Pages in an old passport can have a similar nostalgic value to old letters or photos. Even the covers can tell a story.
In the old model, there was a crown on the cover, above the word Australia, and the expression British passport appeared beneath our coat of arms. Inside, to describe the bearer's nationality, complicated verbiage was required: Australian citizen and a British subject. Then, in the '80s, for reasons I never bothered to try to understand, we Australian expatriates residing in the Old World suddenly found ourselves queuing up with Eskimos and Americans to get into Britain, while the British queues were full of people wearing turbans and djellabas, and speaking among themselves in exotic languages. Personally, I had become so accustomed to thinking of Britain as the ancestral motherland of Australians that I never quite got over the shock of being considered there as an alien. And I'm still irritated when I find Australian dignitaries groveling in front of members of Britain's royal family.
The following page of my first passport has traces of my first sea, land and air voyages outside of Australia:
And here's my first French visa, delivered in London, enabling me to work officially in France:
Today, one has the impression that 4,000 French francs was a hell of a lot of money to pay for a visa. They were, of course, so-called "old francs". In present-day monetary terms, my visa wasn't particularly expensive: a few dozen euros.
While I'm aware that it's rather silly to remain attached to obsolete passports, these documents symbolize precious moments in my early life. They're a modern equivalent of the old family bibles in which our ancestors recorded dates of baptisms and first communions.
Sunday, June 24, 2007
Around the house
The surrounding slopes are a jungle of greenery at present. An observer could well imagine that Gamone is a natural Garden of Eden, but this is an illusion, for the limestone soil is not rich at all. Thick wisteria leaves and rose bushes conceal the southern half of the façade of the house.
A local craftsman will be coming here in August to renovate this façade by replacing all the ancient mortar between the hunks of stone. Prior to his arrival, I'll have to cut back all these wisteria and rose branches.
On a sunny window sill at the southern end of the house, my miniature Jacaranda Avenue is coming along well:
Natacha gave me seeds from the Mediterranean coast for the two plants on the left, whereas the three smaller plants are grown from seeds I picked up last year in my native South Grafton. Unfortunately I'm unlikely to ever see these tropical American trees growing outside on the slopes of Gamone, because they only thrive in hot humid climates.
My strawberry, lettuce and tomato patches are coming along slowly but well, now that I've fenced them off so that my billy goat Gavroche doesn't wreak havoc upon the tender plants.
This morning, Sophia came back from our customary morning excursion up along the track beyond the house with a gigantic bone.
I have no idea where it was hidden, but I believe it's a bone she brought back from a walk over on the other side of the valley a few years ago. If I were conscientious, I would try to determine from what kind of a beast it comes. But Sophia doesn't need to know that. And neither, for that matter, do I. So, let's simply assume that it was some kind of a big non-human creature that died lawfully and as peacefully as possible. That's more than what can be said, these days, for many poor men, women and children.
A local craftsman will be coming here in August to renovate this façade by replacing all the ancient mortar between the hunks of stone. Prior to his arrival, I'll have to cut back all these wisteria and rose branches.
On a sunny window sill at the southern end of the house, my miniature Jacaranda Avenue is coming along well:
Natacha gave me seeds from the Mediterranean coast for the two plants on the left, whereas the three smaller plants are grown from seeds I picked up last year in my native South Grafton. Unfortunately I'm unlikely to ever see these tropical American trees growing outside on the slopes of Gamone, because they only thrive in hot humid climates.
My strawberry, lettuce and tomato patches are coming along slowly but well, now that I've fenced them off so that my billy goat Gavroche doesn't wreak havoc upon the tender plants.
This morning, Sophia came back from our customary morning excursion up along the track beyond the house with a gigantic bone.
I have no idea where it was hidden, but I believe it's a bone she brought back from a walk over on the other side of the valley a few years ago. If I were conscientious, I would try to determine from what kind of a beast it comes. But Sophia doesn't need to know that. And neither, for that matter, do I. So, let's simply assume that it was some kind of a big non-human creature that died lawfully and as peacefully as possible. That's more than what can be said, these days, for many poor men, women and children.
Saturday, June 23, 2007
Backstage
Antipodes post #300
I still dream (thankfully, you might say), whether I wish to or not. But I no longer pay much attention to my dreams (if ever I did), because I don't think they play a significant role in my earthly existence. In the matinal clarity, when I stroll up the road behind the house, accompanied by my faithful Sophia (wisdom), maybe in the fuzzy hope of extruding a little vital energy for the oncoming day from the giant mass of the Cornouze on the other side of the valley, I have an opportunity of reflecting upon my dream objects of the previous night... with no particular goal in mind. I have the impression that there's a kind of one-to-one correspondence (as mathematicians say) between my dream objects and the concrete events of the previous day or so. I insist upon the adjective "concrete". What I mean to say is that my dreaming apparatus seems to hook on to things that happened during my day, often of a superficial nature, but it never bothers to get involved (or so it seems) with my profound thoughts. In other words, my dreaming apparatus is like a horde of vulgar paparazzi who shoot everything they see, obsessively, without worrying too much about the fundamental substrate of events, of thoughts, of our human existence. In fact, if I could get rid of them, I probably would... because their images of alleged reality no longer amuse me. But I'm like Princess Diana. I can't get the bastards off my back.So, I dream.
And what do I dream about? Yesterday, it was a backstage theater. This was weird, because I've never been concerned with stage theater, at any moment of my life, and I can't even recall having ever wandered around on a theater stage behind the curtains. In fact, my theatrical career is a little like that of my dear father. As a child, he had a one-line response in a play, performed in front of proud parents. But he also had whooping cough. Consequently, at the moment that a Shakespearean personage in the play asked my father a question necessitating a Shakespearean yes/no reply such as "Yes, my lord, it is I", my father coughed tempestuously... which brought the house down, and stopped the performance.
In my dream, I was wandering through an extraordinary backstage environment, crowded with fascinating artists and their theatrical constructions. Funnily, there was no hint whatsoever of the probable presence of spectators, theater-goers, until the end of my dream. Up until then, the only subject of interest was the construction of stage decors. And the least that can be said is that this was a gigantic preoccupation in my dreamworld. Everything was luxuriously executed, by expert stage designers, but it was constantly and totally false... as if the desire to escape from reality was no less important than the aim of recreating it. As a dreamer, seated in the first spectator lounges, I was astounded by the attention to detail manifested by the set designers and their craftsmen. But i was puzzled by their obvious desire to create a setting that remained totally make-believe, false.
On the sunny morning slopes of Gamone, it took me a little while to see what this dream was all about. My nocturnal musings reverted to the idea of a gigantic and intricate hidden world behind our "ordinary" world. And this virtual world is described in technical terms by great contemporary thinkers such as Richard Dawkins, Brian Greene and Seth Lloyd. Before meeting up with these new analysts of the Cosmos, I was fascinated by an ancient genius: William Shakespeare. The other day, while searching for significant things to say about James Joyce in my article entitled Bloomsday [display], I was troubled by the fact that I wanted to talk, not so much about Joyce, but about Shakespeare. About the dreamworld of The Tempest, for example.
In my own strange dream [pleonasm: Can a dream be otherwise than strange?], I had been wandering through the backstage region of a vast theater, where a great play had just been performed.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
I still dream (thankfully, you might say), whether I wish to or not. But I no longer pay much attention to my dreams (if ever I did), because I don't think they play a significant role in my earthly existence. In the matinal clarity, when I stroll up the road behind the house, accompanied by my faithful Sophia (wisdom), maybe in the fuzzy hope of extruding a little vital energy for the oncoming day from the giant mass of the Cornouze on the other side of the valley, I have an opportunity of reflecting upon my dream objects of the previous night... with no particular goal in mind. I have the impression that there's a kind of one-to-one correspondence (as mathematicians say) between my dream objects and the concrete events of the previous day or so. I insist upon the adjective "concrete". What I mean to say is that my dreaming apparatus seems to hook on to things that happened during my day, often of a superficial nature, but it never bothers to get involved (or so it seems) with my profound thoughts. In other words, my dreaming apparatus is like a horde of vulgar paparazzi who shoot everything they see, obsessively, without worrying too much about the fundamental substrate of events, of thoughts, of our human existence. In fact, if I could get rid of them, I probably would... because their images of alleged reality no longer amuse me. But I'm like Princess Diana. I can't get the bastards off my back.So, I dream.
