When I was a student in Sydney, already fascinated by symbolic logic (as I still am), two of my intellectual heroes were the eccentric British lord Bertrand Russell and the equally exotic Viennese philosopher Ludwig Wittgenstein.
An English translation of Wittgenstein's Tractatus Logico-Philosophicus can be downloaded today from the Gutenberg website [access]. The philosopher's father, in the industrial context of the Austro-Hungarian empire, was a wealthy iron-and-steel baron—of the Krupp or Rothschild kind. When the dreamy melancholic 24-year-old Ludwig inherited this fortune, he gave some of it away, anonymously, to struggling compatriots such as the poet Rainer Maria Rilke, often mentioned in this blog [display].
At a philosophical level, Russell and Wittgenstein represented the great British tradition of empiricism, based upon the common-sense notion that we learn the truth about the world by looking at events that happen and employing the time-honored technique of inductive reasoning. Now, another Viennese philosopher would soon throw a spanner into the works by demonstrating convincingly that scientific knowledge is certainly not acquired by such an illusory empiricist approach.
Karl Popper proposed that an exceptional scientist succeeds in explaining the universe, not by studying data of a laboratory kind, but through his/her intellect and imagination, maybe while seated alone at a desk in the middle of the night. Subsequently, experimental observations enable the inventor of a scientific theory to determination whether the latter might have flaws in it, in which case the theory would need to be corrected, improved or maybe abandoned, to be replaced one day by a better theory.
Today, there is no doubt not a single serious scientist in the world who wouldn't agree entirely with Popper, who is now considered by many intellectuals as the greatest philosopher of the 20th century. Popper is lauded particularly by the Oxford quantum physicist David Deutsch, author of The Fabric of Reality, mentioned in my blog post of July 2007 entitled Brilliant book [display].
A third Viennese intellectual who would achieve fame in the English-speaking world was Ernst Gombrich, regarded by many as the greatest art historian of the 20th century. Settled in London from 1936, he went on to become a distinguished member of the art establishment. His opus The Story of Art (1950) was the first of a rich series of publications that won him acclaim in academic circles, and led to his being knighted. Gombrich had always been a close friend of his compatriot Popper, and actually played a major role in drawing the attention of the English-speaking world to the Viennese philosopher and helping him to publish The Open Society and Its Enemies (1945).
Back in 1976, I wrote to Ernst Gombrich asking for his advice concerning a writing project on which I was working. In a nutshell, I was wondering whether I might be able to put together a history of the use of the arrow symbol in both science and society. Here are the two pages [click to enlarge] of his friendly reply, in which he alludes to his compatriot Popper:
Let me conclude by a couple of trivial anecdotes concerning Ludwig Wittgenstein.
Some people (but not me) imagine that the education meted out by a fine old school can be a guarantee that students will evolve naturally into fine citizens with noble characters. That's what is meant by nurture. Well, around 1903, 14-year-old Wittgenstein went to a reputed establishment in Linz known as the Realschule. And we have no reasons to deny that the spirit of this school played a part in transforming young Ludwig into the outstanding philosopher that he was to become. But there's a hitch in this thinking. At the same school, Ludwig had a mate, just six days older than himself, named Adolf Hitler.
An Australian author, Kimberley Cornish, has even suggested that the future Fuhrer hated the Jewish boy to such an extent that Wittgenstein symbolized the entire race that would soon enrage the mad dictator, as expressed in his Mein Kampf. Cornish's book is nevertheless controversial, in that there is no firm proof that Wittgenstein and Hitler were aware of one another's identity in that high school of 300 students. There is a school photo in which Hitler certainly appears:
But it has never been confirmed—except, curiously, by the photographic services of the Victorian police in Australia—that the boy whom Cornish has labeled as Wittgenstein is correctly identified. And some critics point out that Wittgenstein and Hitler, although they attended the Realschule at the same time, were never in the same class.
My final anecdote, of a personal nature, was related already in my blog post of July 2008 entitled Danger scale [display], in which I announced with excitement my discovery of the writings of Steven Pinker. Since the Harvard psychologist's book deals with children's acquisition of language, I mentioned a story that had amazed me when I heard it, from an English lady named Elizabeth Anscombe, who happened to be a Catholic friend of my wife's parents in Brittany. Well, I learned later on from my mother-in-law (after the lady's departure, much to my regret) that Elizabeth Anscombe, a professor of philosophy at Cambridge, was in fact one of the world's leading authorities on Wittgenstein. I was terribly frustrated to realize that I had missed out on an opportunity of chatting with Elizabeth Anscombe about Ludwig Wittgenstein (whom she had encountered personally)… but Christine's mother could never have suspected that her Australian son-in-law might be interested in an obscure Viennese philosopher.
Saturday, May 28, 2011
Thursday, May 26, 2011
Golden nail in the coffin
Today, people in France have been looking at photos of the New York residence where Dominique Strauss-Kahn—widely imagined, up until recently, as our future president—is awaiting the unfolding of the judicial procedures that concern him. For the moment, you can still visit a website with lovely images of the flashy townhouse in question. I wouldn't be surprised if this website were soon removed, however, because this public presentation of a luxurious high-priced Manhattan residence can't be doing DSK a lot of good.
Here in France, these images and the associated real-estate figures will surely constitute a final golden nail in the coffin of DSK's political career. Even the good folk of Sarcelles (the town on the outskirts of Paris where DSK used to be the mayor), who adore him, are unlikely to look upon him in the same way as before, now that they discover his New York lifestyle. French people simply do not like to give their votes to a guy who behaves in such an ostentatious "nouveau riche" style... which is why there has been so much disenchantment concerning Nicolas Sarkozy. Be that as it may, I've put some of the spectacular townhouse photos here, for safekeeping:
I persist in believing that DSK's lawyers are likely to find sufficient evidence to demolish entirely the credibility and claims of "Ophelia", the plaintiff. I've heard rumors, over the last day or so, that she may have been perfectly aware of the identity, reputation and wealth of DSK, and that she attempted naively to use her charms, followed by a rape scenario, to extort money from him. A French media source has suggested explicitly that Strauss-Kahn may have realized rapidly that he was being set up, and that this caused him to react physically in a rather violent fashion. Sex has always been a somewhat "animalistic" activity, and it's not abnormal that a male with his pants down, sensing that he has been led up the garden path, might decide spontaneously to terminate his act in a style that could be described as punishment. [Readers who don't understand immediately the sense and implications of the sentence I've just written should not waste their time trying to figure out what I'm suggesting, because they've probably been fortunate in seeing only the nice romantic side of sex… and good for them!] According to this scenario of events, if "Ophelia" was in such a distraught state when she was found, it was primarily because her scheme backfired in her face (literally). As my rough mates in Grafton used to say: "She got hers."
