation of vast rose gardens. You simply push freshly-cut rose twigs into the earth, and about twenty percent of them finally grow into bushes with flowers. Besides roses, Pascal has lots of apple trees, and he transforms the fruit into a Normandy specialty: strong Calvados spirits, which is just the stuff you need to keep yourself warm when you're standing outside all day selling books.

From what I gather, Pascal decided long ago that his colleague Christine (who once had a bookshop in the Latin Quarter) would be the ideal woman in his life... but his dreams have not yet come to fruition. As a token of his constant affection, he presented Christine with a precious gift: a wine bottle full of his genuine homemade Calvados. Inside his stall, Pascal appeared to have a certain supply of warming beverages, which could be accessed by moving aside a few books. In the course of a normal working day, I suspect that Pascal probably moves those books aside quite a few times. To be honest, I should explain that, when we met up with him, at about two o'clock in the afternoon, Pascal had almost certainly not yet touched a drop of the strong stuff from Normandy. A glass beneath his shelves of old books revealed that he was still at the red wine stage.

Pedestrian minister

It's only a short walk between the ministry of the Interior and the presidential palace, but it's nice to have a couple of guys to carry your dossiers and an umbrella. On her way, Michèle Alliot-Marie halted to shake hands and chat briefly with each of the police officers she encountered. Not surprising; she's their big boss.

A minute later, François Fillon dashed past us in a motorcade comprising motor cyclists with sirens and a mysterious vehicle that looked like an ambulance. Great stuff for provincial tourists such as Christine and me. We concluded that Nicolas Sarkozy had organized a meeting at his place down the road.

Brilliant photographer

Alongside Christine and our son François, the fellow with the white shoes is Stéphane Gautronneau: a professional photographer who knows how to handle motor bikes and other interesting subjects. Click the following photo to visit his splendid website:

Family photo

It would be impossible to describe the amazing depth of synchronicity behind this snapshot of Christine and our friend Céline in a tea shop on the Rue St-Honoré:

Monday, April 14, 2008

Back to where it all began

My son took this snapshot as the métro dashed through Rambuteau station, on our way to the Gare de Lyon, for my return trip to the Dauphiné. These three days in Paris were a delightful and fascinating excursion for Christine and me. A meaningful encounter for our children, too, no doubt. A step back in time to where it all began... but, above all, an encounter with the everyday context of Emmanuelle and François. In any case, for those who might have unfounded doubts about the well-being of Paris and citizens such as our children, I believe I can affirm that Fluctuat nec mergitur.

Thursday, April 10, 2008

Bicycle thieves

This weekend, I'm looking forward to discovering the celebrated Vélib phenomenon: the free bikes of Paris. It's funny to think that I used to belong to the audacious minority who rode bikes through the dangerous streets of Paris back in the '70s.

Paris has always abounded in bicycle thieves, and the police have a hard job tracking them down and apprehending them.

I've just heard that, during the time since the Vélib system was set up, in July 2007, some 700 bikes have been stolen, and that many offenders have been blacklisted.

In France, a prestigious organization called the Commission nationale de l'informatique et des libertés [CNIL: National Committee for Computing and Liberty] makes sure constantly that the rights of French citizens are not being attacked or eroded, maybe surreptitiously, through the use of computers. The existence of this committee reflects an excellent French republican idea, and it appears to be effectively operational. For example, I was rather excited about the idea of seeing my name in the Journal Officiel, last month, when I was naturalized. But a polite note appeared on my computer screen stating that the CNIL did not authorize the explicit display of the identity of new citizens. Great stuff, I won't complain about that.

On the other hand, the CNIL has authorized Parisian authorities, not surprisingly, to computerize its blacklist of bicycle thieves, so that the police will find it easier to track them down. Once again, great stuff!

In his tongue-in-cheek Plaidoyer pour un génocide [Plea for a Genocide], my writer friend Jean Sendy [who died back in 1978] surprised us with the following affirmations:

Tout logicien sait qu'un crime parfait est très difficile à réussir, très long à préparer ; un criminel assez intelligent pour ne pas se faire prendre ne met donc pas la société en péril : au pire, il ne recommencera pas de sitôt ; au mieux il sera assez intelligent pour comprendre que ce n'est pas rentable et ne jamais recommencer. En bonne logique, les petits voleurs, les voleurs de bicyclette, doivent au contraire être éliminés aussitôt le délit établi : la médiocrité de leur entreprise les contraint à récidiver sans cesse, et prouve qu'ils sont trop bêtes pour être utiles à la société ; au mieux, on ne peut que les empêcher de nuire, en leur assurant vivre et couvert dans des prisons ruineuses pour le budget. Le seul défaut de ce raisonnement est son indifférence à la morale.