And what do I dream about? Yesterday, it was a backstage theater. This was weird, because I've never been concerned with stage theater, at any moment of my life, and I can't even recall having ever wandered around on a theater stage behind the curtains. In fact, my theatrical career is a little like that of my dear father. As a child, he had a one-line response in a play, performed in front of proud parents. But he also had whooping cough. Consequently, at the moment that a Shakespearean personage in the play asked my father a question necessitating a Shakespearean yes/no reply such as "Yes, my lord, it is I", my father coughed tempestuously... which brought the house down, and stopped the performance.
In my dream, I was wandering through an extraordinary backstage environment, crowded with fascinating artists and their theatrical constructions. Funnily, there was no hint whatsoever of the probable presence of spectators, theater-goers, until the end of my dream. Up until then, the only subject of interest was the construction of stage decors. And the least that can be said is that this was a gigantic preoccupation in my dreamworld. Everything was luxuriously executed, by expert stage designers, but it was constantly and totally false... as if the desire to escape from reality was no less important than the aim of recreating it. As a dreamer, seated in the first spectator lounges, I was astounded by the attention to detail manifested by the set designers and their craftsmen. But i was puzzled by their obvious desire to create a setting that remained totally make-believe, false.
On the sunny morning slopes of Gamone, it took me a little while to see what this dream was all about. My nocturnal musings reverted to the idea of a gigantic and intricate hidden world behind our "ordinary" world. And this virtual world is described in technical terms by great contemporary thinkers such as Richard Dawkins, Brian Greene and Seth Lloyd. Before meeting up with these new analysts of the Cosmos, I was fascinated by an ancient genius: William Shakespeare. The other day, while searching for significant things to say about James Joyce in my article entitled Bloomsday [display], I was troubled by the fact that I wanted to talk, not so much about Joyce, but about Shakespeare. About the dreamworld of The Tempest, for example.
In my own strange dream [pleonasm: Can a dream be otherwise than strange?], I had been wandering through the backstage region of a vast theater, where a great play had just been performed.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
Sarko, top of the class
Medieval Australia
I'm shocked by the fact that certain elected politicians in Australia are described in the local press as "Catholic MPs", as if their religious beliefs might impinge upon their political convictions and choices. Are so-called catholic MPs expected to cater for voters who might be Protestants, or Jews, or Moslems, or atheists? Or does the Catholic tag attached to such a politician mean that he/she is morally justified in ignoring non-Catholic citizens, and leaving them to rot in hell? To my mind, the expression "Catholic MP" cannot logically exist, and should not be tolerated in serious journalism. When an elected member enters the sanctuaries of the State, he/she should leave his religious beliefs in the cloakroom.
Today, no nation can claim to be adult, and no political constitution is sound from a purely human viewpoint, unless a strict separation is established, once and for all, between the supreme concept of the State (that is, in the case that concerns me, the nation of Australia), on the one hand, and the multifarious religious organizations that the land might shelter. Ideas of the latter folk should not be allowed to ooze, like medieval sewage, into the sacred domain of the Nation and the People.
Now, as if it weren't enough to have the Church—like an antiquated harlot in parrot-colored robes—trying to allure hesitant politicians in the context of the ongoing debate (not only in Australia) about research using human stem cells, there's a greater cause for concern in this domain. Apparently, a new social phenomenon is arising, described colorfully by Australia's national media organization as stem-cell tourism. What's it all about? Well, in the backwoods of Australia's great Asian neighbors, private charlatans have started to jump onto the bandwagon of stem-cell treatments by offering miraculous cures of a highly suspect nature. Their potential patients (customers) include Australians with a terminal illness or spinal injury.
Funnily, in speaking out against this quackery (a tiny voice in the wilderness), I would seem to be on the same side as the Sydney cardinal. This is an illusion. In French, there's a terse old saying: Robes don't make a monk. In Sydney parlance: Clothes don't make a drag queen. My simple advice to the cardinal (borrowed from Kurt Vonnegut's Deadeye Dick): Watch out for life. The same advice might be given to travelers of all kinds, including sexual tourists and stem-cell tourists.
Today, no nation can claim to be adult, and no political constitution is sound from a purely human viewpoint, unless a strict separation is established, once and for all, between the supreme concept of the State (that is, in the case that concerns me, the nation of Australia), on the one hand, and the multifarious religious organizations that the land might shelter. Ideas of the latter folk should not be allowed to ooze, like medieval sewage, into the sacred domain of the Nation and the People.
Now, as if it weren't enough to have the Church—like an antiquated harlot in parrot-colored robes—trying to allure hesitant politicians in the context of the ongoing debate (not only in Australia) about research using human stem cells, there's a greater cause for concern in this domain. Apparently, a new social phenomenon is arising, described colorfully by Australia's national media organization as stem-cell tourism. What's it all about? Well, in the backwoods of Australia's great Asian neighbors, private charlatans have started to jump onto the bandwagon of stem-cell treatments by offering miraculous cures of a highly suspect nature. Their potential patients (customers) include Australians with a terminal illness or spinal injury.
Funnily, in speaking out against this quackery (a tiny voice in the wilderness), I would seem to be on the same side as the Sydney cardinal. This is an illusion. In French, there's a terse old saying: Robes don't make a monk. In Sydney parlance: Clothes don't make a drag queen. My simple advice to the cardinal (borrowed from Kurt Vonnegut's Deadeye Dick): Watch out for life. The same advice might be given to travelers of all kinds, including sexual tourists and stem-cell tourists.
BigPond story (continued)
In yesterday's message entitled BigPond deserves a big kick in the pants [display], I didn't go into details concerning the nature of the BigPond problem that has been annoying me for so long (well over a year). Furthermore, behind the visible part of my blog, I've been using email to instigate an investigation into BigPond's behavior, with the aim of forcing this organization to abandon their French blacklisting.
First, let me point out that my use of the expression "French blacklisting" is eloquent (people understand that image) but slightly approximative. A more precise way of describing the situation in technical terms consists of saying that certain BigPond mail servers (not necessarily all of them, because some of my emails to BigPond do get delivered) have placed the names of certain French ISPs (Wanadoo/Orange and Free) on what is known as a DNS block list.
Why? If I understand correctly, BigPond calls upon an outside firm to help them combat spam... which is a noble intention. Apparently, this outside firm (maybe TrendMicro) considers that Wanadoo/Orange and Free "continue to allow spam to be generated by their customers"... that's to say, by ordinary people like me. Consequently, BigPond has taken the decision to include the names Wanadoo/Orange and Free in DNS block lists on their servers.
To use a famous image (popular in French), it's like throwing out the baby with the bath water. Since BigPond believes that lots of spammers operate from Wanadoo/Orange and Free (which may or may not be true), they've decided to punish everybody, globally, by refusing to deliver any email emanating from these two French ISPs.
This morning, I was happy to receive an email from my old schoolmate Ron Willard who reminded me of the existence of an excellent technical website [display] on the subject of DNS block lists. It includes a more powerful image than my metaphor about the baby's bath. A US army officer is quoted as saying (no doubt in a Vietnam setting): We had to destroy the village in order to save it. BigPond has decided to destroy the possibility of emails from France in order to save their Australian customers from spam.