In the hours that followed the Sofitel incident, as soon as it became known that an important personality was involved in a nasty sex affair, local detective agencies were no doubt already booking their men into the hotel, disguised as randy businessmen, to get the lowdown on what might be available there in the way of sex, along with juicy tidbits of relevant information of all kinds. We outsiders, with our heads full of US crime movies, imagine naively that, in an affair such as this, various smart law officers and lawyers start talking together and discussing what might have happened, and how they might obtain the facts. In reality, though, I would imagine that things happen more rapidly but in a far less telegenic manner. Within a few hours, various detective agencies had probably obtained—through all sorts of experienced professionals, including sleazy operators whenever necessary—a complete in-depth description of everything that had happened, and they were no doubt already marketing their facts and files to certain lawyers, such as those who were finally chosen by DSK.
My guess is that, right from the start, the lawyers Benjamin Brafman and William Taylor were already in possession of explicit evidence enabling them to demonstrate convincingly the thesis, say, of an extortion attempt that was inexpertly disguised in a bungled rape scenario. That's why they've been saying all along that DSK will be acquitted. It's such a clearcut black-and-white situation (no pun intended) that I'm not surprised by DSK's constant "not guilty" attitude. There will, of course, be commentators who'll say that Strauss-Kahn, once he realized that he was in a kind of blackmail situation, should have put his pants back on and calmly phoned the police. I don't agree. To develop this point, I would need to resort to vile language and nasty aspects of fornication. And, since there might be pure-minded youngsters reading my blog, I'll leave off there.
BREAKING NEWS: Strauss-Kahn's lawyers have just sent a letter to the district attorney of New York complaining of information leaks perpetrated, most probably, by Manhattan police officers. We must understand that one of the basic tools exploited by trial lawyers is the capacity to surprise the jury. When the lawyers evoke a trial that would be "equitable", they mean precisely a courtroom ambiance in which they would retain the possibility of impressing members of the jury—indeed, shocking them—with surprising revelations. Apparently the lawyers have a pile of surprises in their bag of tricks, and they obviously don't want to see any dumb cops letting the cat out of the bag.
Here in France, these images and the associated real-estate figures will surely constitute a final golden nail in the coffin of DSK's political career. Even the good folk of Sarcelles (the town on the outskirts of Paris where DSK used to be the mayor), who adore him, are unlikely to look upon him in the same way as before, now that they discover his New York lifestyle. French people simply do not like to give their votes to a guy who behaves in such an ostentatious "nouveau riche" style... which is why there has been so much disenchantment concerning Nicolas Sarkozy. Be that as it may, I've put some of the spectacular townhouse photos here, for safekeeping:
I persist in believing that DSK's lawyers are likely to find sufficient evidence to demolish entirely the credibility and claims of "Ophelia", the plaintiff. I've heard rumors, over the last day or so, that she may have been perfectly aware of the identity, reputation and wealth of DSK, and that she attempted naively to use her charms, followed by a rape scenario, to extort money from him. A French media source has suggested explicitly that Strauss-Kahn may have realized rapidly that he was being set up, and that this caused him to react physically in a rather violent fashion. Sex has always been a somewhat "animalistic" activity, and it's not abnormal that a male with his pants down, sensing that he has been led up the garden path, might decide spontaneously to terminate his act in a style that could be described as punishment. [Readers who don't understand immediately the sense and implications of the sentence I've just written should not waste their time trying to figure out what I'm suggesting, because they've probably been fortunate in seeing only the nice romantic side of sex… and good for them!] According to this scenario of events, if "Ophelia" was in such a distraught state when she was found, it was primarily because her scheme backfired in her face (literally). As my rough mates in Grafton used to say: "She got hers."
In the hours that followed the Sofitel incident, as soon as it became known that an important personality was involved in a nasty sex affair, local detective agencies were no doubt already booking their men into the hotel, disguised as randy businessmen, to get the lowdown on what might be available there in the way of sex, along with juicy tidbits of relevant information of all kinds. We outsiders, with our heads full of US crime movies, imagine naively that, in an affair such as this, various smart law officers and lawyers start talking together and discussing what might have happened, and how they might obtain the facts. In reality, though, I would imagine that things happen more rapidly but in a far less telegenic manner. Within a few hours, various detective agencies had probably obtained—through all sorts of experienced professionals, including sleazy operators whenever necessary—a complete in-depth description of everything that had happened, and they were no doubt already marketing their facts and files to certain lawyers, such as those who were finally chosen by DSK.
My guess is that, right from the start, the lawyers Benjamin Brafman and William Taylor were already in possession of explicit evidence enabling them to demonstrate convincingly the thesis, say, of an extortion attempt that was inexpertly disguised in a bungled rape scenario. That's why they've been saying all along that DSK will be acquitted. It's such a clearcut black-and-white situation (no pun intended) that I'm not surprised by DSK's constant "not guilty" attitude. There will, of course, be commentators who'll say that Strauss-Kahn, once he realized that he was in a kind of blackmail situation, should have put his pants back on and calmly phoned the police. I don't agree. To develop this point, I would need to resort to vile language and nasty aspects of fornication. And, since there might be pure-minded youngsters reading my blog, I'll leave off there.