For readers whose French does not allow them to understand Jean Sendy: He says that great criminals don't really hurt society, whereas mediocre bicycle thieves, who annoy us constantly, should maybe be executed immediately... were it not for our moral qualms. Sendy was both a brilliant thinker and a good writer. A great friend, too. I think of him constantly, like Pierre Schaeffer and Albert Richard. Those three men, my cultural forebears, made me wish to become French.

Wednesday, April 9, 2008

Paris revisited

My daughter Emmanuelle and son François find it hard to understand why I've never returned to Paris for years. This doesn't mean that I've lost interest in the most fascinating and celebrated city on Earth, where I lived for ages, in the Rue Rambuteau.

On the contrary. The truth of the matter is down-to-earth. Here at Gamone, I live with a dog, Sophia, and I can't ask my neighbors to take care of her while I wander off to faraway places. It was only recently, on the occasion of my week or so in hospital, that I got around to discovering the excellent solution of placing Sophia in a top-quality dogs' home just near the TGV station on the outskirts of Valence. Well, I've booked her in there for a few days so that I can finally get around to seeing, not only my children, but their Parisian apartments. And my ex-wife Christine will be leaving her home in Brittany to be there too. In fact, it's an immensely exciting idea for rural folk such as Christine and me to leave our respective villages and dogs for a few days, enabling us to revisit the capital and stay with our children.

I'm a little afraid that sophisticated Parisians might make fun of my rough country appearance and behavior. Maybe I should wear my Akubra hat, carry a camera around my neck, and try to look like an Aussie tourist.

Sunday, November 11, 2007

Sydney

When I was in central Sydney for a few weeks last year, I was fascinated by the opportunity of walking around in circles for hours and hours, trying to get a feel for the city, and examining the ways in which it had evolved since the '50s and '60s. Inevitably, too, I was constantly tempted to compare the Australian metropolis with the great European city in which I had lived, on and off, for three decades: Paris.

My initial impression of Sydney was a sensation of great physical fatigue, induced by the endless lines of people walking rapidly from X to Y, and from Y to X... where X and Y are entities that mathematicians would refer to as unknowns. After a few days of observation, I ended up imagining that X and Y are probably, basically, train stations and office buildings... but we might need to throw in a Z that designates eating establishments. In other words, the visible population of central Sydney would appear to be moving constantly between these three poles: trains, offices and places where they can eat and drink [which does not appear to mean pubs in the English sense, or restaurants in the French sense].

One thing is certain. Nobody in Sydney simply strolls. Either you're going somewhere, in a determined fashion, or you're not going anywhere... which means that you're located somewhere in a stationary slot, in an essentially invisible state. And funnily enough, I never had the impression that many of the local lemmings were actively engaged in shopping.

In Paris, one often feels that half the population is seated and relaxed, watching the other half of the population moving around, either working or giving the impression that they're working. In Australia in general, and in Sydney in particular, this notion of observing explicitly one's fellow citizens is unthinkable. It would be likened to voyeurism of a perverted kind. In public transport, for example, the general idea is that everybody burrows their head, ostrich-style, into a newspaper or a book. In the streets of central Sydney, it's the same thing. Each person barges stubbornly forwards towards his/her specific destination, eyes fixed on the road ahead, like a runner in a marathon. For a visitor, even the simple task of halting somebody to ask for directions is far from easy, for the outsider has the impression that nobody sees him, or wants to see him. Sydney pedestrians are a robotic race, a little like those TV bunnies that run on long-life batteries.

It's weird to discover the same dense and uniform style of robotic rat-race [I realize that I'm switching metaphorical animals at an alarming rate, and I haven't even got around to kangaroos yet] in the motor traffic on the major road arteries into and out of the city. There's no doubt about the fact that Sydneysiders are going somewhere... but the where and why are not clear.