First, let me point out that my use of the expression "French blacklisting" is eloquent (people understand that image) but slightly approximative. A more precise way of describing the situation in technical terms consists of saying that certain BigPond mail servers (not necessarily all of them, because some of my emails to BigPond do get delivered) have placed the names of certain French ISPs (Wanadoo/Orange and Free) on what is known as a DNS block list.
Why? If I understand correctly, BigPond calls upon an outside firm to help them combat spam... which is a noble intention. Apparently, this outside firm (maybe TrendMicro) considers that Wanadoo/Orange and Free "continue to allow spam to be generated by their customers"... that's to say, by ordinary people like me. Consequently, BigPond has taken the decision to include the names Wanadoo/Orange and Free in DNS block lists on their servers.
To use a famous image (popular in French), it's like throwing out the baby with the bath water. Since BigPond believes that lots of spammers operate from Wanadoo/Orange and Free (which may or may not be true), they've decided to punish everybody, globally, by refusing to deliver any email emanating from these two French ISPs.
This morning, I was happy to receive an email from my old schoolmate Ron Willard who reminded me of the existence of an excellent technical website [display] on the subject of DNS block lists. It includes a more powerful image than my metaphor about the baby's bath. A US army officer is quoted as saying (no doubt in a Vietnam setting): We had to destroy the village in order to save it. BigPond has decided to destroy the possibility of emails from France in order to save their Australian customers from spam.
Friday, June 22, 2007
A professor named Dawkins
It's abnormal that the achievements of a relatively youthful Oxford professor named Richard Dawkins [well, six months younger than me] should be celebrated, while he's still a living crewman of Planet Earth [excuse my topical America's Cup language], through a book of praise such as this. Abnormal, but perfectly appropriate. Let me set aside my computerized pen [my Macintosh keyboard] and take a deep breath before pronouncing solemnly the following carefully-weighed words: The man named Richard Dawkins, born 66 years ago in Nairobi, is a 21st-century genius!
Why? In his revolutionary book The Selfish Gene, Dawkins changed "the way we think". He dethroned forever us humans from any claim whatsoever to using our intelligence to reign over the Cosmos. We have never been, and will never be, the Masters of Creation, nor even the subsidiary Princes. Not even the Judeo-Christian Yahveh can assume that role. The Kingdom of Creation does not belong to us poor human beings. We are cerebral insects. Our gods are our genes.
The pill is bitter. But it will do us good. As for the pharmacist Dawkins, he's my eternal hero.
Why? In his revolutionary book The Selfish Gene, Dawkins changed "the way we think". He dethroned forever us humans from any claim whatsoever to using our intelligence to reign over the Cosmos. We have never been, and will never be, the Masters of Creation, nor even the subsidiary Princes. Not even the Judeo-Christian Yahveh can assume that role. The Kingdom of Creation does not belong to us poor human beings. We are cerebral insects. Our gods are our genes.
The pill is bitter. But it will do us good. As for the pharmacist Dawkins, he's my eternal hero.
BigPond deserves a big kick in the pants
The behavior of this Australian ISP [Internet service provider] with respect to French users is outrageous. Over the last few years, when my email address was sky.william@orange.fr, BigPond refused to deliver my emails to any of their customers. Since then I've changed my address to sky.william@free.fr, and I've just found that BigPond still refuses to deliver my emails to their customers. These French ISPs, Orange and Free, are two of the largest and most respected organizations in this domain, and BigPond's crazy idea of blacklisting all French customers is scandalous. It would be interesting to identify the BigPond employee who's behind this strategy.
I intend to lodge a formal complaint with the international email authorities concerning this curious BigPond behavior, which is not in keeping with the spirit of the Internet.
Here's the precise technical data [in which I've obliterated part of the email address of my intended receiver] confirming the blacklisting:
s***y@bigpond.com: host extmail.bigpond.com[144.140.90.13] said: 451 Mail from this IP address blocked due to DNS block list. (in reply to MAIL FROM command)
Reporting-MTA: dns; postfix2-g20.free.fr
X-Postfix-Queue-ID: EE6C213E75DF
X-Postfix-Sender: rfc822; sky.william@free.fr
Arrival-Date: Thu, 21 Jun 2007 12:45:37 +0200 (CEST)
Final-Recipient: rfc822; s***y@bigpond.com
Action: failed
Status: 4.0.0
Diagnostic-Code: X-Postfix; host extmail.bigpond.com[144.140.90.13] said: 451 Mail from this IP address blocked due to DNS block list. (in reply to MAIL FROM command)
I intend to lodge a formal complaint with the international email authorities concerning this curious BigPond behavior, which is not in keeping with the spirit of the Internet.
Here's the precise technical data [in which I've obliterated part of the email address of my intended receiver] confirming the blacklisting:
X-Postfix-Queue-ID: EE6C213E75DF
X-Postfix-Sender: rfc822; sky.william@free.fr
Arrival-Date: Thu, 21 Jun 2007 12:45:37 +0200 (CEST)
Final-Recipient: rfc822; s***y@bigpond.com
Action: failed
Status: 4.0.0
Diagnostic-Code: X-Postfix; host extmail.bigpond.com[144.140.90.13] said: 451 Mail from this IP address blocked due to DNS block list. (in reply to MAIL FROM command)
America's Cup
Tomorrow, in the opening race of the 32nd America's Cup in Valencia, the Swiss defender Alinghi will be meeting up with the Kiwi challenger named Emirates Team New Zealand. From a purely sporting viewpoint, in this millionaires' hobby based upon the notion of mano-a-mano match racing, there's an intriguing flaw. Whereas the challenger has just endured an arduous series of races, acquiring practical experience out on the water, the defender has been sitting on the sidelines and merely watching, as it were. [This was not entirely true, since the defenders have been constantly match racing among themselves.] So, the New Zealand team will arrive at the starting line with their muscles flexed and their tactics tested, whereas the Swiss boat will normally need a little time to adapt itself to the atmosphere of combat. In the boxing domain, where there's a similar dissymmetry between the defender of a title and his challengers, the former has an opportunity of analyzing the weaknesses of his future opponent. In yachting, the situation is hardly comparable. Consequently, I feel that the Kiwi boat is the hot favorite, at least for tomorrow's first race.
My box of souvenirs holds my press card for the America's Cup regattas in Perth, which started in October 1986, with the finals being held in January 1987. At that time, my son and I were crew members aboard a local twelve-meter yacht, Zigeuner, and we had friends in the teams French Kiss and Challenge France. That was a short but exciting sunny sea-sprayed season in my life. At the height of the regattas, I helped the owner/skipper of the Zigeuner, Charles Russell-Smith, in the organization of a gentlemanly race between fourteen old-time boats that happened to be berthed at Fremantle during the America's Cup season, including several magnificent multi-masted vessels. Here's a newspaper photo of our own boat competing in this race, in which we ended up coming third:
In the context of our planning, one of my tasks had consisted of meeting up with the captain of the visiting Italian cruise ship Achille Laura, berthed at Fremantle, to provide him with precise information about our regatta, informing him that our old boats would be racing on a certain course, at a certain time, so that he would avoid maneuvering his vessel in ways that could interfere with our event... which was to be watched by spectators on countless small craft. Well, the captain of the Achille Laura was a smart bugger: smarter than me, in any case. With the aim of giving his passengers a closeup view of our regatta, he used the information I had given him to anchor his bloody big ship, in the early hours of the morning, right in the middle of our course!
Another happy memory of that season was my winning the journalists' prize for predicting the winner of the Louis Vuitton Cup for challengers, and the average winning margin. I used the Pascal programming language on my little cubic Macintosh to create a software tool enabling me to record and compare the results of all the early races, and this helped me guess the final outcome with remarkable precision. The media-center organizers had proposed a first, a second and a third prize for this prediction competition, and my entry was so precise that they awarded me all three prizes! I've still got a couple of ugly reddish-plastic prize suitcases at Gamone, with the following label:
At our flat in Fremantle, the prize also enabled my son and me to drink M&H champagne for a few weeks.