BREAKING NEWS: Strauss-Kahn's lawyers have just sent a letter to the district attorney of New York complaining of information leaks perpetrated, most probably, by Manhattan police officers. We must understand that one of the basic tools exploited by trial lawyers is the capacity to surprise the jury. When the lawyers evoke a trial that would be "equitable", they mean precisely a courtroom ambiance in which they would retain the possibility of impressing members of the jury—indeed, shocking them—with surprising revelations. Apparently the lawyers have a pile of surprises in their bag of tricks, and they obviously don't want to see any dumb cops letting the cat out of the bag.
All the roses at Gamone are blooming
In my garden at Gamone, there are exactly 25 different rose bushes. This morning (probably for the first time ever), all the 25 were blooming… to a greater or lesser extent, of course.
In one square, there are three bushes that I transplanted from odd corners around the house. They certainly appear to be happier here than in their original locations.
The big white bush is thriving particularly well. It's a vigorous shrub variety, whose name I've forgotten, which sprouts out horizontally in the style of ground-cover roses. Here's a closer image:
Its flowers start out as tiny cream-colored buds in large clusters, then they turn white with golden centers, similar to the Lykkefund on the pergola, shown in a recent blog post [display]. Concerning the Lykkefund, I forgot to mention a curious detail: it has no thorns!
The first of the eight square plots in my garden is composed entirely of aromatic herbs. In the center, as in all of the eight plots, there's a lavender shrub, which won't be flowering before summer.
Funnily, when I wander through my garden, I find that the absence of vivid colors in this plot has a soothing effect.
In one square, there are three bushes that I transplanted from odd corners around the house. They certainly appear to be happier here than in their original locations.
The big white bush is thriving particularly well. It's a vigorous shrub variety, whose name I've forgotten, which sprouts out horizontally in the style of ground-cover roses. Here's a closer image:
Its flowers start out as tiny cream-colored buds in large clusters, then they turn white with golden centers, similar to the Lykkefund on the pergola, shown in a recent blog post [display]. Concerning the Lykkefund, I forgot to mention a curious detail: it has no thorns!
The first of the eight square plots in my garden is composed entirely of aromatic herbs. In the center, as in all of the eight plots, there's a lavender shrub, which won't be flowering before summer.
Funnily, when I wander through my garden, I find that the absence of vivid colors in this plot has a soothing effect.
Wednesday, May 25, 2011
Fitzroy's works of natural art
In my blog post of 11 March 2011 entitled Fitzroy art collector [display], I drew attention to the fact that my dog appears to be a cultivated collector of interesting naturally-occurring wood objects. He's still engaged in this preoccupation, more than ever. Since Fitzroy has now evolved into a powerful animal, accustomed to twilight excursions into remote corners of Gamone Creek, the exceptional objects that he discovers and brings back to the house are becoming more and more sizable and significant.
I refer to them naively, in my inexpert language, as "works of natural art" because these objects appear to have been shaped and textured solely by Nature, with no creative interventions by man or beast. But Fitzroy might not be happy with this terminology, because I have reasons to believe that my dog considers that supernatural cosmic forces of a spiritual kind may have played a role in fashioning the objects that concern him. I would like to glean expert explanations on this vast subject from Fitzroy himself, but he's generally totally enthralled by the delicate handling and contemplation of his precious objects, and prefers not to talk too much about them. He tends to be somewhat elitist, and surely thinks of me as a Philistine. Let's call a spade a spade: Fitzroy's a nice guy, but he's a kind of art snob.
BREAKING NEWS (Thursday midday): My dog seems to be following me (as they say in Internet jargon). No sooner had I started to write this addendum than Fitzroy raced up the stairs, sat down on the floor alongside my desk, and reached up with his left paw and scratched my arm. What I wanted to say was that I had the impression, when I walked outside this morning, that Fitzroy had read the above blog post, and wished to confirm that my opinions were spot on. During the early hours of the morning, he went out on a search expedition and brought back an even bigger stick than the one in the above photo, and laid it down alongside the first one. Then the post woman Martine pulled up, in her little yellow van, and said to me spontaneously (as Fitzroy jumped up on the door of the vehicle to greet her): "I often notice half-burnt sticks in the middle of the road, left there by your little black dog." I really must start looking around for an academy of fine arts (maybe in nearby Provence) that would be prepared to accept my artistically-gifted dog as a student.
I refer to them naively, in my inexpert language, as "works of natural art" because these objects appear to have been shaped and textured solely by Nature, with no creative interventions by man or beast. But Fitzroy might not be happy with this terminology, because I have reasons to believe that my dog considers that supernatural cosmic forces of a spiritual kind may have played a role in fashioning the objects that concern him. I would like to glean expert explanations on this vast subject from Fitzroy himself, but he's generally totally enthralled by the delicate handling and contemplation of his precious objects, and prefers not to talk too much about them. He tends to be somewhat elitist, and surely thinks of me as a Philistine. Let's call a spade a spade: Fitzroy's a nice guy, but he's a kind of art snob.
BREAKING NEWS (Thursday midday): My dog seems to be following me (as they say in Internet jargon). No sooner had I started to write this addendum than Fitzroy raced up the stairs, sat down on the floor alongside my desk, and reached up with his left paw and scratched my arm. What I wanted to say was that I had the impression, when I walked outside this morning, that Fitzroy had read the above blog post, and wished to confirm that my opinions were spot on. During the early hours of the morning, he went out on a search expedition and brought back an even bigger stick than the one in the above photo, and laid it down alongside the first one. Then the post woman Martine pulled up, in her little yellow van, and said to me spontaneously (as Fitzroy jumped up on the door of the vehicle to greet her): "I often notice half-burnt sticks in the middle of the road, left there by your little black dog." I really must start looking around for an academy of fine arts (maybe in nearby Provence) that would be prepared to accept my artistically-gifted dog as a student.
