Carmes convent

This convent was founded at Beauvoir-en-Royans in 1343, in the grounds of the magnificent castle of the Dauphin Humbert II [1312-1355], just a few years before all his lands and possessions (the vast territory known since then as the Dauphiné) were donated to the monarchy of France.

In a typical medieval religious spirit, the extravagant 31-year-old feudal lord created this male convent, dedicated to the Virgin Mary and Saint Catherine, in the hope—as the Regeste Dauphinois of the erudite local historian Ulysse Chevalier [1841-1923] put it—of "repairing his errors and those of his predecessors". The community, composed of 50 priests belonging to the order of the Brethren of Our Lady of Mount Carmel, was referred to as the Carmes.

A few years ago, the dilapidated property was acquired by the associated municipalities of the Bourne (including Pont-en-Royans and Choranche), and the buildings have been expertly restored and transformed into a museum. On Bastille Day, Natacha and Alain invited me there for lunch. These video sequences, taken by my friends, show me inside the museum and then out in the gardens.



I've added the trivial sound effects, first, in order to hide the rumbling noise of the wind, and second, because I've been fiddling around with the iMovie software tool, learning how to get it to do tricks.

Solar lamps in the garden

On Bastille Day, Natacha and Alain came to visit me at Gamone. Knowing that I'd created a garden, they gave me a set of solar lamps.



These gadgets remind me of the aircraft I mentioned in my recent article entitled Taking to the sky [display]. That's to say, the lamps soak in energy throughout the day, then, as soon as it's dark, they start to emit an eerie blue glow, which continues to the end of the night.

This is my first-ever attempt at putting a movie on YouTube and then displaying it in my blog. Meanwhile, I'm still investigating the video approach of HTML5. For example, if you happen to have the Chrome browser, you can see this movie on my website at www.skyvington.com. But I haven't succeeded yet in getting it to work with other browsers.

Mandrin no longer with us

Theoretically, the old donkey Mandrin belonged to my former neighbor Béatrice, the ex-wife of Bob. But Beatrice was more interested in horses than in this aging donkey… which she had received from a lady who loved the animal, but could no longer care for him. So, Mandrin was often left to his own resources, and he spent his time wandering around on the crest up above my house, on the edge of Moshé's paddock. In the beginning, I was reluctant to invite Mandrin into the same paddock as Moshé, because I imagined that the two males might fight with one another. On the contrary, from the moment they found themselves together in the same paddock, the two donkeys got along perfectly well together.

Based upon the Drôme locality in which the two donkeys were born, the lady who had reared Mandrin reckoned that he might even be Moshé's father.

Recently, I noticed that Mandrin was weakening, and I feared that he might be approaching the end of his life. The day before yesterday, while working in the garden, I was alarmed to see Moshé racing madly across the paddock and braying fearfully. A moment later, I discovered Mandrin's dead body in the shed, in a position suggesting that he had simply toppled over and died, with no signs of agitation. In the case of a farmyard animal, it's often difficult to determine the precise cause of death. I imagined immediately that Mandrin might have succombed to the present heat wave. While the high temperatures might have played a role, I believe that Mandrin simply died of old age… although I've never known his exact year of birth.

From that moment on, I was faced immediately with two problems: getting rid of Mandrin's dead body, and taking care of Moshé (suddenly deprived of his constant companion). Solving the first problem involved the rapid creation of a path behind the house, so that a tractor could access the donkey shed on the far edge of my property. Having been informed that the width of my neighbor's tractor is 2.1 meters, I started out by attacking the embankment behind the house with a pick and a hoe to widen the narrow pathway.

Then I used my powerful grinder and my chain saw to demolish rapidly my decrepit hen house, which happened to be located (through an error in judgment, which I made many years ago) right in the middle of the path from my house to the donkey shed. Incidentally, Christine will surely be happy to learn that the obligatory demolition of this Gamone eyesore has followed in the wake of the death of Mandrin.

My friendly and efficient neighbor Gérard Magnat succeeded in extracting rapidly the donkey's body, and dragging it down the road below my house. In the heat of the action (that's a literal description of our collaboration yesterday morning), I told Gérard that I would call in on him in the next day or so, to pay him for his efforts. Gérard: "William, you don't owe me a cent. This operation has not entailed work for which I might expect to be paid. It was simply a neighbor-to-neighbor service." I sensed with gratitude and respect the profound meaning of Gérard's words. The sentiments he expressed were surely a precious manifestation of the moral and social heritage of countless generations of Alpine farmers. As of tomorrow, I shall think up some kind of elementary gesture aimed at thanking him.

Afterwards, I set to work covering the donkey's body with quicklime, thick layers of straw and a plastic tarpaulin. Because of the Bastille Day holiday, the service that removes dead animals won't be turning up here before tomorrow.

While I'm saddened immensely by the departure of the old donkey Mandrin, I like to think that Moshé and I welcomed him here, at Gamone, for the final few years of his existence, which were surely spent in the donkey equivalent of peace and contentment.

