
To see a world in a grain of sand
And a heaven in a wild flower
Hold infinity in the palm of your hand
And eternity in an hour.
— William Blake, Auguries of Innocence
As you can see from this image of the book in question, resting on my knees, along with an aesthetic view of my feet, I'm wearing shoes. Half an hour ago, this was not the case. I was wearing the comfortable sandals I bought in England last year—see End of English excursion [display]—when the weather was so hot.
I was so wrapped up in my reading that I hardly noticed the presence of a little beast as it slid over the toes of my left foot. As it wriggled away in the clover, I jumped up, grabbed a pair of long-handled clippers, and cut the snake in two.
It's a small viper, only 28 cm long and no thicker than a pencil. I spent a while convincing myself that I hadn't been bitten. I guess I'm more worried for Sophia than for me, because she would be capable of plunging at such a creature, just as she does with lizards.
Spooky, no? One obvious explanation is that God sent this serpent to warn me of the dangers of reading Dawkins. If this were the case, then my cutting the beast in two with garden clippers has surely got me into the bad books of the Creator of tigers and lambs... not to mention the Dalai Lama.
Superficially, my friend Thierry—resident of a nearby Drôme village—doesn't talk like a computer engineer, and certain observers might consider that he doesn't really look like such an individual... if indeed it might be said that computer engineers have a generic look.
This extraordinary map, drawn by Jean de Beins [1577-1651], dates from 1631. Click the image to access the French website, Gallica, that displays the entire map. The big river that flows down through Romans is, of course, the Isère. The Bourne tributary, which flows down below Gamone, is seen in the lower right-hand corner of this fragment of the map. Not surprisingly, Choranche was not significant enough to be indicated.
Today, the magnificent castle has disappeared, and no more than a mound remains.
The view to the north encompasses the giant mass of the Cournouze [in the upper center of the above photo], with the pointed Mount Barret to the left.
A handful of stones from the ancient castle lay scattered in the grass.
I feel like saying to this venerable witness of glorious centuries: "Tell me please, Old Stone, all that you have seen!" But we all know that old stones don't talk. They prefer to keep their secrets for themselves... and maybe for their ancient human companions, now dead.
It would have been nice to find that 20th-century folk, having stolen all the Sassenage stones [to build their own modern dwellings], might have erected a reminder of the medieval glory of the Bérenger family. On the contrary, in 1944, local folk preferred to erect a stupid Catholic statue, in concrete, evoking the silly story of Mary and her alleged sexless procreation of a child. Once upon a time, the lords of Sassenage were real, all too real. Their memory has been replaced mindlessly and shamefully, at the very site of their great home, by the evocation of a myth.
This promotional photo featuring the fashion designer Karl Lagerfeld is very French. The text says: "It's yellow. It's ugly. It doesn't go with anything. But it can save your life." I approve of this mild kind of second-degree humor. I believe that most French viewers will get the message, and retain it... which is all that matters.
Students (no doubt in the middle of their baccalauréat exams) bathed in the enticing fountain.
Between the blocks of buildings in the above photo, on the horizon, you can glimpse snow-covered mountain slopes. That's Grenoble!
These girls were offering free plastic beakers of icy Contrex to hot passers-by.
At first sight, I imagined that these poor girls wearing Contrex caps and T-shirts were obliged to stroll around in the heat with those huge plastic tanks of beverage on their backs. Not quite. The big yellow and orange "bottles" are empty and lightweight, whereas a nearby vehicle supplied the girls with ordinary bottles of Contrex.
On this morning of 18 June 2008, a letter with a tricolor heading is inviting me to the préfecture in Grenoble on Friday 27 June to receive a decree stating that I've been granted French nationality.
I'm moved to think that I'll be naturalized in the Alpine capital where the great mathematician Joseph Fourier was once the prefect. Grenoble is indeed a moving city, through its history (both ecclesiastic and republican) and its achievements in science and technology. It was also the birthplace of the great novelist Stendhal. Strangely, whenever I set foot in Grenoble, I feel calm and reassured, as if I were entering some kind of protective cocoon. This is no doubt an illusion, but I always feel that, whatever might be happening elsewhere in the universe, the people of Grenoble have surely got their act together, and are mastering their destinies. In any case, to my mind, it's an ideal place in which to become a citizen of France.