Tuesday, May 24, 2011
Presumptions
In my blog post of 16 May 2011 concerning the DSK affair [display], I said that I "smell a rat". I was incapable, though, of being more explicit. No matter how hard I tried to analyze the available facts, they simply didn't "add up" in any plausible fashion. On the one hand, I was unable to formulate any kind of logical demonstration capable of condemning convincingly Dominique Strauss-Kahn as the rapist of an innocent Manhattan chambermaid. But, on the other hand, if Strauss-Kahn were indeed guiltless, then I couldn't understand the logic that would have led to the maid's accusations. Since I could make no headway in grasping the situation and forming hypotheses in my imagination, I had nothing whatsoever to say. So, I've remained silent, but nevertheless highly intrigued, for I'm still convinced that there is indeed a rat in the vicinity, somehow, somewhere… but I've never succeeded in obtaining even a fleeting glimpse of the rodent's shadow, let alone learning how he was being fed, and how he might be caught. I've merely continued to smell the rat's presence, but that's all. No more, no less.
Meanwhile, like countless French spectators of the DSK affair, I've learned a lot about the US legal system. Retrospectively, I'm a little ashamed to have been so ignorant, for so long, in this domain. I imagined naively that I'd obtained a vague understanding of US justice through having watched countless movies, but I now realize that I knew next to nothing about this fascinating aspect of the American way of life. At the same time, I was dismayed to find that many observers were not respecting the presumption of innocence that must prevail concerning DSK, while they were quite happy to respect the presumption that the plaintiff was an innocent young woman who had been the victim of a hideous act of rape.
The other day, I was greatly surprised when I heard that Benjamin Brafman had dared to suggest explicitly to an Israeli newspaper that DSK would probably be acquitted. Surely, the experienced lawyer wouldn't talk that way unless he had good reasons for believing that DSK had been "set up" in one way or another. But how could this possibly be?
As of today, I'm starting to envisage the DSK affair in a clearer light, while assembling the hypothetical fragments of the possible logic of the real events that took place. In my mind, the global situation is now understandable, if not clear. I have the impression that I'm starting to "see" exactly what might have happened up in that hotel suite.
We're in an Agatha Christie situation where there could well be only one single scenario that makes it possible to integrate all the various constraints of which we're more-or-less aware. Obviously, some of these constraints might have been presented incompletely or even erroneously, and there may well be further constraints of which we still know nothing. But we seem to be moving rapidly towards a plausible synthesis of all the known facts.
For the moment, I don't intend to explain how I see things, because I might be totally mistaken, and I'm not keen on making a fool of myself by rash declarations of my beliefs. All I wish to say is that I'm convinced that we're in for a few big surprises, during the coming week or so, and that these surprises will concern primarily the character and behavior of the young woman who continues to be thought of as the presumed victim in this affair. To my mind, that presumption is legitimate, but it is also flimsy, indeed tenuous, because this woman has not yet come out into the glaring lights. When she does, I'm convinced that several surprising facts will start to unfold...
One final point. Sooner or later, to "evaluate" the behavior of a sexually-aroused Strauss-Kahn, commentators will have to abandon language and judgments based upon would-be moral principles. If ever this turned out to be a setup situation organized essentially by the maid (nothing to do with a conspiracy), then even the concept of consensual sex would lose its relevance. From that point on, we would be obliged to speak rather of sexual commerce. And the sole question, then, would be: Was this commerce conducted within acceptable legal bounds? Or were the transactions finally nudged—maybe subtly—into a criminal arena? In that last rhetorical question, it goes without saying that my use of the adjective "criminal"—which has nothing to do with any alleged kind of sexual immorality—is not meant to apply to DSK.
Meanwhile, like countless French spectators of the DSK affair, I've learned a lot about the US legal system. Retrospectively, I'm a little ashamed to have been so ignorant, for so long, in this domain. I imagined naively that I'd obtained a vague understanding of US justice through having watched countless movies, but I now realize that I knew next to nothing about this fascinating aspect of the American way of life. At the same time, I was dismayed to find that many observers were not respecting the presumption of innocence that must prevail concerning DSK, while they were quite happy to respect the presumption that the plaintiff was an innocent young woman who had been the victim of a hideous act of rape.
The other day, I was greatly surprised when I heard that Benjamin Brafman had dared to suggest explicitly to an Israeli newspaper that DSK would probably be acquitted. Surely, the experienced lawyer wouldn't talk that way unless he had good reasons for believing that DSK had been "set up" in one way or another. But how could this possibly be?
As of today, I'm starting to envisage the DSK affair in a clearer light, while assembling the hypothetical fragments of the possible logic of the real events that took place. In my mind, the global situation is now understandable, if not clear. I have the impression that I'm starting to "see" exactly what might have happened up in that hotel suite.
We're in an Agatha Christie situation where there could well be only one single scenario that makes it possible to integrate all the various constraints of which we're more-or-less aware. Obviously, some of these constraints might have been presented incompletely or even erroneously, and there may well be further constraints of which we still know nothing. But we seem to be moving rapidly towards a plausible synthesis of all the known facts.
For the moment, I don't intend to explain how I see things, because I might be totally mistaken, and I'm not keen on making a fool of myself by rash declarations of my beliefs. All I wish to say is that I'm convinced that we're in for a few big surprises, during the coming week or so, and that these surprises will concern primarily the character and behavior of the young woman who continues to be thought of as the presumed victim in this affair. To my mind, that presumption is legitimate, but it is also flimsy, indeed tenuous, because this woman has not yet come out into the glaring lights. When she does, I'm convinced that several surprising facts will start to unfold...
One final point. Sooner or later, to "evaluate" the behavior of a sexually-aroused Strauss-Kahn, commentators will have to abandon language and judgments based upon would-be moral principles. If ever this turned out to be a setup situation organized essentially by the maid (nothing to do with a conspiracy), then even the concept of consensual sex would lose its relevance. From that point on, we would be obliged to speak rather of sexual commerce. And the sole question, then, would be: Was this commerce conducted within acceptable legal bounds? Or were the transactions finally nudged—maybe subtly—into a criminal arena? In that last rhetorical question, it goes without saying that my use of the adjective "criminal"—which has nothing to do with any alleged kind of sexual immorality—is not meant to apply to DSK.
Stray horse
Bush humor when I was a Waterview kid
This is the cover of a famous Australian weekly magazine, Pix, dated 23 September 1946 (the eve of my 6th birthday). The woman is the US actress Rita Hayworth [1918-1987], and we see from a news heading on the cover that she has just started a "new dance craze". I would imagine that they're referring to the jitterbug, which had been spread throughout the planet (including jazz clubs in the Latin Quarter of Paris) by the American GIs. Pix was a popular photo-journalistic magazine with a huge readership: nearly a million Australians.