Taking to the sky

The aspect of the flight of Solar Impulse that fascinated everybody was its simple two-phase schedule. First, during the day, the solar-powered aircraft would climb to 8,500 meters and then float around at that altitude for twelve hours, in order store a maximum quantity of the sun's energy. Then, as soon as the sun went down, the aircraft would descend to an altitude of 1,500 meters and fly around in the dark for the entire night, until its batteries were flat. To designate this second phase, many French observers borrowed the title of a famous novel by Louis-Ferdinand Céline [1894-1961]: Journey to the End of the Night.



Meanwhile, 50 noisy passengers—described as rabbis and Jewish mystics—took to the sky in Israel with a noble goal: putting an end to the threat of the H1N1 flu virus.

Personally, I would put my money on the solar-powered aircraft rather than the prayer-chanting and shofar-blowing plane-load of kooks.

Staple Aussie food

Emmanuelle, my daughter, has the impression that there exists a characteristic Australian cuisine. I have no idea where she got this strange idea. She often asks me whether, apart from steak and kidney pie, and crumbed lamb cutlets, etc, I can recollect any other typical Aussie dishes. I often tell her that my staple diet, as a lad in South Grafton, was peanut butter sandwiches. A few days ago, for the first time ever since I've been in France, I bought a jar of Nicaraguan peanut butter at the local supermarket.

With my home-made walnut bread and Norman butter, the sandwiches are as good as (probably better than) anything from my childhood.

Meanwhile, if Australian readers were to supply my daughter with the recipes of authentic Australian dishes, I'm sure she would be delighted (since I believe she's putting together some kind of a document in this domain). Following my last visit to Australia, I've attempted to obtain the recipe of traditional meat pies of the so-called "humble pie" variety (this could well be a trademark), but nobody has ever replied to my inquiries.

Exotic visitor

I've seen this glorious butterfly at Gamone in previous years, whenever I've had flowering lavender.

It's a Zebra Swallowtail [Eurytides marcellus]. It flits constantly from one lavender stalk to another, and appears to be uninterested in roses or other flowers.

This specimen has a big gap in his starboard wing, as if a predator took a bite out of him. Maybe he simply had a mid-air collision with another butterfly. In any case, this flaw doesn't seem to have an adverse effect upon his flight.

Fabulous Armstrong

I believe that this is my 1500th Antipodes post.

Many Tour de France cyclists (who provide France with a welcome breath of fresh air after the disastrous soccer events) deserve to be thought of as fabulous. I might have applied this term to Mark Cavendish (what an emotional "bad boy" in tears), to Sylvain Chavanel (the French rider who has just won a second stage, after recuperating from an accident), or to Cadel Evans (whom we're all admiring and inspecting closely). The cyclists of the Tour de France are participating in a unique sporting event. The landscapes and architectural heritage of France, displayed constantly by the helicopter cameras, are equally fabulous.

In this context, Lance Armstrong has just flashed the following moving image on Twitter:

Always, Lance gets to the essential...

BREAKING NEWS: After Sunday's stage, disastrous for Lance (he hit the macadam three times), he sent out a despondent twitter:

When it rains it pours I guess.. Today was not my day needless to say. Quite banged but gonna hang in here and enjoy my last 2 weeks.

In a way, I find it preferable to see him knocked out by sheer bad luck rather than succumbing to a duel with Contador. As for Evans, the French press is talking of a feeling of déjà vu.

Published by an aggregator

A few weeks ago, I'd never even heard of this newfangled word "aggregator". It sounds like a good chemical name for the kind of product that thickens soups and sauces (such as potato starch, which I use constantly). Apparently, modern usage has hit upon this excellent term to designate websites that bring together, for a specific reason, data from a multiplicity of other Internet sources. For example, Apple is using this word to designate a handful of selected websites whose role consists of channeling in all kinds of budding authors who would like to see their work published as iBooks to be read on the iPad. Today, in the case of my novel All the Earth is Mine, I find myself collaborating with such an aggregator… whose name has an American sledgehammer charm:

I wrote the final version of my novel using the sturdy Pages word-processing tool… which doesn't do much, but does it well. (That's the same friendly software I use for my genealogical monographs.) I tried vainly for years years to find an Anglo-American publishing house or literary agency that would deign to read my novel. I still don't understand why these tentatives were doomed to failure (it had nothing to do with the quality of my writing, which nobody ever got around to examining), but I've noticed that there's some kind of a Berlin Wall between the Anglo-American book-publishing world and our homely French maisons d'édition (publishing houses). For example, as recently as yesterday, I was amazed and furious to discover that it's impossible for a French resident such as me to buy Apple iBooks from England or America. Once again, I don't understand why… but it surely has something to do with a book-based cultural conflict between the New World and France. In any case, in the context of such a crazy war, I have no intention of enlisting as a soldier and donning proudly a uniform, as I would surely be mowed down stupidly in the trenches by the first blast of shrapnel.

I finally decided that so-called electronic self-publishing might be the best (indeed, only) approach for getting my novel into print. Last year, for months on end, I tried to urge readers of this blog to download (free) and evaluate a PDF version of my novel. Curiously, that tentative earned me zero feedback… which simply means, I imagine, that readers of Antipodes prefer blogs to novel, which is understandable.

At the beginning of June, I posted the following question in an Apple forum dedicated to the Pages tool:

Please point me to explanations concerning the transformation
of a Pages document (a novel) into ePub format for the iPad.