The symbol of the modern city is this mass of black steel, located outside the railway station. It's a work by the American sculptor Alexander Calder [1898-1976]. Entitled Three Peaks, this huge sculpture was commissioned for the Winter Olympics of 1968.
This pompous painting by Jacques-Louis David [1748-1825] provides us with an absurdly kitsch depiction of Leonidas the Spartan who defeated the huge army of Xerxes the Persian at Thermopylae in Central Greece. In David's time, in the aftermath of the French Revolution, the memory of Leonidas was celebrated in France in much the same way that young people now worship, rightly or wrongly, intelligently or mindlessly, the theme of Che Guevara.
I insist upon this comparison, because we often tend to think of the French revolutionaries as crazy impassioned dreamers, many of whom were destined to soon lose literally their heads. During their brief period of glory, they transformed provincial churches into so-called Temples of Reason, and planted Trees of Liberty.
A year later, the revolutionary crackpots of Saint-Marcellin had descended from their ridiculous pedestal, and they got back to labeling their district in the ordinary old way.
Often, in the wake of a revolution, or maybe after a mere political victory, males like to hoist a waving female into the air, as a kind of victory symbol.
The Irish girl in the referendum photo is hardly a match for Marianne. Her breasts are securely buttoned down, and the object she's waving in her right hand (an Irish flag?) is too small to be identified. And I can't help wondering if she really understood what she had voted against...
His name is Jean: the French form of the Christian name of the fourth evangelist, John. Don't be misled by the long hair. Jean is neither a beatnik nor a rugby man. Although he's merely 21 years old, Jean has already set out upon a political career in the suburbs of Paris, and he has just got engaged to a girl from an excellent family with home-appliance stores. So it's more than likely that, straight after their marriage, Jean and his wife will have the pleasure of stepping into a cozy little flat with all the basic modern necessities: stove, fridge, dish-washer, etc.
Yesterday morning, just after Alison's departure on her noisy scooter (which always causes my Sophia to bark), a new member of her family arrived unexpectedly at my place: a marvelous little male dog, a few months old, named Pif.
Pif promptly started to romp around with Sophia, who seemed to appreciate the presence of this tiny animal climbing all over her.
I had the impression that Pif was greatly awed, at times, by the massive stature of Lady Sophia.
In any case, throughout the entire day, the two dogs got on wonderfully well, and Pif was also extremely friendly with me, often snoozing in my arms and licking my nose. I gave him food and organized a comfortable basket for him alongside Sophia's queen-sized model.
I can't be certain, of course, that Sophia approved entirely of this audacious little dog reposing on her master's door mat. But there were never any squabbles.
At times, Sophia would gallop around the lawn to impress her young companion, and demonstrate her weighty Japanese-style wrestling prowess. On the other hand, there were limits to the amount of ear-biting that Sophia would tolerate from Pif's sharp baby teeth, and Sophia would make things clear at this level with a few ferocious snarls.
But I had not bargained on the magic attraction of the spluttering din of Alison's scooter, as she returned home at the end of her working day. Pif recognized the presence of his mistress as soon as she turned off the main road down in the valley, and he immediately shot off home to wait for her. Consequently, it's quite likely that Alison imagined that her disciplined dog had spent the day patiently in front of their house, awaiting her return. On the other hand, it's possible that Alison might have noticed that Pif's jet black fur was covered in sand-colored hairs from another animal... unless, of course, Pif took precautions to shake off all this telltale evidence on the track back home.