My box of souvenirs holds my press card for the America's Cup regattas in Perth, which started in October 1986, with the finals being held in January 1987. At that time, my son and I were crew members aboard a local twelve-meter yacht, Zigeuner, and we had friends in the teams French Kiss and Challenge France. That was a short but exciting sunny sea-sprayed season in my life. At the height of the regattas, I helped the owner/skipper of the Zigeuner, Charles Russell-Smith, in the organization of a gentlemanly race between fourteen old-time boats that happened to be berthed at Fremantle during the America's Cup season, including several magnificent multi-masted vessels. Here's a newspaper photo of our own boat competing in this race, in which we ended up coming third:
In the context of our planning, one of my tasks had consisted of meeting up with the captain of the visiting Italian cruise ship Achille Laura, berthed at Fremantle, to provide him with precise information about our regatta, informing him that our old boats would be racing on a certain course, at a certain time, so that he would avoid maneuvering his vessel in ways that could interfere with our event... which was to be watched by spectators on countless small craft. Well, the captain of the Achille Laura was a smart bugger: smarter than me, in any case. With the aim of giving his passengers a closeup view of our regatta, he used the information I had given him to anchor his bloody big ship, in the early hours of the morning, right in the middle of our course!
Another happy memory of that season was my winning the journalists' prize for predicting the winner of the Louis Vuitton Cup for challengers, and the average winning margin. I used the Pascal programming language on my little cubic Macintosh to create a software tool enabling me to record and compare the results of all the early races, and this helped me guess the final outcome with remarkable precision. The media-center organizers had proposed a first, a second and a third prize for this prediction competition, and my entry was so precise that they awarded me all three prizes! I've still got a couple of ugly reddish-plastic prize suitcases at Gamone, with the following label:
At our flat in Fremantle, the prize also enabled my son and me to drink M&H champagne for a few weeks.
Thursday, June 21, 2007
Simcha's silence
My subject line might be misleading. I'm incapable of saying whether Simcha Jacobovici, revealer of the Talpiot tomb, is deliberately silent, or whether the evolution of events obliges him to keep a low profile. In any case, I still don't have an answer to the question posed in my article of 10 June entitled Delay in obtaining the Talpiot book [display]. But I'm starting to have a few ideas on the subject, and to make a few guesses.
— My major guess is that experts quoted by Jacobovici and/or Pellegrino in their book have complained that they were misquoted, and that they're effectively blocking the marketing of the book.
— Another guess is that the beliefs of Jacobovici and/or Pellegrino have evolved over the last few months, since the book was published, and that they themselves are deliberately blocking further marketing of the existing book, while preparing a new edition.
— Yet another guess is that there is some kind of a legal problem concerning an affair that is being handled by Israeli justice: namely, the possibility that the so-called James ossuary—associated, according to Jacobovici and Pellegrino, with the Talpiot tomb—might be a forgery.
For the moment, while awaiting further enlightenment, let me say a few words concerning the latter guess. To start the ball rolling, here's the cover of BAR [Biblical Archæology Review] dated November/December 2002, which broke to the world the amazing news of the existence of a bone box inscribed "James, son of Joseph, brother of Jesus".
The ossuary, displayed in Canada, was hailed by many as the first material object ever unearthed that evoked explicitly the historical Jesus.
Sadly, the events that followed this Canadian excursion read at times like a cheap crime novel. To cut a long story short, the owner of the ossuary, a Tel Aviv antiquities dealer named Oded Golan, was accused of forgery. More precisely, it is claimed that he acquired an authentic bone box inscribed "James, son of Joseph" and that he added the final phrase: "brother of Jesus". Israeli police who raided Golan's apartment in Tel Aviv took this surrealist photo of the alleged James ossuary posed upon a grotty WC:
Now, there was no reason whatsoever, a priori, why this murky affair concerning Oded Golan and his bone box should be linked in any way to the Talpiot question. But, in saying that, we're underestimating the enthusiasm and detective-like intuition of Simcha Jacobovici. Everybody knows that, back in 1980, ten ossuaries were found in the Talpiot tomb. But one of them disappeared overnight. Well, again, to cut a long story short, Jacobovici and Pellegrino suggest forcibly that Golan's object is in fact this missing bone box. In other words, they are opposed to the claim that Golan was a forger.
In their book, Jacobovici and Pellegrino seem to suggest that the analysis of various patinas [the surface appearance of objects due to aging] proves that the James ossuary did in fact repose for a long time in the same environment as the nine remaining bone boxes of Talpiot. In other words, they are affirming that the James ossuary was indeed the missing tenth bone box of Talpiot. But many specialists disagree with this conclusion.
Finally, a few days ago, the eminent BAR editor Hershel Shanks—who remains a great friend of Simcha—published an editorial that reveals his basic incredulity concerning Jacobovici's theses. However Shanks remains elusive, and he admits that he is neither a statistician nor a DNA expert [which you need to be, to appreciate Simcha's claims]. On the other hand, he has interesting suggestions concerning the reasons why the Talpiot affair has created a storm throughout the world: "One reason for this flurry of attention is that if the Talpiot ossuary once contained the bones of Jesus, this would disturb the religious faith of millions of Christians who believe that Jesus was bodily resurrected and ascended into heaven (to say nothing of his mother Mary, who was also bodily assumed into heaven)." Shanks considers, however, that the whole affair will blow over rapidly, and soon be forgotten. I am not so sure.
Personally, for the moment, I remain open, intuitively and objectively, to the possibility that Simcha might be on the right tracks. In other words, I have not yet encountered any serious arguments that would appear to prove that Jacobovici is trying to lead us all on a wild goose chase. For example, Shanks explains: "If Jesus already had a family tomb in Talpiot, there would be no need to bury him in a temporary tomb, despite the onset of the Sabbath. It’s little more than a half-hour’s walk from Golgotha to Talpiot." To my mind, these words are stupid. I find it hard to imagine, on that fateful Friday afternoon, a group of friends of the executed disturber carrying his body all the way to Talpiot... and I challenge Hershel to perform this trek while carrying, say, a bag of cement.
But I believe, too, that we might never know the truth, the whole truth and nothing but the truth concerning the Talpiot tomb. A times, we might feel that this affair, as presented by Simcha, is handled in a high-tech style. In fact, the Talpiot affair remains entrenched, to a large extent, in the boggy swamps of religion and legends, and we would be naive to expect total enlightenment. Besides, everybody has already made up their minds, long ago, on the issues at stake.
— My major guess is that experts quoted by Jacobovici and/or Pellegrino in their book have complained that they were misquoted, and that they're effectively blocking the marketing of the book.
— Another guess is that the beliefs of Jacobovici and/or Pellegrino have evolved over the last few months, since the book was published, and that they themselves are deliberately blocking further marketing of the existing book, while preparing a new edition.
— Yet another guess is that there is some kind of a legal problem concerning an affair that is being handled by Israeli justice: namely, the possibility that the so-called James ossuary—associated, according to Jacobovici and Pellegrino, with the Talpiot tomb—might be a forgery.
For the moment, while awaiting further enlightenment, let me say a few words concerning the latter guess. To start the ball rolling, here's the cover of BAR [Biblical Archæology Review] dated November/December 2002, which broke to the world the amazing news of the existence of a bone box inscribed "James, son of Joseph, brother of Jesus".
The ossuary, displayed in Canada, was hailed by many as the first material object ever unearthed that evoked explicitly the historical Jesus.