There were few reactions, and even fewer useful replies. There was even a massive dose of unadulterated twaddle from kind individuals who've made it their personal mission to reply rapidly, summarily and superficially to anything and everything that appears on the forum. [Hi Peter, Chris and Tom.] I had the impression that people who write stuff using Pages don't really intend to get themselves published. On the other hand, I became aware of the existence of a community of talented individuals (mostly women), specialists in page design and typesetting, who use the sophisticated Adobe InDesign product (which I know and adore; it's the page creator's Ferrari). But that's not really my kettle of fish. I have simple novelistic words waiting to get published. I'm not faced with the challenge of designing ads or magazine pages. So, I rapidly put a personal cross on that approach. (Do English-speaking people use that metaphor about putting a cross on something, or am I using Frenglish?)

Meanwhile, I discovered that it was not at all arduous to transform manually my novel into the celebrated Epub format fit for publication by iBooks. (The adverb "manually" doesn't really mean manually. It indicates merely that, instead of calling upon a hypothetically magic conversion tool, I carried out all the nitty-gritty conversion stuff myself, based upon my understanding of the various ePub/iBooks technical specifications, protocols and constraints… which I now master ideally.)

My attempts at creation of an ePub version of my novel were highly positive. The final product exists, and it looks good when viewed either on the Adobe simulator [download] or on a real-life iPad. Besides, I offer Antipodes readers a free copy of Earth.epub. Just give me your email address.

For the moment, I'm awaiting developments in the relationship between me and my aggregator. From an aesthetic design and typesetting point of view, the present state of my novel at Smashwords is frankly catastrophic. The book looks as if it has been typeset by a low-IQ monkey or an "intelligent " robot. Naturally, I've expressed my alarm to SmashWords. And I've volunteered to help out, if necessary. Normally, SmashWords people should know more about ePub and iBooks than I do. But the major question remains: Is SmashWords prepared to correct and beautify their ugly robotic version of my novel before (and if) they propose it to Apple? Let's see what happens…

Staircase finished

My garden staircase at Gamone is finished.

Eight steps in all. Here's a closeup view of the upper half:

There's no way in the world that the crumbly earth on either side of the staircase might be persuaded to align itself magically, in the immediate future, with the stone steps. Only the growth of vegetation can play a slow role (no less magically) in filling in the gaps between the staircase and its immediate surroundings. To initiate the process of stabilizing this soil, I've started to plant herbs and shrubs.

In the two photos of the staircase, don't be misled by the perspective distortion. I assure you that all the eight steps are perfectly horizontal. On the other hand, I've noticed a trivial anomaly that had escaped me. Between the 4th and 5th steps, the small riser (vertical slab) in the middle has its ripples running the wrong way. I might have tried to tell you that I made this mistake deliberately, to create an instance of the concept known in Japanese as wabi-sabi, which is defined by an expert as follows:

From an engineering or design point of view, "wabi" may be interpreted as the imperfect quality of any object, due to inevitable limitations in design and construction/manufacture especially with respect to unpredictable or changing usage conditions; then "sabi" could be interpreted as the aspect of imperfect reliability, or limited mortality of any object, hence the etymological connection with the Japanese word "sabi", to rust.

The French potter Maurice Crignon (a friend of Christine) once explained to me that, in the universe of ceramics, the wabi-sabi is often materialized by an intentional crack in an otherwise perfect pot.

The French movie director/scriptwriter Michel Audiard [1920-1985] said (my translation):

Crackpots are lucky.
The light can get into their skulls.

The Canadian poet/singer Leonard Cohen said much the same thing:

There is a crack in everything.
That's how the light gets in.

In the garden at Gamone, light gets in through that wrongly-oriented slab in the middle of the staircase.

A universe not made for us

I found this short video on the website of the Richard Dawkins Foundation for Reason and Science. The montage is based upon a text by Carl Sagan.



The creator of this YouTube video, who calls himself callumCGLP, describes his fine work as follows:

Excerpts from Carl Sagan's Pale Blue Dot: A Vision of the Human Future in Space. More specifically, from the chapter titled A Universe Not Made For Us. I edited together the audio from the audio-book, and added the video from Stephen Hawking's Into the Universe and Brian Cox's Wonders of the Solar System. The music is Jack's Theme from the Lost soundtrack.

Second thoughts on a skeleton

WARNING: Technical genealogical stuff.

Two months ago, in my article entitled Family-history shock [display], I revealed that I had just stumbled upon a skeleton in the family closet: a Skyvington record on the website of the Old Bailey (London's 19th-century criminal court).

I had the immediate impression that the 26-year-old condemned fraudster, referred to as William Skyvington, was surely the father of young Ernest, my future grandfather whom we called Pop. I explained that it was hard to imagine that Pop would have deliberately concealed such information from us. I preferred another explanation. Ernest's father would have been released from the notorious Newgate prison in the spring of 1899, and his wife Eliza Mepham died of tuberculosis just six months later. Maybe, in this tragic context, Pop's father had decided to build himself a new life, elsewhere in England, while leaving his son in the cozy cocoon of the Mepham family in Islington (northern suburb of London). So we might imagine that, if Pop failed to tell us what had happened to his father, this was simply because he himself was totally unaware of these events.