Curiously, local journalists don't seem to be particularly lucid when called upon to describe their city. Here's a telling specimen, written by a female, in the Sydney Morning Herald: "Sydney is a trophy wife. Like her smug husband, we bask in the glory of association and smooth over the rough spots. Sydneysiders struggle with their glamorous, sparkling city." Really, this is twitter, which no doubt reveals less about Sydney than about the state of the woman who concocted these words, who is probably a "trophy wife" with a "smug husband". In any case, it's absurd to liken central Sydney, metaphorically, to a glamorous female. Sydney, in my eyes, secretes the same kind of unhealthy bird-like sexuality, based solely upon plumage, as a school mistress, an austere business secretary, a uniformed nurse or a policewoman. It's all about permissiveness, or rather the lack of it, and nothing to do with intrinsic sensuality, carefree eroticism or plain fun. In Paris, everybody knows that all kinds of human encounters, often of a sexual nature, come into existence more or less spontaneously within the rich and complex fabric of the city. In clockwork Sydney, this would be unthinkable.

The title of the female journalist's article was Welcome to the CBD: all arteries, no pulse. Borrowing her physiological metaphor, I would say that central Sydney is basically one of the least horny hangouts I've ever encountered.

Thursday, October 4, 2007

Wild rabbits and environmental issues

Often, I like to see how new words have come into existence. And sometimes, to understand a new word that appears to be modern— a neologism, as they are called—you have to start a long way back in time. Let me tell you how a curious new word has appeared in French.

It's a roundabout story, which starts with rabbits. As an Australian brought up in a country town, I've always thought I knew a little bit about these animals. On countless occasions, out in the bush, I saw my father take his rifle from the back of the Jeep to shoot rabbits. They were Dad's number-one enemy, because they consumed the precious grass intended for his beef cattle. In France, I discovered that the word lapin designates the huge backyard rabbit reared in cages for meat. To talk about small wild rabbits running around in the fields and forests, as in Australia, the French use the expression lapin de garenne.

Most French people, asked to define a garenne, would probably reply that this word designates patches of uncultivated land in the country where you're likely to find wild rabbits. In the Middle Ages, a garenne was a hunting reserve. At that time, in Paris, much of the land to the south of the place where the Eiffel Tower now stands was a swampy garenne. Finally, it was cleaned up and cultivated by the monks of Saint-Germain-des-Prés, who grew vegetables there. The track leading down to the former garenne came to be called the rue Garanelle, and this was later changed to rue de Grenelle. From the start of the 18th century, numerous aristocratic mansions—called hôtels in French—were erected in this fashionable street.

One of these splendid dwellings was the home of the Duke of Châtelet [nothing to do with the famous square of that name in the center of the city]. When this gentleman was guillotined in 1777, the Hôtel du Châtelet became state property. For many years, it was the palace of the archbishop of Paris. After the separation between the State and the Church became law, in 1905, the Republic asked the archbishop to pack his bags, and the noble mansion was henceforth occupied by the ministry of Employment.

In this building, on 25/26 May 1968, at the height of the social turmoil in France [referred to, since then, as mai 68], representatives of the government of Georges Pompidou [including a certain young secretary of state named Jacques Chirac] negotiated with trade unions and management organizations, resulting in a 25% increase in the basic wage, an average 10% increase in effective salaries, and the adoption of the 40-hour working week. Since then, the historic outcome of this meeting has been referred to as the accords de Grenelle [Grenelle agreement].

Today, the name of the street where this agreement was signed has become a common noun in everyday French: grenelle [still spelled incorrectly, most often, with an uppercase G]. The new word is used to designate a major national get-together involving participants, often with widely differing viewpoints, who are intent upon achieving a consensus. At the present moment, for example, a vast process of debate and study aimed at finding solutions to environmental problems is designated by this neologism: the grenelle of the environment. For wild rabbits, that's a big hop.

Tuesday, September 4, 2007

Paris to London by train in two hours

In London a few weeks ago, I was greatly impressed by the splendid transformation of the old St Pancras station, which will soon replace Waterloo [after 14 November] as the terminus of the Eurostar link with the Continent.