Sadly, the events that followed this Canadian excursion read at times like a cheap crime novel. To cut a long story short, the owner of the ossuary, a Tel Aviv antiquities dealer named Oded Golan, was accused of forgery. More precisely, it is claimed that he acquired an authentic bone box inscribed "James, son of Joseph" and that he added the final phrase: "brother of Jesus". Israeli police who raided Golan's apartment in Tel Aviv took this surrealist photo of the alleged James ossuary posed upon a grotty WC:
Now, there was no reason whatsoever, a priori, why this murky affair concerning Oded Golan and his bone box should be linked in any way to the Talpiot question. But, in saying that, we're underestimating the enthusiasm and detective-like intuition of Simcha Jacobovici. Everybody knows that, back in 1980, ten ossuaries were found in the Talpiot tomb. But one of them disappeared overnight. Well, again, to cut a long story short, Jacobovici and Pellegrino suggest forcibly that Golan's object is in fact this missing bone box. In other words, they are opposed to the claim that Golan was a forger.
In their book, Jacobovici and Pellegrino seem to suggest that the analysis of various patinas [the surface appearance of objects due to aging] proves that the James ossuary did in fact repose for a long time in the same environment as the nine remaining bone boxes of Talpiot. In other words, they are affirming that the James ossuary was indeed the missing tenth bone box of Talpiot. But many specialists disagree with this conclusion.
Finally, a few days ago, the eminent BAR editor Hershel Shanks—who remains a great friend of Simcha—published an editorial that reveals his basic incredulity concerning Jacobovici's theses. However Shanks remains elusive, and he admits that he is neither a statistician nor a DNA expert [which you need to be, to appreciate Simcha's claims]. On the other hand, he has interesting suggestions concerning the reasons why the Talpiot affair has created a storm throughout the world: "One reason for this flurry of attention is that if the Talpiot ossuary once contained the bones of Jesus, this would disturb the religious faith of millions of Christians who believe that Jesus was bodily resurrected and ascended into heaven (to say nothing of his mother Mary, who was also bodily assumed into heaven)." Shanks considers, however, that the whole affair will blow over rapidly, and soon be forgotten. I am not so sure.
Personally, for the moment, I remain open, intuitively and objectively, to the possibility that Simcha might be on the right tracks. In other words, I have not yet encountered any serious arguments that would appear to prove that Jacobovici is trying to lead us all on a wild goose chase. For example, Shanks explains: "If Jesus already had a family tomb in Talpiot, there would be no need to bury him in a temporary tomb, despite the onset of the Sabbath. It’s little more than a half-hour’s walk from Golgotha to Talpiot." To my mind, these words are stupid. I find it hard to imagine, on that fateful Friday afternoon, a group of friends of the executed disturber carrying his body all the way to Talpiot... and I challenge Hershel to perform this trek while carrying, say, a bag of cement.
But I believe, too, that we might never know the truth, the whole truth and nothing but the truth concerning the Talpiot tomb. A times, we might feel that this affair, as presented by Simcha, is handled in a high-tech style. In fact, the Talpiot affair remains entrenched, to a large extent, in the boggy swamps of religion and legends, and we would be naive to expect total enlightenment. Besides, everybody has already made up their minds, long ago, on the issues at stake.
Canon dog
Heroines
I've just been looking back over recent articles on famous females:
— Christine Lagarde
Powerful French woman [display]
— Hillary Clinton
US presidential campaign [display]
— Nathalie Kosciusko-Morizet
Same name as Australian mountain [display]
— Anne Lauvergeon
Nice TV spot [display]
— Ségolène Royal
Simple direct talk [display]
— Jelena Jankovic
Tennistic Amazons [display]
— Laure Manaudou
Beauty and the beast [display]
— Tzipi Livni
Time for Tzipi? [display]
A psychoanalyst, observing the way in which I've selected and talked about these women, might be tempted to come up with interesting ideas (?) concerning my general attitude towards the female sex. It's a fact that the eight above-mentioned women appear to share common attributes. They're all powerful individuals in their chosen domain. Nothing to do with the wishy-washy notion of females as passive creatures prepared to be dominated by males. Maybe our psychoanalyst might believe in the paraphrase of a familiar dictum: Show me the women who fascinate you, and I'll tell you who you are.
Be that as it may, I must point out that, with one exception, these are not in fact the kind of ladies whom I would be tempted to invite along to Gamone for an extended weekend. [I can hear Bill Clinton heaving a sigh of relief... not to mention Hillary herself.] The fact is that I've always admired women who are capable of acting like men, but this admiration doesn't mean that such females attract me in a more global sense. I remember precisely the moment in my existence when this admiration first manifested itself. I had just married Christine, in 1965, and I was working as a technical translator with a big company named CSF, located near the Place de la Porte de Saint-Cloud in the chic quarters of Paris. There, my boss was an elegant lady with a training in technology. I had never before encountered such a phenomenon. Normally, in places where I had worked previously (mainly at IBM, in Sydney, Paris and London), creatures of that soft and superficially fragile kind were employed as secretaries, prepared at all times to obey their male superiors. But here was a lovely lady with a mind of her own. Besides, she was theoretically my boss... except that she didn't know enough English to intervene in any way in my work.
My work? Among other things, I used to write the English-language speeches of the CEO [chief executive officer] of that multinational company. In doing so, I had my first experience of getting paid to be a lapdog... not with respect to the lovely lady, unfortunately, but for the CEO. I would slip tiny excuses into his speeches, such as: "Excuse me for speaking English in such an atrocious fashion. Please understand that my management activities leave me with little time to improve my knowledge of Shakespeare's language." The guy got a great ego-thrill out of reciting such words, in perfect English, at the start of his speech. So, I was already a kind of gigolo. For the wrong boss.
— Christine Lagarde
Powerful French woman [display]
— Hillary Clinton
US presidential campaign [display]
— Nathalie Kosciusko-Morizet
Same name as Australian mountain [display]
— Anne Lauvergeon
Nice TV spot [display]
— Ségolène Royal
Simple direct talk [display]
— Jelena Jankovic
Tennistic Amazons [display]
— Laure Manaudou
Beauty and the beast [display]
— Tzipi Livni
Time for Tzipi? [display]
A psychoanalyst, observing the way in which I've selected and talked about these women, might be tempted to come up with interesting ideas (?) concerning my general attitude towards the female sex. It's a fact that the eight above-mentioned women appear to share common attributes. They're all powerful individuals in their chosen domain. Nothing to do with the wishy-washy notion of females as passive creatures prepared to be dominated by males. Maybe our psychoanalyst might believe in the paraphrase of a familiar dictum: Show me the women who fascinate you, and I'll tell you who you are.
Be that as it may, I must point out that, with one exception, these are not in fact the kind of ladies whom I would be tempted to invite along to Gamone for an extended weekend. [I can hear Bill Clinton heaving a sigh of relief... not to mention Hillary herself.] The fact is that I've always admired women who are capable of acting like men, but this admiration doesn't mean that such females attract me in a more global sense. I remember precisely the moment in my existence when this admiration first manifested itself. I had just married Christine, in 1965, and I was working as a technical translator with a big company named CSF, located near the Place de la Porte de Saint-Cloud in the chic quarters of Paris. There, my boss was an elegant lady with a training in technology. I had never before encountered such a phenomenon. Normally, in places where I had worked previously (mainly at IBM, in Sydney, Paris and London), creatures of that soft and superficially fragile kind were employed as secretaries, prepared at all times to obey their male superiors. But here was a lovely lady with a mind of her own. Besides, she was theoretically my boss... except that she didn't know enough English to intervene in any way in my work.