Over the last few days, in the spirit of my recent article entitled Painted myself into a genealogical corner [display], I have started to tidy up my Skyvington genealogical archives. Among other things, I was determined to unravel the elements of the new identity assumed (in my imagination) by Pop's father. Well, as of yesterday afternoon, I was forced to admit that my reasoning was erroneous. I still have no facts whatsoever concerning the destiny of Pop's father, who was mentioned for the last on his wife's death certificate, where he is described as a commercial traveler. But I've now examined sufficiently the archives to know that our William Skyvington cannot possibly be confused with any of the individuals I had in mind when I suggested that he might have taken on a new identity.

I'm now inclined to consider that I made a mistake in thinking that the William Skyvington condemned at the Old Bailey for fraud was indeed Pop's father. First, there's the age discrepancy. At the date of the Old Bailey trial, in October 1898, our William Skyvington was 29, as attested explicitly by a birth certificate established at Plymouth. So, the 26-year-old man at the Old Bailey was almost certainly another individual, because it's hard to imagine that an age discrepancy of that magnitude would slip through. It's easy to make an arithmetic error of a year, in either direction, but an error of three years is unlikely in administrative circles. Besides, I see that Pop's father is designated on his birth certificate as William Jones Skyvington and, on his marriage certificate, as William Henry Jones Skyvington. If he were the individual condemned at the Old Bailey, then why is there no mention of a second given name?

If the fraudster named William Skyvington were not in fact my great-grandfather, then what was his identity? We need to find a Skyvington male born in 1872. Such an individual exists: a certain Albert William Skyvington, about whom I know little for the moment. He was probably one of the 17 offspring of Oliver Skyvington [1847-1925], the Bournemouth milkman, married three times, whose descendants live today in Canada. This Oliver was indeed raised (along with his brothers John and Atwell) in the Dorset context of my ancestors at Iwerne Courtney, but I've never yet set out to determine their exact links to us. I had imagined that this task would surely be taken up by their New World descendants. Motivated by the Old Bailey anecdote, I now intend to examine these questions…

Sky droppings

The French Libération website has published an amusing story about mysterious stuff that has been falling from the sky onto the village of Saint-Pandelon, down in the south-west corner of France, near Dax. The mysterious substance, rapidly identified as some kind of excrement, has been falling onto automobiles and rooftops, and polluting local parks and gardens. For a moment, some people suggested that this disgusting stuff might have fallen from airliners… in much the same way that human excrement used to be dropped between the rails from trains. Aircraft experts were obliged to point out that this is not the way that WCs function inside a giant pressurized fuselage, where pressing the button alongside the toilets does not create a momentary orifice in the plane's skin. (On the contrary, shit completes the voyage to the aircraft's destination... along with the crew, the passengers and their luggage.) The culprits, above this French village of 750 inhabitants, were flocks of swifts.

I often see the Alpine variety of this bird in the skies of Gamone. People mistake them for swallows, but swifts are much bigger than ordinary farmyard swallows, and more sophisticated from an aeronautical point of view. Unlike swallows, they remain almost permanently in the air, where they feed on insects. Besides, if a swift were to land on the ground, its large wings are so heavy that the bird might not be able to take off again.

I've always been fascinated by the symbol of this perpetually airborne creature. Heavenly clouds end up coming down to the ground in the form of rain, and even the wind makes contact with us when it ruffles our hair. But the only messages sent to the surface of the Earth by swifts are little balls of shit. Next spring, I'm convinced that the parks and gardens of Saint-Pandelon will be graced with exotic wildflowers of an angelic splendor.

Another cover design

Friends have pointed out various small but annoying problems of interpretation (which I hadn't suspected) with the cover projects I presented in my recent post entitled Cover for All the Earth is Mine [display]. Here's another simple idea, based upon a fragment of one of the wonderful paintings of the Holy Land by David Roberts, showing Jerusalem's Turkish minaret known as the Tower of David.

On the iPad, the novel will be displayed in double-page format. So, what you see here is the cover and the title page, side by side.

Sacred bread

I hesitate before employing the adjective "sacred", in the case of bread, because its Christian overtones are overpowering. But it's surely the word I need. Bread has always been a vital substance in the most noble sanctuary that has ever existed: the home in which parents strive to feed their children and themselves. There were times and places (such as in early 19th-century Ireland) when bread was replaced by potatoes. There had even been a terrible period during which infected rye bread became the Devil's arm for torturing innocent peasants with the ghastly affliction known as Saint Anthony's Fire, depicted in this fragment of a painting by Hieronymus Bosch [1450-1516]:

This disease was finally conquered by clever monks whose hospitals and abbey were located in a lovely Dauphiné village not far from where I live. Their cure consisted simply of prohibiting the consumption of foul rye bread, and feeding their patients with pork broth.