The modern rail section between the English Channel and London is referred to as High Speed 1, because it is Britain's first line capable of supporting high-speed trains of the kind that have been crisscrossing France regularly for years. This morning, a train pulverized the speed record between Paris and London. Two hours and three minutes! These two great cities are so totally different in ambience and style that it will be an amazing thrill to be able to leave one and set foot in the other a couple of hours later.

PS When I reread that last sentence I've written, I find it so trite and obvious that it almost deserves to be classed as what the French call a lapalissade. Monsieur de la Palice used to make declarations of the following kind: "No more than an hour before she died, the poor lady was perfectly alive!" A good modern example, from John Howard's Texan mate: "I think we agree: the past is over."

Wednesday, July 18, 2007

Free wi-fi in Paris

I've been trying to invent a shortcut term for the expression "free wi-fi". The French pronounce "wi-fi" as wee-fee. So, the term free-fi is almost acceptable here, except that there's already a French ISP [Internet service provider] named Free, who's not involved in the Parisian project. Besides, free-fi doesn't sound too good in English. In any case, free wi-fi is about to become a reality in Paris, under the auspices of the left-wing mayor, Bertrand Delanoë [pronounced deu-lah-no-way], and the municipality. Starting in September, there will be 400 hotspots, located in public parks, municipal premises, libraries, museums and employment bureaux.

That's a nice promotional image of a fellow seated (I think) in the Luxembourg Gardens in Paris, using free-fi, but it doesn't look too realistic. Balancing a portable computer on your outstretched leg is not exactly an ideal ergonomic position. The user probably wouldn't be able to read much on his screen, because of the sunlight. And I don't see the carrying case in which he brought his computer to the park.

Talking of hotspots, I'll never forget my first visit to a McDonald's in Sydney, last year. They seemed to be employing a team of recently-trained school kids as staff. I ordered an apple pie and Coke from a young guy who had most likely just started his McDonald's career that very morning. Then, since it was the first time I had ever set out to use wi-fi in a McDonald's, I asked him: "If I understand correctly, there's a hotspot in this restaurant." He froze, speechless, as if I had just told him that there was a rat in my apple pie, or a snake in the toilets. Or maybe he thought I was using exotic language to request some kind of rare McDonald's dish that the employee-training program had neglected to mention. All he could do, still without saying a word, was to call over the adult female in charge of the restaurant, who confirmed immediately that all I had to do was to sit down, anywhere, and turn on my MacBook. It did, in fact, work perfectly.

So, you might say that using the Parisian free-fi system will be exactly like a McDonald's hotspot, but without the apple pie and Coke.

Saturday, July 14, 2007

Once upon a time in Paris

In the popular image, on 14 July 1789, the people of Paris stormed the huge fortress jail of the wicked Ancien Régime, called the Bastille, and released hordes of innocent political prisoners... who then went on to set in action the celebrated French Revolution.

The reality was somewhat different. When the rioters finally reached the interior of the decrepit prison, they found seven bewildered inmates who were no doubt thrilled to be offered this unexpected opportunity of stepping into planetary history.

Just for the record, I take this opportunity of pointing out that one of the first prisoners to escape from a Parisian jail during that tumultuous week was an Englishman, Clotworthy Skeffington [1743-1805], 2nd Earl of Massereene, head of the Irish branch of our ancestral family. Some twenty years earlier, during a voyage to the European continent, the eccentric lord had been swindled in a crazy project that was supposed to import salt from the Barbary coast into France and Switzerland. Unable to pay his debts, Skeffington was imprisoned for some eighteen years in several nasty Parisian jails, including the notorious Conciergerie and the Grand Châtelet. By the summer of 1789, Skeffington had spent seven years in a jail known as the Grande-Force (since it used to be the Parisian mansion of a nobleman named Force), located just a stone's throw from the Bastille.

On Monday, 13 July 1789 (the eve of Bastille Day), Clotworthy Skeffington and two dozen fellow inmates escaped from this prison, apparently without any assistance whatsoever from the throngs of Parisian rioters who were taking control of the city.

In 1972, Ulster archivist Dr A Malcomson described "the extraordinary career" of Clotworthy Skeffington in a biography published by the Public Record Office of Northern Ireland. Although I don't belong to the same branch of the family as the Earl of Massereene [my early ancestors remained in England], I was sufficiently intrigued by the case of this eccentric aristocrat to research his history in the French national archives and the police museum in Paris, where I obtained a lot of interesting information that had not been available to Malcomson.