My work? Among other things, I used to write the English-language speeches of the CEO [chief executive officer] of that multinational company. In doing so, I had my first experience of getting paid to be a lapdog... not with respect to the lovely lady, unfortunately, but for the CEO. I would slip tiny excuses into his speeches, such as: "Excuse me for speaking English in such an atrocious fashion. Please understand that my management activities leave me with little time to improve my knowledge of Shakespeare's language." The guy got a great ego-thrill out of reciting such words, in perfect English, at the start of his speech. So, I was already a kind of gigolo. For the wrong boss.
Wednesday, June 20, 2007
Memory of the world
That's a big formula: Memory of the world. What's it all about? Well, Unesco has decided to register a certain number of outstanding historical documents as a permanent testimony of the human story of our planet. I'm enchanted to learn, for example, that the choice of US documents is neither the Gettysburg Address nor even the Watergate tapes, but a whimsical Judy Garland movie that charmed me infinitely as a child: the Wizard of Oz.
In the case of Sweden, Unesco has registered two sets of family archives: those of Alfred Nobel [1833-1896], founder of the prize, and those of the 88-year-old cineast Ingmar Bergman.
Concerning France, Unesco has selected the tapestry of Bayeux.
This fragment shows the Conqueror's half-brother Odo wielding weirdly a massive shaft at the Battle of Hastings in 1066. I've always liked to imagine, not very objectively, that he might have been a nominal forebear of my 13th-century ancestor Odo de Scevington [literally, in Saxon, place of the shaft], owner of a manor in Kent with the lovely name of Dolce. In any case, if future researchers use a computerized network to look up the Bayeux tapestry, they might find their way to my Skeffington typescript [click here to find it straightaway].
In the case of my birthplace, Australia, the Unesco Memory of the world project is perfectly explicit. The documents to be registered for posterity are our convict archives. Here's a treasured personal fragment of this memory:
This is the famous ticket of leave indicating that my Tipperary great-great-great-grandfather Patrick Hickey [1782-1858] was transported to New South Wales in 1829, and even spent time on notorious Norfolk Island. Today, I get a kick out of thinking that the future world, as envisaged by Unesco, will remember my maternal family and me, not for the pioneering efforts in Braidwood of Charles Walker [1807-1860], probably the elder brother of the whisky inventor Johnnie Walker, nor for smart hotel founders named O'Keeffe, nor for northern Irish Protestant pioneers named Kennedy and Cranston, nor even for any of us living folk (including my two Smith cousins, Australian doctors, who were indirect recipients of the Nobel Prize for Peace awarded to Médecins Sans Frontières a few years ago)... but for a vulgar and no doubt lovable Irish cattle-poacher whose son William Hickey [whom I'm researching] was an early bushranger.
Personally, I'm not troubled by this strange filtering process that determines what might, and what might not, be remembered. On the other hand, I was disappointed by the fact that, during my one-month visit to Australia last year, I was unable to visit Braidwood, the territory of Patrick Hickey. He got there easily in 1829. My ancestor Charles Walker, too. But William Skyvington never made it. Modern Australia was incapable [because their public transport is shit] of letting me visit the region of one of my major ancestral memories.
In the case of Sweden, Unesco has registered two sets of family archives: those of Alfred Nobel [1833-1896], founder of the prize, and those of the 88-year-old cineast Ingmar Bergman.
Concerning France, Unesco has selected the tapestry of Bayeux.
This fragment shows the Conqueror's half-brother Odo wielding weirdly a massive shaft at the Battle of Hastings in 1066. I've always liked to imagine, not very objectively, that he might have been a nominal forebear of my 13th-century ancestor Odo de Scevington [literally, in Saxon, place of the shaft], owner of a manor in Kent with the lovely name of Dolce. In any case, if future researchers use a computerized network to look up the Bayeux tapestry, they might find their way to my Skeffington typescript [click here to find it straightaway].
In the case of my birthplace, Australia, the Unesco Memory of the world project is perfectly explicit. The documents to be registered for posterity are our convict archives. Here's a treasured personal fragment of this memory:
This is the famous ticket of leave indicating that my Tipperary great-great-great-grandfather Patrick Hickey [1782-1858] was transported to New South Wales in 1829, and even spent time on notorious Norfolk Island. Today, I get a kick out of thinking that the future world, as envisaged by Unesco, will remember my maternal family and me, not for the pioneering efforts in Braidwood of Charles Walker [1807-1860], probably the elder brother of the whisky inventor Johnnie Walker, nor for smart hotel founders named O'Keeffe, nor for northern Irish Protestant pioneers named Kennedy and Cranston, nor even for any of us living folk (including my two Smith cousins, Australian doctors, who were indirect recipients of the Nobel Prize for Peace awarded to Médecins Sans Frontières a few years ago)... but for a vulgar and no doubt lovable Irish cattle-poacher whose son William Hickey [whom I'm researching] was an early bushranger.
Personally, I'm not troubled by this strange filtering process that determines what might, and what might not, be remembered. On the other hand, I was disappointed by the fact that, during my one-month visit to Australia last year, I was unable to visit Braidwood, the territory of Patrick Hickey. He got there easily in 1829. My ancestor Charles Walker, too. But William Skyvington never made it. Modern Australia was incapable [because their public transport is shit] of letting me visit the region of one of my major ancestral memories.
Powerful French woman
Back at the time I lived in the heart of Paris, I would often—of a Sunday morning—ride my bike out in the direction of the Vincennes woods, to the east of the city, where the old vélodrome was located. [I even did a season of track racing there, in 1972.] If it was sunny and I had time on my hands, which was generally the case, I would often be tempted to ride lazily along the cobblestones of the Bercy quarter, past the ancient wine warehouses.
Sadly, all this quaint old-worldliness was soon to disappear, making way for two landmark constructions. First, the Bercy stadium is big enough to house windsurfing demonstrations and motor-cycle races.
Then there's the home of France's treasury ministry, on the right bank of the Seine. It's a curiously-shaped building, like the start of a bridge that had to be abandoned, maybe because they ran out of funds. I often used to think that this building is designed in such a way that, if ever a treasury minister were to act in an unskilled way that forced France into bankruptcy, he would be able to put an end to his disgrace, effortlessly, by wandering to the end of the upper-floor hallway and jumping out the window into the noble river of Paris. His body would then float down past the Ile de la Cité where the people of Paris, thronged around the great cathedral of Notre-Dame, could hurl invective upon the corpse of the minister as it passed by. An event of that kind would indeed be very Parisian.
As of today, a brilliant woman named Christine Lagarde is holding the purse strings of the French Republic in her hands. In this role, she ranks fourth in the hierarchy of the French government. Prior to becoming the first woman to occupy this position in France, the lawyer Lagarde, with a natural gift for oratory, was accustomed to being a very big chief. In 1999, she had been placed in charge of the major US law firm, Baker & McKenzie in Chicago, with 2,400 associates. Not bad for a French female!
What exactly was it, in the profile of Christine Lagarde, that persuaded Nicolas Sarkozy to hand over to her the "reins of Bercy" (to employ a metaphor that's often applied to this ministry)? Well, she's something of a Martian in France, where the political milieu is not accustomed to the idea of a woman who evolves in the English-speaking world like a fish in water (as the French saying goes). It's a fact that we shouldn't expect this grand lady to ever set foot in such-and-such a French village to see if the local vineyard or cheese-making firm is getting along well, but she will surely be a precious diplomatic asset for France at the next World Economic Forum in Davos, Switzerland, in 2008. In other words, Christine Lagarde might be seen as a symbol of the desire of Sarkozy to move away, once and for all, from the false but enduring image of France as a land of wine, cheese and economic frivolity.
Sadly, all this quaint old-worldliness was soon to disappear, making way for two landmark constructions. First, the Bercy stadium is big enough to house windsurfing demonstrations and motor-cycle races.