In France, certain persistent superstitions (which I won't enumerate) remind us that we shouldn't fuck around with bread. After all, there are still hordes of magicians who claim that, with mysterious incantations, they're capable of transforming this archaic foodstuff into human flesh. Maybe I should speak rather of superhuman flesh, or even divine flesh. You know what I'm talking about: all that so-called transubstantiation bullshit, in which many otherwise sane folk claim to believe. In fact, I don't imagine for a second that they're really gobbling down cannibalistically a tasty little bit of Jesus's flesh. Besides, if pious folk all over the world have been consuming the Savior for so long, how come there's still a bit of him left? Is his flesh perpetually regenerated, like the missing tail of a lizard? What utter nonsense… and to think that people say they believe in that hogwash.

Let me get back to the "sacred bread" (inverted commas intended to remove all possible religious ambiguities) that I bake regularly at Gamone. It might or might not be religious, Christian, orthodox, Christ's transubstantiated body, or what the fucking hell… but my Gamone bread's bloody tasty. Just ask Sophia!

It's funny to admit that the initial phase of making Gamone bread consists in fact of my getting down on my hands and knees… but not to pray. I simply have to use a carpenter's hammer and a hunk of local tuff rock to break open a bowl of walnuts.

The recipe and the role of the bread machine are straightforward. Meanwhile, my dear dog is entitled to a few stray walnuts.

This photo is lovely. Sophia has put on white gloves (metaphorically, as it were) to handle that walnut, as if it were a rare delicacy, a treasure… which it is, of course, in Sophia's noble and generous mind (akin to that of an ancient Greek philosopher such as Socrates). At that instant, if my dog were a poet (which she surely is, in a way), she would be contemplating the opening stanzas of an ode to a walnut...

Cover for All the Earth is Mine

I've transformed my novel All the Earth is Mine into the ePub format used on the iPad. For the moment, I'm awaiting the attribution of a French ISBN publisher number. Then I intend to publish my novel, in one way or another, as an electronic book. Now I need help, urgently, in the choice of a cover. Here are five models, but I'm incapable of deciding which one of them (if any) to choose. I would appreciate your reactions.

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Model #1

My geopolitical fable envisages the transformation of the modern state of Israel into a floating island, and its voyages to all the four corners of the planet. So, my first idea for a cover was a relevant space photo.


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Model #2

I decided to ask my Choranche neighbor Tineke Bot, the celebrated Dutch sculptress, to take a look at my cover challenge. To guide her in what I was seeking, I concocted the following montage à la Chagall:


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Model #3

Tineke's first proposition is rather abstract:


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Model #4

Her second proposition evokes the turmoil of this gigantic upheaval:


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Model #5

Tineke's third proposition puts faces upon my heroes Jake and Rachel:


Please tell me what you think of these five models. Maybe further propositions would be welcome...

Slogans

I've come to like the low-key atheist slogan that was featured on London buses:

It got many complaints, but nothing like those provoked by the defiant Christian counter-slogan, which sounds like an injunction:

Sadly, the gutless transport authorities in New Zealand have prohibited a similar atheist campaign. So, NZ atheists will have to resort to conventional billboards.

Once upon a time, a Sydney newspaper mastered the poetic art of slogans:

That issue of 8 August 1833 mentioned a vessel, Caroline, carrying 120 female convicts, which had reached Sydney two days earlier, on Tuesday, 6 August 1833.

That's the ship on which my great-great-grandfather Charles Walker [1807-1860] was working as a steward. It's amazing to realize that, not only did such a ship bring people, but it also brought the latest news from Ireland:

Talking about Ireland, I'm still not convinced that my ancestor was really an Irish Catholic. As I've explained elsewhere, at length, I'm still wondering whether he might not have been rather a Scottish Protestant. In this context, I'm awaiting a family tree from a woman in Scotland who's a descendant of Johnnie Walker [1805-1857], the whisky man. But we'll probably never know the whole truth concerning our mysterious Braidwood patriarch.

Ultimate luxury

People can rave on as much as they like about dining in posh restaurants, jetting around from one 5-star hotel to the next, playing golf in nice places with Nice People, spending an evening at the opera, etc. I still consider that one of the most sublime luxuries that a human being can relish consists of hanging out your washing on a warm day, and watching it dry in the breeze.

I don't know when exactly it was that the Creator, after a week of intense activity, did his washing. Maybe he got Eve to do the dirty work… starting a time-honored tradition. I'm sure that the first time God's white robes fluttered in a wind whipped up by the Holy Spirit must have been one of the most fulfilling instants of Creation.

I don't know whether the Creator and his work crew wore socks and underpants, but they're best handled a little differently. I mean to say, it's a bit tedious having to peg up every item on the clothes line.

I've got into the habit of using this high-tech device incorporating a big boulder to counteract any excess of zeal on the part of the Holy Spirit.