I take this opportunity of quoting a couple of documents on the interesting anecdote of Skeffington's escape from jail on the eve of Bastille Day, which does not seem to appear in French history books.

The book Englishmen of the French Revolution by John Alger [London, 1889] quotes a dispatch from the Duke of Dorset [British ambassador to France] sent from Paris on 16 July 1789, three days after Skeffington's liberation:

His Lordship, with twenty-four others in the Hôtel de la Force, forced their way out of prison last Monday morning without the loss of a single life. His Lordship, who has always expressed a great sense of gratitude for the small services I have occasionally rendered him since I first came to Paris in my present character, came directly to my hotel with six or seven of his companions, the rest having gone their different ways. I, however, soon prevailed upon Lord Massereene and the others to go to the Temple, which is a privileged place, and where he may therefore be able to treat with his creditors to some advantage. His Lordship told me that it was his intention to go thither, but that he thought it right to pay me the first visit.

A detailed account of the happenings of 13 July 1789 is supplied in the autobiography of François Richard-Lenoir, a famous Frenchman whose name is now attached to a boulevard at the Place de la Bastille. At the age of 24, Richard-Lenoir was a fellow inmate of Skeffington at the Grande-Force. Later on, Richard-Lenoir became immensely rich as a cotton merchant. Decorated personally by Napoléon Bonaparte, he has often been described as the richest individual of the entire 19th century. In his Mémoires [published in Paris in 1837], Richard-Lenoir speaks of Skeffington as follows:

We had for companion in misfortune an English lord, Massereene, eighteen years a prisoner. He had married in prison the sister of another prisoner, who had since recovered his liberty. Every morning his wife and brother-in-law arrived as soon as the gates were opened, and did not leave till evening. There was something touching in the felicity of this strange household. Through them we knew of everything that was going on in Paris, and could follow, step by step, the Revolution which was beginning. Lord Massereene especially, who had no hope except in a general overturn, was quite absorbed by it, and almost electrified us for liberty, which, indeed, for us poor prisoners, was only natural. We were not ignorant of what had happened at Réveillon's [evening meal] when, on 13 July 1789, just as we were about to assemble after the opening of the doors in a kind of garden or gravelled court, Lord Massereene suggested to us the forcing of our way out. Whether he was beforehand certain of the impassiveness of the jailers and soldiers, or whether he counted much on our daring, he assured us that nothing was easier, and that a resolute will was sufficient for success. We promptly decided. Arms had to be procured. Lord Massereene pointed out the staircase railings, the bars of which could serve as pikes. We immediately set to work; the railings yielded to our efforts, and all of us were soon armed. The commandant, however, was speedily informed of the revolt; but fear was then gradually gaining on officials, and instead of taking strong measures, he contented himself with ordering us to carry the outbreak no further, otherwise he warned us he should be obliged to use force against us. "So much the better," we exclaimed on all sides. "Kill us, and then you will have to pay our creditors." This reply frightening him, we took advantage of his perplexity to attack the first gate, and passed through without much trouble. There were still three others to force. All the turnkeys had joined the soldiers, but several officers and privates seemed to fight with reluctance. One of them on ordering fire had tears in his eyes. However, we seized on the three gates, part of the outer wall was demolished, and we at last issued, victors, from La Force.

There's a funny ending to this story. After being led by Lord Massereene to the British embassy in the Rue du Faubourg Saint Honoré, where the escapees were served refreshments, Richard-Lenoir says that he decided to make a return trip to the prison to pick up his belongings. Once he got back to the Grande-Force, the prison guards informed him that a Parisian mob had seen the gaps in the outer walls [made, as explained above, by Massereene and his fleeing companions], and members of this mob had simply strolled into the prison and stolen everything they could lay their hands on, including the clothes and other belongings of poor Richard-Lenoir!

Personally, even if Skeffington weren't a vague ancestor, I would still consider this delightful description of his escape from a Parisian prison on the eve of Bastille Day as a more authentic and human tale than the official story about the storming of the great fortress.

PS Genealogical information on the Massereene lineage can be found in chapter 4 of my monograph entitled Skeffington — Patronymic research [access].