Then there's the home of France's treasury ministry, on the right bank of the Seine. It's a curiously-shaped building, like the start of a bridge that had to be abandoned, maybe because they ran out of funds. I often used to think that this building is designed in such a way that, if ever a treasury minister were to act in an unskilled way that forced France into bankruptcy, he would be able to put an end to his disgrace, effortlessly, by wandering to the end of the upper-floor hallway and jumping out the window into the noble river of Paris. His body would then float down past the Ile de la Cité where the people of Paris, thronged around the great cathedral of Notre-Dame, could hurl invective upon the corpse of the minister as it passed by. An event of that kind would indeed be very Parisian.
As of today, a brilliant woman named Christine Lagarde is holding the purse strings of the French Republic in her hands. In this role, she ranks fourth in the hierarchy of the French government. Prior to becoming the first woman to occupy this position in France, the lawyer Lagarde, with a natural gift for oratory, was accustomed to being a very big chief. In 1999, she had been placed in charge of the major US law firm, Baker & McKenzie in Chicago, with 2,400 associates. Not bad for a French female!
What exactly was it, in the profile of Christine Lagarde, that persuaded Nicolas Sarkozy to hand over to her the "reins of Bercy" (to employ a metaphor that's often applied to this ministry)? Well, she's something of a Martian in France, where the political milieu is not accustomed to the idea of a woman who evolves in the English-speaking world like a fish in water (as the French saying goes). It's a fact that we shouldn't expect this grand lady to ever set foot in such-and-such a French village to see if the local vineyard or cheese-making firm is getting along well, but she will surely be a precious diplomatic asset for France at the next World Economic Forum in Davos, Switzerland, in 2008. In other words, Christine Lagarde might be seen as a symbol of the desire of Sarkozy to move away, once and for all, from the false but enduring image of France as a land of wine, cheese and economic frivolity.
Tuesday, June 19, 2007
US presidential campaign
Same name as Australian mountain
France's newly-appointed 34-year-old State Secretary in charge of Ecology has the same name as Australia's highest peak (2,228 meters), whose official spelling now includes an unpronounceable letter "z": Mount Kosciuszko. The mountain was climbed for the first time in 1840 by a Polish explorer and geologist, Count Strzelecki, who named it in honor of Thaddeus Kosciusko, a Polish military hero.
Nathalie Kosciusko-Morizet [often referred to as NKM] is a descendant of this man. In fact, she comes from a distinguished family on the recent French political scene. A graduate of the famous Polytechnique, she specialized in biology, and then trained as an engineer in the national school of rural management, rivers and forests. Attached to the super-ministry now attributed to Jean-Louis Borloo [who replaced Alain Juppé, who resigned after his electoral defeat], NKM is an experienced militant in the ecological domain.
Nathalie Kosciusko-Morizet [often referred to as NKM] is a descendant of this man. In fact, she comes from a distinguished family on the recent French political scene. A graduate of the famous Polytechnique, she specialized in biology, and then trained as an engineer in the national school of rural management, rivers and forests. Attached to the super-ministry now attributed to Jean-Louis Borloo [who replaced Alain Juppé, who resigned after his electoral defeat], NKM is an experienced militant in the ecological domain.
My son's photos
My son and I recently started to build a website to display his photos. For the moment, only one of François' four basic categories contains photos: his billiards images. You can visit the website by clicking the following block, and then clicking the billiards photo:
François considers that it's undesirable, if not impossible, to create rigid labeled categories for his photos. He prefers to let them speak for themselves, as it were, rather than encumbering the website with words. So, that's why the site has a minimalist look and feel. On the other hand, we're happy to discover that any photo can be displayed on a broadband connection within a second or so. To attain this result, we've used a highly-modular Flash approach, which means that each photo is downloaded onto the viewer's computer at the last possible instant: that's to say, only at the moment that the photo is actually requested.
At present, François is preoccupied by an exciting documentary film project. So, he's not likely to find time to complete the photo website for another few weeks.
François considers that it's undesirable, if not impossible, to create rigid labeled categories for his photos. He prefers to let them speak for themselves, as it were, rather than encumbering the website with words. So, that's why the site has a minimalist look and feel. On the other hand, we're happy to discover that any photo can be displayed on a broadband connection within a second or so. To attain this result, we've used a highly-modular Flash approach, which means that each photo is downloaded onto the viewer's computer at the last possible instant: that's to say, only at the moment that the photo is actually requested.
At present, François is preoccupied by an exciting documentary film project. So, he's not likely to find time to complete the photo website for another few weeks.
Monday, June 18, 2007
Gaza ghetto
At the outset, in 16th-century Venice, the term ghetto had nothing to do with Jews. The Italian verb gettare designates metal casting, and the Venetian Getto was simply the ancient neighborhood, which still exists today, where ammunition was cast.
Jews had been living in the Serenissima since time immemorial, but primarily on the island of the Guidecca (whence its name). Venetian merchants had always got on wonderfully well with their Jewish colleagues, experienced money-lenders, and it was normal that the latter should be offered the possibility of relocating their offices in the central Getto quarter. Only much later were Jewish quarters, throughout the world, referred to—often disparagingly—as ghettos. Then came the time of pogroms, and the terrible Hitlerian epoch of the ignominious Warsaw Ghetto...
Today, half a century later, there are no more Jewish ghettos on Yahveh's planet. But a Palestinian ghetto might well be about to spring into existence, spontaneously, in the Gaza Strip.
Now that all entries into, and exits from, the Gaza Strip are theoretically controlled by Israel, one wonders how anything whatsoever might transit into or out of this hostile enclave, apart from the basic life-sustaining commodities allowed by the Hebrew state. Sure, we know that there's a labyrinth of tunnels between the Egyptian Sinai and the southern frontier of the Strip. But there are limits to what might be transited by this itinerary, apart from arms.
In medieval times, the old-fashioned word siege designated the cutting-off of supplies between belligerents and the outside world. It's not unlikely that the filtering process brought about by the flight of Fatah people—leaving the hatred of Hamas all alone in Gaza—will give rise to such a siege, of an old-world kind, imposed by Israel. And the Gaza Ghetto might become, for ages, a symbol of senseless suffering.
Jews had been living in the Serenissima since time immemorial, but primarily on the island of the Guidecca (whence its name). Venetian merchants had always got on wonderfully well with their Jewish colleagues, experienced money-lenders, and it was normal that the latter should be offered the possibility of relocating their offices in the central Getto quarter. Only much later were Jewish quarters, throughout the world, referred to—often disparagingly—as ghettos. Then came the time of pogroms, and the terrible Hitlerian epoch of the ignominious Warsaw Ghetto...
Today, half a century later, there are no more Jewish ghettos on Yahveh's planet. But a Palestinian ghetto might well be about to spring into existence, spontaneously, in the Gaza Strip.
Now that all entries into, and exits from, the Gaza Strip are theoretically controlled by Israel, one wonders how anything whatsoever might transit into or out of this hostile enclave, apart from the basic life-sustaining commodities allowed by the Hebrew state. Sure, we know that there's a labyrinth of tunnels between the Egyptian Sinai and the southern frontier of the Strip. But there are limits to what might be transited by this itinerary, apart from arms.
In medieval times, the old-fashioned word siege designated the cutting-off of supplies between belligerents and the outside world. It's not unlikely that the filtering process brought about by the flight of Fatah people—leaving the hatred of Hamas all alone in Gaza—will give rise to such a siege, of an old-world kind, imposed by Israel. And the Gaza Ghetto might become, for ages, a symbol of senseless suffering.
Silly sendup of Sydney by French railways
Don't ask me why the French railway system, known as the SNCF, is using the Internet to peddle low-budget flight tickets to Sydney. Admittedly, if I were to purchase such a combined rail/air packaged deal, the SNCF would take care of the train trip to the overseas flight terminus, say in Paris. But I still can't understand what the French railway system has to gain by proposing round trips to such a faraway place as Australia.