Naturally, one doesn't simply wait for the clothes to dry. Ideally, you should seek to participate in this process, in the same way that you might participate, say, in a great sports match, or even a religious ceremony. The most sensitive souls can actually feel the clothes absorbing profoundly the energy of the Sun and the wind, and getting dryer and dryer…

POST-SCRIPTUM: Certain individuals have got into the habit of devoting less time to washing clothes than, say, to writing blogs, or other superficial activities. These lucky people have the pleasure of amassing such a big pile of dirty stuff that they can experience the pleasure of two or three successive clothes-washing and clothes-drying sessions. Just ask my daughter… Needless to say, this is not a good approach in prolonged periods of rain, hail, snow or hurricanes. Incidentally, over the last few months, while I've been spending a lot of time outdoors working on my pergola, flower garden and stone staircase, dirty clothes have become a fundamental element of my daily lifestyle. That's to say, as soon as I get out of bed, I don a pair of green overalls (in fact, those that are seen in the center of my first photo) and a pair of boots that are sometimes caked in a film of dry mud. I wouldn't put on such clothes, of course, if I intended to drive into town. On the other hand, clothes of that kind have never prevented me from working at the computer. And the fact that I'm dressed like that means that I can get up from my computer desk, whenever I feel so inclined, and wander outside to start digging up the earth, removing weeds, mixing concrete, slicing up stone slabs with a disc cutter, or what have you. To take advantage of this approach, it's largely a matter of persuading yourself that you feel good and comfortable in dirty clothes, and ready for action. Then, the day that you find yourself stepping into overalls that are freshly washed, with an aroma of lavender, is a little like the start of the Renaissance in 15th-century Italy, or the first day of spring. As my blog title indicates, the general theme of this article is sheer luxury!

Painted myself into a genealogical corner

WARNING: This lengthy and rather austere article is intended for a limited readership of fellow genealogical researchers.

When I first started to explore my paternal genealogy, three decades ago, I envisaged my research according to the following schema:

At the top of the schema, the red arrow corresponds to the history of an ancient English family that came into existence, in the wake of the Norman Conquest, in a village of present-day Leicestershire. Around 1800, the celebrated English historian John Nichols spoke of this village and family in the following elogious terms:

This village gave name to the Skevingtons, an ancient and noble family, who have continued owners thereof for several centuries; and they have produced many men of note and abilities, who have repeatedly by their lives adorned the historic page. Few families in the kingdom can boast of more ancient and honourable descent, or have more eminently distinguished themselves on all occasions.

For the moment, we have no idea of the identity of the Conqueror's companion who became the progenitor of the people to be known in England, later on, as Skeffington (or a spelling variant on that term). It's quite likely that this Norman patriarch actually left older brothers on the family estates in Normandy… and it's thinkable that descendants of these older brothers exist today, maybe even in Normandy. As a longtime Francophile, I've always imagined that it would be a fabulous thrill to meet up, today, with genetic cousins in modern France… and DNA testing means that this possibility is becoming plausible.

Back in 1981, when I started my genealogical research into Skyvington ancestors, it was a rather bare-bones affair. My grandfather had even assured me that no records concerning his ancestors could possibly exist on the surface of the planet, and that the last traces of his background had been wiped out by the Blitz! This, of course, was sheer nonsense… but I now realize that he may have been intent upon avoiding embarrassing questions concerning his father, mentioned in my article of 3 May 2010 entitled Family-history shock [display]. In any case, my research soon led me back over half-a-dozen generations, ending up with a George Skivington [1670-1711] of Dorset. Throughout this research, I've been constantly on the lookout for events that might enable my backward-pointing green arrow to meet up with the mainstream red arrow. In other words, I've been trying to determine the exact point at which my Skivington/Skyvington branch might have broken away from the mainstream Skeffington line.

Let me summarize rapidly some of the major mileposts on that red arrow… which are presented in detail in my Skeffington monograph, whose chapters can be downloaded from this website. The earliest-known members of the English family were referred to as John de Skefynton [1188], Simon de Scheftinton [1193] and Odo de Scevington [1231].

In the first quarter of the 16th century, during the reigns of the Tudor kings Henry VII and Henry VIII, two knights appeared on the British historical scene: Sir William Skeffington [1460-1535] and his young brother Sir John Skeffington [1470-1525]. Artillery skills had launched William's career, and his nickname was the Gunner. His son Thomas, too, was a soldier.

Over two centuries later, another major Skeffington milestone was the London marriage in 1654 of Sir John Skeffington of Fisherwick [1629-1695] to Mary Clotworthy, which enabled him to obtain the Irish Massereene viscountcy. From that point on, alongside the identified offspring of the Massereene lords, various unidentified branches of folk named Skeffington started to appear, first in Ireland, and later in the New World. Personally, I've never succeeded in determining their exact time-place origins.

In a letter to me in 1980, the 13th Viscount Massereene referred flippantly to this proliferation of Irish Skeffingtons as "quite a varied bag", while admitting the possibility of cases of illegitimate children. In any case, to identify the patriarchs of such branches, their living descendants would need to work backwards… in the same routine manner that I've adopted for my Skyvington research. That would be their only hope of discovering possible links with the mainstream Skeffington line. For example, I've often heard of a certain Peter Skeffington, born in Ireland around 1785, whose sons emigrated to the New World. I see half-a-dozen Skeffington males who might have been the natural father of this Peter, at that troubled moment in the history of the Skeffingtons (when the lunatic 2nd Earl of Massereene was still lingering in a Paris prison for debtors). Maybe a Canadian or American descendant of this Peter should spend time searching for traces of their ancestor in the PRONI [Public Record Office of Northern Ireland] in Belfast, which apparently houses all the extant Skeffington/Massereene family archives.