At home in Waterview, Pix was regular reading for everybody, along with The Daily Examiner and The Women's Weekly. As a child, I probably wasn't particularly excited about Rita Hayworth and the jitterbug. The item that amused me most of all in Pix was the regular cartoon by Eric Jolliffe, whose specialty was Aussie outback humor… or funny bush drawings, as we would have said. The central personage was a rough rural fellow known as Saltbush Bill, who was always attired in a felt hat and black waistcoat.
Saltbush Bill lived with his large family in an environment that might be thought of as harsh and primitive, where he was perpetually faced with typical bush problems.
To a certain extent, we rural folk at Waterview were probably in mild empathy with Saltbush Bill and his caricatural milieu. Snakes in tree stumps, for example, were an everyday affair… like spiders, heat, dust, flies and backyard lavatories, etc. I hasten to point out, however, that we knew nothing whatsoever (for geographical reasons) of a dimension that was constantly present in Saltbush Bill's universe: the Aborigines, inevitably depicted by Jolliffe—in a way that would be ethically unthinkable today—as incredibly primitive. If ever Saltbush Bill appeared in an urban environment, it was usually a matter of finding solutions to his rural problems. Here, for example, he's dropping in on the local blacksmith:
The caption is typically banal, since words played a relatively minor role in Jolliffe's work. Saltbush Bill informs the blacksmith that the name of his old horse is Flattery, "because it never gets me anywhere".
PARENTHESIS: I'm intrigued by the construction technique for the post-office roof. I don't recall having seen anything like that in Australia. Apparently the external wooden frame is intended to keep the sheets of corrugated iron in place. As a guess, I would imagine that the purpose of this technique was to avoid the use of nails, since there would have been several obvious advantages in not using nails. First, you didn't need to have a system of solid rafters capable of receiving roof nails. Then you didn't have to puncture the corrugated metal, allowing rain to leak in. Finally, you didn't have to go into town and purchase nails. I would imagine that the external framework was tied together with wire or string. And, if the metal sheets got blown off in a storm, it would have been easy to put them back in place.
Now, just to make it clear that my authentic family environment was only remotely associated with that of Saltbush Bill, here's a photo of my grandfather Charles Walker [1882-1937], attired in a fine Sunday suit and shiny shoes, with a watch chain stretched across his waistcoat, and a cigarette in his left hand:
As they say in the movies: All characters appearing in Jolliffe's work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.
At home in Waterview, Pix was regular reading for everybody, along with The Daily Examiner and The Women's Weekly. As a child, I probably wasn't particularly excited about Rita Hayworth and the jitterbug. The item that amused me most of all in Pix was the regular cartoon by Eric Jolliffe, whose specialty was Aussie outback humor… or funny bush drawings, as we would have said. The central personage was a rough rural fellow known as Saltbush Bill, who was always attired in a felt hat and black waistcoat.
Saltbush Bill lived with his large family in an environment that might be thought of as harsh and primitive, where he was perpetually faced with typical bush problems.
To a certain extent, we rural folk at Waterview were probably in mild empathy with Saltbush Bill and his caricatural milieu. Snakes in tree stumps, for example, were an everyday affair… like spiders, heat, dust, flies and backyard lavatories, etc. I hasten to point out, however, that we knew nothing whatsoever (for geographical reasons) of a dimension that was constantly present in Saltbush Bill's universe: the Aborigines, inevitably depicted by Jolliffe—in a way that would be ethically unthinkable today—as incredibly primitive. If ever Saltbush Bill appeared in an urban environment, it was usually a matter of finding solutions to his rural problems. Here, for example, he's dropping in on the local blacksmith:
The caption is typically banal, since words played a relatively minor role in Jolliffe's work. Saltbush Bill informs the blacksmith that the name of his old horse is Flattery, "because it never gets me anywhere".
PARENTHESIS: I'm intrigued by the construction technique for the post-office roof. I don't recall having seen anything like that in Australia. Apparently the external wooden frame is intended to keep the sheets of corrugated iron in place. As a guess, I would imagine that the purpose of this technique was to avoid the use of nails, since there would have been several obvious advantages in not using nails. First, you didn't need to have a system of solid rafters capable of receiving roof nails. Then you didn't have to puncture the corrugated metal, allowing rain to leak in. Finally, you didn't have to go into town and purchase nails. I would imagine that the external framework was tied together with wire or string. And, if the metal sheets got blown off in a storm, it would have been easy to put them back in place.
Now, just to make it clear that my authentic family environment was only remotely associated with that of Saltbush Bill, here's a photo of my grandfather Charles Walker [1882-1937], attired in a fine Sunday suit and shiny shoes, with a watch chain stretched across his waistcoat, and a cigarette in his left hand:
As they say in the movies: All characters appearing in Jolliffe's work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.
Labels:
Australian environment,
autobiography,
Grafton,
Waterview
Monday, May 23, 2011
Pergola roses
Same tree, different seasons
Back in January, when the two horses were residing at Gamone, this was a view of the linden tree with the lower paddock in the background:
And here's the same scene this afternoon:
For those who have the good fortune to live in a rural environment, the seasons are present constantly in our existence, in a visceral fashion. An individual's body and mind is metamorphosed, no doubt, in a comparable manner, without our being totally aware of the current situation at any particular moment.
And here's the same scene this afternoon:
For those who have the good fortune to live in a rural environment, the seasons are present constantly in our existence, in a visceral fashion. An individual's body and mind is metamorphosed, no doubt, in a comparable manner, without our being totally aware of the current situation at any particular moment.
Staircase is still standing
In an article entitled Awards, which I wrote nearly four years ago, I made fun of a dangerous-looking concrete staircase in the village of St-Jean-en-Royans [display]. A few days ago, I took this new photo of the staircase, which is clearly built to last. Maybe it incorporates extraordinary engineering principles that merit study in the great technological universities.
