A French photographer, Eugène Atget [1857-1927], produced a large series of fantastic photos of the working people of Paris around 1898. One of the best-known is the organ grinder and a young female singer:
The following fellow is selling stationery (sheets of paper and envelopes) to passers-by who intend to write letters:
The next photo presents an unusual professional activity. The fellow with rolled-up trousers, working alongside the Seine, earned his living by washing the dogs of passers-by.
The next photo represents a profession that still existed in Paris when I arrived here in 1962. Parisians of the generation before mine would have immediately recognized this corpulent fellow, through his hat and smock, as a member of the ancient corporation—created under the king of France known as Saint Louis [1214-1270]—called the Forts des Halles: literally, the strongmen of the markets.
Their task consisted of transporting manually all the meat and vegetables sold within the vast Paris markets, the Halles, referred to by Emile Zola as the "stomach of Paris".
In the next photo, the fellow on the left is selling articles that were familiar to my brother and me when we were kids out in rural Australia:
I'm talking of plaited braids of horsehair that were attached to the end of whips, to make them crack with a sharp loud noise. (Making these so-called whip crackers, and then using them effectively, were skills that both Don and I had acquired.) The customer in a top hat was probably a coach driver.
The following photo by Atget, taken in 1898, shows the St-Michel bridge, which links the Latin Quarter to the Ile de la Cité:
Here's a most unromantic modern view of the same site:
Incidentally, Eugène Atget photographed the Paris that is present in the opening pages of the Notebooks of Malte Laurids Brigge by Rainer Maria Rilke [1875-1926]. That's why I borrowed some of Atget's photos to illustrate my movie script based upon Rilke's novel.