Today, the tip of the red arrow is John Skeffington, the 14th Viscount Massereene. Concerning this 70-year-old gentleman (who doesn't give me the impression that he's particularly interested in family history), an important point must be made. There would be no point whatsoever in looking for Y-chromosome matches between the viscount and Normans who might be our genetic cousins. Why not? Well, the Skeffington male genetic line was broken through the marriage of Harriet Skeffington with Thomas Foster in 1810. Since then, the male progeny is indeed called Skeffington, but their Y-chromosomes are those of Thomas Foster. On the other hand, illegitimate Skeffington offspring who existed before the time of that marriage could well convey the original Y-chromosomes of the Norman patriarchs. Regardless, I advise all Skeffington males concerned by genealogy to get their DNA tested!

Now, what has been happening concerning my green arrow, and the likelihood of its running into the red arrow? Well, the discovery of the above-mentioned George Skivington in Dorset means that the tip of my green arrow has moved backwards to such an extent that my Ski(y)vington family history could not have been linked to the Massereene lords or Irish Skeffingtons. That's to say, the Massereene dynasty and the Irish Skeffingtons are simply not a part of my personal family history. So, I don't intend to carry on researching in this arena.

The separation between the green and red arrows extends still further back in time. Recently, I've encountered references to rural families and individuals whose name is written as Skevington, who are anterior to the Tudor lords. In other words, the time slot in which my little green arrow might join up with the mainstream red arrow can only be somewhere during the four centuries between 1066 and the Tudor lords. In other words, much of what I have written in my Skeffington monograph turns out to be totally irrelevant as far as my personal family history is concerned. And it's in that sense that I say, jokingly, that I've painted myself into a genealogical corner!

To put it bluntly, I now have every right to wonder who in fact, in this whole affair, is legitimately "mainstream": the noble dynasty that emanated from the Tudor lords, or my humble line of Ski(y)vingtons? On their side, the advantages are significant, primarily in numbers (all those folk named Skeffington), historical celebrity (but let us not exaggerate) and the quality of archives. An advantage on our side, however, is the regularity of generations of modest rural folk, devoid of the crimes, notoriety, legacy quarrels and sheer madness that have often characterized the noble Skeffingtons. And above all, on the Ski(y)vington side, there is still the very real possibility of our direct Y-chromosome descent from the anonymous Norman patriarch who reached England with the Conqueror.

Since I've been able to acquire a certain amount of experience in Skeffington history, I would like to tidy up my monograph so that it might be of use to researchers. That is, I don't intend to throw out the baby with the bath water. But, while continuing to advocate the potential of DNA testing, I'll have to make it clear to readers that it is beyond me (no longer within my personal domain of interest) to attempt to construct any kind of genealogical chart concerning the possible origins of Irish and New World Skeffingtons. Even the genealogy of such a major historical figure as Francis Sheehy-Skeffington remains, for me, a mystery. As I've been saying for years, I would hope that concerned researchers end up tackling the question of the history of Irish Skeffington families.

Meanwhile, I shall transfer the strictly Ski(y)vington fragments of my research to another monograph: in fact, to the document I recently started entitled They Sought the Last of Lands.

Gamone garden staircase

As of this afternoon, my staircase is at last presentable… although I still have to finish all the joints with mortar. Besides, it will look better when the bare earth on each side is covered with thyme.

Those who know Gamone will recall that, previously, we would slide and stumble down into the garden with the help of a few strategically-placed rocks. The new staircase will make it easy to wander back and forth between the house and the rose pergola, which could even become a place for outdoor eating.

After the wet spring weather, there's not much color yet in the garden. And the staircase looks newly-made (as it is). But, compare the present situation with images that date from a year ago. In an article of 8 May 2009 entitled Future garden layout [display], I included a photo taken just after plowing the ground:

Three weeks later, my article of 1 June 2009 entitled Garden under construction [display] presented a photo of the first finished plot:

So, things have evolved satisfactorily since then, and I'm pleased with the results of my efforts.

ADDENDUM: My son François wants to examine at close range the texture of the slabs of artificial stone I've used for my staircase. Here's a closeup photo of the top step, which already has a bit of mortar:

Each slab is 40 x 40 cm, and 3 cm thick. They're quite heavy. I haven't had any cases of breakage yet, but they're probably not as mechanically resistant to blows as authentic stone. Above all, they're not expensive. The total cost of the 30 slabs required for my staircase: less than a hundred euros!

Hot under the dog collar

Ratzi and his colleagues at Vatican City (a Mickey Mouse "state" created in 1929 under Benito Mussolini) are furious because Belgian police have "violated" a pair of episcopal tombs during a search for evidence in the crypt of the cathedral in the city of Mechelon, in the Flemish province of Antwerp. What a pity, retrospectively, that Benny and his friends never got quite so upset in recent times when the living bodies of innocent youth were being violated, in every corner of the globe, by predatory priests. Meanwhile, Vatican City needs to realize that it's unorthodox, indeed legally wrong, for aliens to attempt to intervene in judicial inquiries conducted within a sovereign state such as Belgium.