On the other hand, I should point out that, although I've been driving past this place for years, I've never seen anybody actually using this fine staircase… which is no doubt a pity.
On the other hand, I should point out that, although I've been driving past this place for years, I've never seen anybody actually using this fine staircase… which is no doubt a pity.
Ireland stops the USA
The website where I found this hilarious clip said: "Obama's armored vehicle can protect him from everything except ridicule."
Apparently, embassy personnel made vain attempts to dislodge the vehicle, while leaving the president and his wife inside (for obvious security reasons). Finally, after some three-quarters of an hour (which is a huge delay in the case of a US president), Barack Obama and his wife were obliged to get out of the stuck vehicle and move into a more mobile automobile.
These days, observing happenings such as this ridiculous incident, coming a week after the DSK affair, the academic author Nassim Nicholas Taleb must be applauding with glee. The principles of his famous "black swan events" are outlined in my article of 15 March 2010 entitled Singular happenings [display].
These days, observing happenings such as this ridiculous incident, coming a week after the DSK affair, the academic author Nassim Nicholas Taleb must be applauding with glee. The principles of his famous "black swan events" are outlined in my article of 15 March 2010 entitled Singular happenings [display].
Tree sawed into firewood
In my recent article about cutting down a dead tree at Gamone [display], I should have pointed out that the tree in question is known in French as a Frêne [Fraxinus excelsior]. In English, it's a European Ash. The latter term has nothing to do with the stuff that remains after a fire. It comes from a Saxon word, æsc, which means spear. Ash wood is indeed hard and dense, and I can well imagine it being used for spears.
Now, this is funny, because my surname, Skyvington, is derived from the Saxon expression Sceaftinga tûn, which can be translated as "the place of Sceaft’s people". Used as a noun, sceaft means a shaft or spear, suggesting that the original settlement (in what we now call Leicestershire) was the home of a Saxon warrior who was a reputed spear-thrower. So, the Saxon words sceaft and æsc are surely related.
This afternoon, I finished the job of cutting up the branches with a chainsaw. And it has provided me with a stock of fine dry firewood.
For the thicker parts of the trunk, I used steel wedges and a sledgehammer to split the wood.
Next winter, when I'm warming my toes in front of a log fire, I'll inevitably think back to the ancient Saxon warrior who was at the origin of my family name. He did this in a rather indirect manner, and grudgingly, because his settlement was simply taken over (maybe after a combat) by the companions of William the Conqueror. One of these Norman invaders was my real ancestor, not the celebrated Saxon spear-thrower. Be that as it may, I'm grateful to the Saxon fellow named Sceaft for participating unwittingly, unwillingly, in my personal genealogy by supplying me with my surname… just as I'll be grateful to the dead ash tree for supplying me with warmth.
Now, this is funny, because my surname, Skyvington, is derived from the Saxon expression Sceaftinga tûn, which can be translated as "the place of Sceaft’s people". Used as a noun, sceaft means a shaft or spear, suggesting that the original settlement (in what we now call Leicestershire) was the home of a Saxon warrior who was a reputed spear-thrower. So, the Saxon words sceaft and æsc are surely related.
This afternoon, I finished the job of cutting up the branches with a chainsaw. And it has provided me with a stock of fine dry firewood.
For the thicker parts of the trunk, I used steel wedges and a sledgehammer to split the wood.
Next winter, when I'm warming my toes in front of a log fire, I'll inevitably think back to the ancient Saxon warrior who was at the origin of my family name. He did this in a rather indirect manner, and grudgingly, because his settlement was simply taken over (maybe after a combat) by the companions of William the Conqueror. One of these Norman invaders was my real ancestor, not the celebrated Saxon spear-thrower. Be that as it may, I'm grateful to the Saxon fellow named Sceaft for participating unwittingly, unwillingly, in my personal genealogy by supplying me with my surname… just as I'll be grateful to the dead ash tree for supplying me with warmth.
Labels:
Gamone,
genealogy,
Skeffington genealogy
Sunday, May 22, 2011
On the face of it
One of the prominent facial features that I share with my dogs is the presence of a vertical indent between the nose and the upper lip, called the philtrum. Here's a Wikipedia image of this cleft in a dog:
It is a so-called vestigial structure of our anatomy, in the sense that Nature seems to have "left over" our philtrum as a useless relic of something that once existed—maybe as a functioning organ—in the bodies of our remote ancestors. It resembles—you might say—a mound of earth designating the former presence of an ancient castle, now gone. We humans retain a notorious vestigial creature that surely upsets naive folk who persist in believing that God created us in his divine workshop. I'm speaking of our tail bone. In my recent article entitled Ears, donkeys, a dog and birds [display], I spoke of the marvelous capacity of donkeys to orient their ears. In fact, we humans apparently possess vestigial traces of ear muscles. In other words, at one time or another in the very remote past, our ancestors were capable of hearing enemies creeping up on them from behind.
Concerning our curious philtrum, the following video demonstrates that it's simply the place where the two halves of our embryonic face are finally connected in a permanent fashion.
If a face were to be likened to a children's balloon, the philtrum might be thought of as the nozzle that you tie up with a piece of string, to keep the air in.
The philtrum is a bit like the navel of our head.
It is a so-called vestigial structure of our anatomy, in the sense that Nature seems to have "left over" our philtrum as a useless relic of something that once existed—maybe as a functioning organ—in the bodies of our remote ancestors. It resembles—you might say—a mound of earth designating the former presence of an ancient castle, now gone. We humans retain a notorious vestigial creature that surely upsets naive folk who persist in believing that God created us in his divine workshop. I'm speaking of our tail bone. In my recent article entitled Ears, donkeys, a dog and birds [display], I spoke of the marvelous capacity of donkeys to orient their ears. In fact, we humans apparently possess vestigial traces of ear muscles. In other words, at one time or another in the very remote past, our ancestors were capable of hearing enemies creeping up on them from behind.
Concerning our curious philtrum, the following video demonstrates that it's simply the place where the two halves of our embryonic face are finally connected in a permanent fashion.