Yesterday, I repeated the bread recipe with slight variations, then I tasted the end result with Greek feta cheese. Delicious! The quantities I indicate in the following instructions are for a loaf of 750 grams. Start out with two tablespoons of butter at the bottom of your bread machine (or cake dish, if you're operating manually). Beat an egg with a fifth of a liter of milk, and pour the mixture onto the butter. Sprinkle 375 grams of ordinary white flour onto the liquid. Next, add the following four ingredients: three teaspoons (referred to as coffee spoons in France) of sugar, two of salt, one of cinnamon and two tablespoons of dried milk powder. I then added ten grams of dried granulated yeast, distributed evenly over the surface of the previous ingredients. Finally, the fruit: 170 grams of dried raisins soaked in water, then 50 to 100 grams of chopped walnuts. [Here at Gamone, I tend to be heavy-handed in my use of walnuts, since I've got big bags of them in various corners of the house.] In my bread machine, when the kneading was terminated and the dough was ready to start rising, I covered the surface with a mixture of dried poppy and sesame seeds. The bread was cooked slowly until the crust was dark brown.
He was injured while manipulating a bomb that was intended for the forthcoming destruction of yet another speed camera. My article of 2 March 2007 entitled The hosed hoser [display] evokes a famous cinematographic case of something backfiring harmlessly. You might conclude that our speed-camera bomber had it coming to him. Poetic justice, as they say.
On the other hand, he wasn't attacking humans with his bombs, merely machines. The idea of a fellow declaring war upon inanimate contraptions and then getting hurt by his own weapons reminds me of Don Quixote rushing in to attack windmills, only to discover that the windmills seem to be able to launch a counter-attack.
Like many of my fellow citizens [that's the first time since my naturalization I've ever used explicitly such a phrase], I watched with interest the lengthy TV evening devoted to the French prime minister François Fillon, born 54 years ago in the city that hosts the famous 24 Hours of Le Mans sports car race... which was just won, incidentally, an hour or so ago, for the 8th time, by Audi and the Danish driver Tom Kristensen. In fact, François Fillon himself knows how to handle the wheel of a Le Mans racing car. Apparently, he once took Nicolas Sarkozy for a lap or two on a circuit, and the French president was green when he got out of the automobile.
Sophia crunches the cherries, seeds and all, before swallowing them.
In the case of walnuts, of course, the process is different. She crunches the nuts slightly, to break them apart, and then she delicately picks out the edible kernel fragments.
As soon as she detects an animal odor, Sophia barks a little (maybe to warn me that there's an undesirable alien presence at Gamone) and starts to dig a preliminary hole by scratching out soil and loose pebbles. As soon as the opening is big enough, Sophia sticks her snout in and starts to snort. And this activity can preoccupy her for half an hour.
A day or so later, after Sophia has either captured and destroyed the intruder (?) or forgotten about its presence, all that remains for me is to poke the soil and pebbles back in place.
The cliffs above the village, towards Presles to the north (which I always think of as the direction of Paris), are vast and ominous:
To the east (which I think of as the direction of Italy), the village seems to be separated from the Vercors by the following gigantic wall of stone:
For me, the panorama from Gamone is "gentler" than views from the village, but this is no doubt a biased outlook, since Gamone is my home place, whereas the village is a relatively alien territory.
Back in the early '80s [before the existence of the Internet], I succeeded in finding this photo of the steamship Marathon, which took my future grandfather from his native London to Australia, when he was 17 years old.
My grandfather once told me that his ship reached Sydney on the same day—December 26, 1908—that a big boxing match would be taking place, between the white Canadian Tommy Burns and the black American Jack Johnson. This detail intrigued me, because I don't recall my grandfather being attracted to boxing [the only sport he liked was tennis], and I've often wondered why the Burns/Johnson fight [which he didn't even see, because he couldn't afford a ticket] would have stayed in his memory. It was only last night that I finally found an explanation, when I watched a French TV version of the splendid film by Ken Burns entitled Unforgivable Blackness: The Rise and Fall of Jack Johnson.
Up until last night's TV show, I had ignored the fact that, prior to the match in Sydney in 1908, no white-skinned boxer had ever deigned to defend his world heavyweight title against a black man. In America, at the start of the 20th century, it would have been unthinkable for such a match to take place. This explains why, although the boxers were from Northern America, their encounter of fourteen rounds could only be organized in a faraway land such as Australia. The match had a shameful ending. When it was clear that Burns was about to be knocked out by the giant son of former slaves, Sydney police officers stepped in and stopped, not only the fight, but the filming of the event... because the White Establishment considered it politically incorrect that the image of a white boxer being thrashed by a black man should be handed down to posterity.