Having made that straightforward remark, I must admit that there's often a Tintin streak to certain happenings in Belgium. (As my readers surely know, the Tintin comic books were one of that nation's most famous creations.) Was it maybe a Belgian police dog akin to Milou (apparently called Snowy in English), sniffing around in the cathedral, that caused the inspectors to imagine that the current archbishop might have concealed secret documents in the tombs of his predecessors? But Ratzi wouldn't understand that point of view. Ah, the world would be a better and brighter place if popes had the habit of reading comics!

BREAKING NEWS: Yesterday (Monday), the US Supreme Court made a momentous move concerning the possible responsibility of the Vatican City in the context of cases of pedophile priests pursued in the USA. On the surface, the court's decision appears to be neutral, in that it has decided not to pronounce a ruling on the question of the Vatican's possible immunity. But this refusal to provide a ruling is the Supreme Court's way of confirming a recent decision of an appeals court, which had engaged explicitly the Vatican's responsibility. So, the anti-papist ball is surely starting to roll in God's Own Country.

Brutal political tactics

This morning, while browsing through an Australian media website, I encountered these two ads, side by side:

I'm shocked by the Australian process that enables faceless so-called "powerbrokers" (what an appalling archaic term!) to kill the chief. It's all very selfishly careerist, far removed from preoccupations concerning the good of the people. If that's supposed to be a demonstration of democracy, then I feel like borrowing the language of a professional soccer-player and concluding: "You can do what you like with your shitty system."

Within the Canberra workplace, it's hard to identify the real bullies. Was it the arrogant former prime minister, or rather the female Cassius who finally succeeded (with a little help from her henchmen) in stabbing him in the back? Meanwhile, some good might come out of this affair. I'm referring to the possible sacking of Stephen Conroy...

Hovering

In computer interfaces, hovering is the familiar behavior that consists of using your mouse to move the cursor to a certain button… but without actually clicking the button. The simple repositioning of your cursor (often referred to as rollover) can cause things to happen, such as the display of pull-down menus.

Funnily, while Steve Jobs has gone to great pains to explain why the Adobe Flash approach has no intrinsic right to be retained in the new iPad context, he has almost totally glossed over the fact that one of the major bugbears in getting websites to run on an iPad is the fact that, on this delightful new gadget, the entire hovering phenomenon is anathema. That's to say, on a touch screen, you can use your finger to simulate the click of a mouse, but there's no way of getting your finger to hover meaningfully over such-and-such a button on a touch screen.

To my mind, this shortcoming is a great pity, since hovering is a most useful technique. Why weren't Apple's design engineers capable of imagining some kind of device that can detect the presence of a hovering finger just above the screen? Even back in the days of Genesis, commentators imagined the Holy Spirit as hovering above the waters. Surely, today, a few millennia later (according to Creationists), it should be possible to invent a technique capable of detecting the presence of a finger hovering above the surface of an iPad.

In any case, it's high time to update Omar Khayyam:

The greasy finger hovers and, having clicked, drags on...

Fellow full of surprises

Steve Jobs (who's not the man designated by my title) often seems to be saying that, if only web developers were to get profoundly involved with HTML5, they would soon discover that they can achieve all the tricks they once performed using Adobe Flash. Clearly, this is not the case, and I fear that it will never be the case. Look at this comical Flash site that I created, years ago, for a local friend: the above-mentioned "fellow full of surprises", who seems to have polluted his webspace with pop-up windows and publicity, which you can disregard.


There's no way in the world that you can create anything like that in HTML5. Incidentally, I'm particularly proud of the trick I invented to get the plane (borrowed from another Flash creator) to fly behind the flat two-dimensional image of the mountain. Here's how I did it. I simply created a front layer (closer to the viewer than both the existing background and the plane), ready to receive a copy of the visible face of the mountain. As soon as the nose of the plane touches the left side of the mountain, I activate this front layer, which effectively hides the plane. Then I remove this foreground layer as soon as the plane has totally emerged on the right-hand side.

The friend for whom I created this little animation is truly a remarkable fellow, named Luc Kaufmann. He used to run a small rural restaurant just up the road, on the other side of the village of Choranche, named Mandrin's Farm. On the slopes behind the restaurant, he raised pigs in an old-fashioned style, and this provided the pork served up in his restaurant.

At the beginning of the excellent film shot in the Vercors entitled The Girl from Paris (with Mathilde Seigner and Michel Serrault), there's a bloody scene showing a pig being slaughtered in a farmyard. The fellow wielding the slaughterer's knife was Luc.

When Luc informed me that he had become a ULM pilot, and wanted to set up a business that proposed joyrides over the Vercors, he had already abandoned his restaurants and his pigs, and was contemplating the creation of a fancy cliff-face bar in Pont-en-Royans, with a glass floor through which you could look down into the river, far below. At the last moment, however, the authorities concluded that, if a fire were to break out in such a place, the only way of escaping would consist of jumping from the windows and diving some twenty meters into the Bourne. Unfortunately, that was hardly the kind of emergency exit that might be authorized. So, Luc's lovely project fell through.

The latest news is that Luc has turned to hypnotism in a healing context with overtones of Oriental medicine. His austere website (quite unlike the little red plane) is prefaced by an intriguing quote from Freud: "In the early days, words and magic were one and the same thing." Like Luc and his constant quest for exotic projects.