If a face were to be likened to a children's balloon, the philtrum might be thought of as the nozzle that you tie up with a piece of string, to keep the air in.
The philtrum is a bit like the navel of our head.
Friday, May 20, 2011
Action will start in Australia
Here in France, it has just turned midnight. The time in my native land, Australia, is 8 hours in advance of France (since God decided—as explained with mathematical precision in the book of Genesis—that the Sun would rise in the east and set in the west, and that the International Date Line would pass through the middle of the Pacific Ocean). So, at this moment, it's just after 8 o'clock on the final morning: Saturday, May 21, 2001.
My lucky Aussie compatriots will be witnessing the return of King Jesus within roughly 10 hours… but nobody—neither religious leaders, government leaders nor journalists—seems to be in a position to indicate the exact place where the Savior will be making his initial appearance. There's a persistent rumor that this world-shaking event will be taking place in Sydney, maybe on top of the Harbour Bridge, or on the lawns of the Botanic Gardens. But a group of federal politicians has claimed that the only fit site for such a happening would be Canberra, the hub of the nation. Some people are even suggesting that the return of Jesus will be taking place in a country setting, at the easternmost tip of the continent, in the vicinity of Byron Bay.
Whatever the exact site, I'll be tuning into the Internet, first thing tomorrow morning, to dive into Australian media stories concerning the big event. Then we'll spend the day awaiting impatiently the arrival of Jesus in France. Nicolas Sarkozy has already announced that Christ will normally be alighting, as everybody hopes, on the upper platform of the Eiffel Tower, where his arrival will be highlighted by a flyover of air-force jet fighters, followed in the evening by a gigantic fireworks display. But, if ever the wind conditions were excessive, rendering this operation dangerous, it has been suggested that the Rapture will be taking place near the Place de la Concorde, at the lower extremity of the Champs Elysées, at exactly the same place where the final stage of the Tour de France terminates. If this were to be the case, then Jesus would be expected, as usual, to undergo a urine test for doping before being officially welcomed by the president of the République and the mayor of Paris. Accompanied by mounted horsemen of the Garde Républicaine, Jesus would then be driven in a cavalcade up to the Arc de Triomphe, where he would lay a wreath on the tomb of the Unknown Warrior. Finally, if any time remained (a big question mark, to say the least), the Son of God would be invited to a state dinner at the Elysées Palace.
BREAKING NEWS: This extraordinary image by Australian news photographer Mike Angelo reveals the scenes of chaos and panic this afternoon at 6 o'clock at Sydney Airport as heaven-bound Christians collided with tourists and angels in the turmoil of the Rapture.
For the moment, there are no ecclesiastic explanations as to why so many folk are getting around stark naked… which is not particularly pious behavior. Reported sightings of Jesus Christ are being checked by police, air traffic authorities and weather bureau officials.
My lucky Aussie compatriots will be witnessing the return of King Jesus within roughly 10 hours… but nobody—neither religious leaders, government leaders nor journalists—seems to be in a position to indicate the exact place where the Savior will be making his initial appearance. There's a persistent rumor that this world-shaking event will be taking place in Sydney, maybe on top of the Harbour Bridge, or on the lawns of the Botanic Gardens. But a group of federal politicians has claimed that the only fit site for such a happening would be Canberra, the hub of the nation. Some people are even suggesting that the return of Jesus will be taking place in a country setting, at the easternmost tip of the continent, in the vicinity of Byron Bay.
Whatever the exact site, I'll be tuning into the Internet, first thing tomorrow morning, to dive into Australian media stories concerning the big event. Then we'll spend the day awaiting impatiently the arrival of Jesus in France. Nicolas Sarkozy has already announced that Christ will normally be alighting, as everybody hopes, on the upper platform of the Eiffel Tower, where his arrival will be highlighted by a flyover of air-force jet fighters, followed in the evening by a gigantic fireworks display. But, if ever the wind conditions were excessive, rendering this operation dangerous, it has been suggested that the Rapture will be taking place near the Place de la Concorde, at the lower extremity of the Champs Elysées, at exactly the same place where the final stage of the Tour de France terminates. If this were to be the case, then Jesus would be expected, as usual, to undergo a urine test for doping before being officially welcomed by the president of the République and the mayor of Paris. Accompanied by mounted horsemen of the Garde Républicaine, Jesus would then be driven in a cavalcade up to the Arc de Triomphe, where he would lay a wreath on the tomb of the Unknown Warrior. Finally, if any time remained (a big question mark, to say the least), the Son of God would be invited to a state dinner at the Elysées Palace.
BREAKING NEWS: This extraordinary image by Australian news photographer Mike Angelo reveals the scenes of chaos and panic this afternoon at 6 o'clock at Sydney Airport as heaven-bound Christians collided with tourists and angels in the turmoil of the Rapture.
For the moment, there are no ecclesiastic explanations as to why so many folk are getting around stark naked… which is not particularly pious behavior. Reported sightings of Jesus Christ are being checked by police, air traffic authorities and weather bureau officials.
Ronsard in bloom
I wrote about this rose bush a year ago [display].
Its resurrection is amazing.
Its resurrection is amazing.
Cueillez dès aujourd’hui les roses de la vie
Quand vous serez bien vieille, au soir, à la chandelle,
Assise auprès du feu, dévidant et filant,
Direz, chantant mes vers, en vous émerveillant :
« Ronsard me célébrait du temps que j’étais belle ! »
Lors, vous n’aurez servante oyant telle nouvelle,
Déjà sous le labeur à demi sommeillant,
Qui au bruit de Ronsard ne s’aille réveillant,
Bénissant votre nom de louange immortelle.
Je serai sous la terre, et, fantôme sans os,
Par les ombres myrteux je prendrai mon repos ;
Vous serez au foyer une vieille accroupie,
Regrettant mon amour et votre fier dédain.
Vivez, si m’en croyez, n’attendez à demain :
Cueillez dès aujourd’hui les roses de la vie.
Pierre de Ronsard, Sonnets pour Hélène, 1587
Cherry season
The cherry tree alongside the house is loaded with fruit, but it's located on a steep embankment, which makes cherry-picking difficult.