Be that as it may, the reason I've brought up this matter is to show you how an apparently serious French organization such as voyages-sncf.com attempts to handle the case of Sydney and Australia in lowbrow web publicity that's meant to be funny. This might give you an insight into the way in which some French people imagine Australia... on a par with the Australian image of the French as arrogant frog-eaters wearing berets. But I warn you: this stuff is not particularly funny.
The publicity starts with a banner showing a wooden shed in the fields:
The sign on the shed, Salle des fêtes, might be translated as "festival hall". But the label in italics means "grand opera hall": a facetious allusion to Sydney.
The next banner shows male underclothes on a clothes line, labeled "kangaroos":
To appreciate the intended humor here, you need to know that the old-fashioned style of underpants with a pouch for male genitalia has always been designated in French as the "kangaroo" model of underpants. Subtle, no?
The third banner introduces a welcome sign to a French town called Cidenet:
Now, if you pronounce this alleged place-name in French [in reality, I don't think that any such place exists in France], it sounds a bit like the way that French people say "Sydney". Hilarious, no?
Finally, the fourth banner offers a return flight to Sydney for the low sum of 1014 euros, and it includes the name of the French railways website:
For the moment, I haven't checked to find out whether this low-cost offer is really valid. If so, it's certainly cheap.
Meanwhile, if you click on any of the above banners, you're invited to watch a mediocre series of filmed gags in the same spirit as the banners. The movie starts as follows:
We gather that the guy in shorts with a speleo helmet and lamp, on the outskirts of Cidenet/Sydney, is supposed to be a contestant in a TV game, receiving phone instructions from the organizers concerning a trial he's expected to perform.
Next, we see the contestant in closeup:
We learn that he's supposed to find his way, as quickly as possible, to the Great Barrier Reef.
Then we change to a side-splitting image (?) labeled "kangaroos of Cidenet", showing three individuals carrying their backpacks on their tummies:
The next nondescript landscape is labeled "gateway to the Cidenet desert" (which suggests that the movie creator imagines that the real Sydney is located on the edge of a desert):
Then we are offered an image of a building [no doubt altered by Photoshop] labeled "Cidenet opera house":
To appreciate the next two climactic scenes in this moronic movie, you need to know that the French refer to our Great Barrier Reef as the Coral Barrier. Now, the name "Coral" has been used for ages (I don't know why) to designate the old-fashioned trains still found in the French countryside. And the word "barrier" is used in French to designate a level-crossing. So, if you've grasped all that required background information, you might understand the sense of the image:
Here, the contestant is informing the organizers of the TV game that he has just arrived at the Coral Barrier, in fact a level-crossing on a country line where Coral-type trains run.
The following image then shows our hero wearing flippers and fooling around on a surf board, on the ground alongside the tracks, while the Coral train roars past:
Finally, a curious warning message informs us awkwardly that the film was made using trick cinema (?), and that we should not attempt to copy it:
Three aspects of this stupid presentation remain mysterious:
(a) What's it all about?
(b) Did French railways pay money to get this idiotic stuff produced?
(c) Is their low-cost flight offer valid?
A positive outcome of my encounter with this rubbish is that I now have a revised outlook upon the much talked-about Australian tourism publicity that concludes with an uncouth question: "What the bloody hell are you waiting for?" Not so long ago, I tended to be ironic about this advertising strategy. But, by comparison with the French parody about Sydney, that Aussie spot now appears to me as a pinnacle of refined intelligence, elegant language and sophisticated humor.
Be that as it may, the reason I've brought up this matter is to show you how an apparently serious French organization such as voyages-sncf.com attempts to handle the case of Sydney and Australia in lowbrow web publicity that's meant to be funny. This might give you an insight into the way in which some French people imagine Australia... on a par with the Australian image of the French as arrogant frog-eaters wearing berets. But I warn you: this stuff is not particularly funny.
The publicity starts with a banner showing a wooden shed in the fields:
The sign on the shed, Salle des fêtes, might be translated as "festival hall". But the label in italics means "grand opera hall": a facetious allusion to Sydney.
The next banner shows male underclothes on a clothes line, labeled "kangaroos":
To appreciate the intended humor here, you need to know that the old-fashioned style of underpants with a pouch for male genitalia has always been designated in French as the "kangaroo" model of underpants. Subtle, no?
The third banner introduces a welcome sign to a French town called Cidenet:
Now, if you pronounce this alleged place-name in French [in reality, I don't think that any such place exists in France], it sounds a bit like the way that French people say "Sydney". Hilarious, no?
Finally, the fourth banner offers a return flight to Sydney for the low sum of 1014 euros, and it includes the name of the French railways website:
For the moment, I haven't checked to find out whether this low-cost offer is really valid. If so, it's certainly cheap.
Meanwhile, if you click on any of the above banners, you're invited to watch a mediocre series of filmed gags in the same spirit as the banners. The movie starts as follows:
We gather that the guy in shorts with a speleo helmet and lamp, on the outskirts of Cidenet/Sydney, is supposed to be a contestant in a TV game, receiving phone instructions from the organizers concerning a trial he's expected to perform.
Next, we see the contestant in closeup:
We learn that he's supposed to find his way, as quickly as possible, to the Great Barrier Reef.
Then we change to a side-splitting image (?) labeled "kangaroos of Cidenet", showing three individuals carrying their backpacks on their tummies:
The next nondescript landscape is labeled "gateway to the Cidenet desert" (which suggests that the movie creator imagines that the real Sydney is located on the edge of a desert):
Then we are offered an image of a building [no doubt altered by Photoshop] labeled "Cidenet opera house":
To appreciate the next two climactic scenes in this moronic movie, you need to know that the French refer to our Great Barrier Reef as the Coral Barrier. Now, the name "Coral" has been used for ages (I don't know why) to designate the old-fashioned trains still found in the French countryside. And the word "barrier" is used in French to designate a level-crossing. So, if you've grasped all that required background information, you might understand the sense of the image:
Here, the contestant is informing the organizers of the TV game that he has just arrived at the Coral Barrier, in fact a level-crossing on a country line where Coral-type trains run.
The following image then shows our hero wearing flippers and fooling around on a surf board, on the ground alongside the tracks, while the Coral train roars past:
Finally, a curious warning message informs us awkwardly that the film was made using trick cinema (?), and that we should not attempt to copy it:
Three aspects of this stupid presentation remain mysterious:
(a) What's it all about?
(b) Did French railways pay money to get this idiotic stuff produced?
(c) Is their low-cost flight offer valid?
A positive outcome of my encounter with this rubbish is that I now have a revised outlook upon the much talked-about Australian tourism publicity that concludes with an uncouth question: "What the bloody hell are you waiting for?" Not so long ago, I tended to be ironic about this advertising strategy. But, by comparison with the French parody about Sydney, that Aussie spot now appears to me as a pinnacle of refined intelligence, elegant language and sophisticated humor.
Italian cyclist Basso out for two years
Ivan Basso, winner of last year's Giro, admitted recently that he was involved in the so-called Puerto doping scandal. Consequently, he has just been suspended for two years by the Italian cycling federation. Basso's reaction: "I made a mistake, and I have to pay for it."
An interesting question (of a purely theoretical nature, with no practical consequences) now arises. As recently as March 2007, Johan Bruyneel, sporting director of the Discovery Channel team, persisted in trying to justify retrospectively his selection of Basso as a team member. Should we therefore believe that Basso simply never got around to informing Bruyneel that he was actually guilty of doping?
An interesting question (of a purely theoretical nature, with no practical consequences) now arises. As recently as March 2007, Johan Bruyneel, sporting director of the Discovery Channel team, persisted in trying to justify retrospectively his selection of Basso as a team member. Should we therefore believe that Basso simply never got around to informing Bruyneel that he was actually guilty of doping?
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