During this activity, the dogs are alongside me constantly, either at the foot of the ladder, or scrounging in the vicinity of a bowl of fruit, waiting for an inevitable handout. Cherries go down their throats whole, of course, including the stones. Sophia would never steal a cherry from a bowl but, as soon as I place a single cherry alongside the bowl, she understands immediately that it's for her.
While they followed me around, I was able to take a few good portraits.
A few days ago, I was slightly alarmed to discover that Fitzroy had mistakenly identified the clay marbles in a flower pot (supposedly useful for keeping the soil loose) as cherries.
That's to say, I found him crunching away at one of these little red balls. I could clearly hear the sound of the clay being ground to powder by Fitzroy's powerful molars. After swallowing it, he looked up at me with a satisfied expression and wiped his lips with his tongue.
During this activity, the dogs are alongside me constantly, either at the foot of the ladder, or scrounging in the vicinity of a bowl of fruit, waiting for an inevitable handout. Cherries go down their throats whole, of course, including the stones. Sophia would never steal a cherry from a bowl but, as soon as I place a single cherry alongside the bowl, she understands immediately that it's for her.
While they followed me around, I was able to take a few good portraits.
A few days ago, I was slightly alarmed to discover that Fitzroy had mistakenly identified the clay marbles in a flower pot (supposedly useful for keeping the soil loose) as cherries.
That's to say, I found him crunching away at one of these little red balls. I could clearly hear the sound of the clay being ground to powder by Fitzroy's powerful molars. After swallowing it, he looked up at me with a satisfied expression and wiped his lips with his tongue.
Magic images
When I was a ten-year-old child in South Grafton, an older boy named Ervin McNally, living on a farm on the other side of the road, gave us a demonstration of an amazing device called a magic lantern.
The light source was a small candle burning inside the copper-plated receptacle. Images were painted in transparent colors on glass bars that could be inserted in a slot between the lamp-house and a simple lens. This gave rise to large images projected onto a white sheet tacked to the wall. Since the candle flame flickered constantly, spectators had the impression that the projected images were vaguely animated. To create a show, the projectionist related a story that was illustrated by his stock of painted images. And he could call upon an archaic gramophone to provide background music. It wasn't exactly home cinema. To me, though, a wide-eyed boy of ten, it was marvelous.
Today, the Gallica online service of the national French library offered us a collection of magic-lantern slides created during the 19th century. This one presents the tomb of Jesus in Jerusalem:
Here's a recent unusual image of that same place, produced by means of a fish-eye lens.
At first sight, the following photo evokes a vision of hell. In fact, it's a Greek Easter Sunday view of the annual ritual of the so-called miracle of the Holy Fire, which descends from heaven—with the help of a few ecclesiastic friends—and falls directly onto the tomb of Christ.
Down in the vicinity of the Holy Sepulcher, human forms are floating around in a blaze of flickering candles.
The scene strikes me as the inside of a gigantic magic lantern.
The light source was a small candle burning inside the copper-plated receptacle. Images were painted in transparent colors on glass bars that could be inserted in a slot between the lamp-house and a simple lens. This gave rise to large images projected onto a white sheet tacked to the wall. Since the candle flame flickered constantly, spectators had the impression that the projected images were vaguely animated. To create a show, the projectionist related a story that was illustrated by his stock of painted images. And he could call upon an archaic gramophone to provide background music. It wasn't exactly home cinema. To me, though, a wide-eyed boy of ten, it was marvelous.
Today, the Gallica online service of the national French library offered us a collection of magic-lantern slides created during the 19th century. This one presents the tomb of Jesus in Jerusalem:
Here's a recent unusual image of that same place, produced by means of a fish-eye lens.
At first sight, the following photo evokes a vision of hell. In fact, it's a Greek Easter Sunday view of the annual ritual of the so-called miracle of the Holy Fire, which descends from heaven—with the help of a few ecclesiastic friends—and falls directly onto the tomb of Christ.
Down in the vicinity of the Holy Sepulcher, human forms are floating around in a blaze of flickering candles.
The scene strikes me as the inside of a gigantic magic lantern.
Thursday, May 19, 2011
Madeleine and the dogs
Whenever my neighbor Madeleine drops in, it's always a joyous encounter, not only for me, but for our dogs.
My Fitzroy leads a barking Briska in mad pursuits back and forth in front of the house, until they're both totally exhausted. As for Sophia, watching from the sidelines, she has always reacted with joy to the presence of Madeleine. Maybe Sophia recalls the time when Madeleine would arrive at Gamone with edible goodies in plastic bags. In general, I've always felt that Sophia appreciates the gentle caresses of women, so different to my rough hands searching through her fur for ticks. I've tried to tell Sophia that it takes all kinds of people to make a world.
My Fitzroy leads a barking Briska in mad pursuits back and forth in front of the house, until they're both totally exhausted. As for Sophia, watching from the sidelines, she has always reacted with joy to the presence of Madeleine. Maybe Sophia recalls the time when Madeleine would arrive at Gamone with edible goodies in plastic bags. In general, I've always felt that Sophia appreciates the gentle caresses of women, so different to my rough hands searching through her fur for ticks. I've tried to tell Sophia that it takes all kinds of people to make a world.
Wednesday, May 18, 2011
Justices (plural)
This fabulous photo shows the prestigious US lawyer Benjamin Brafman saying "Shut up" to his bowed client, Dominique Strauss-Kahn, one of the planet's most powerful men… and not only in the bedroom.
Much smelly shit is being spread around by the media [sample] concerning this exceptional affair. Meanwhile, here in France, we're confronted with an unexpected but spectacular case study enabling us (forcing us) to compare our culture with that of our friends on the other side of the Atlantic. Has there been a surge, over the last few days, in French applications for Green Cards? I wouldn't think so...
Much smelly shit is being spread around by the media [sample] concerning this exceptional affair. Meanwhile, here in France, we're confronted with an unexpected but spectacular case study enabling us (forcing us) to compare our culture with that of our friends on the other side of the Atlantic. Has there been a surge, over the last few days, in French applications for Green Cards? I wouldn't think so...
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