The first time in my life that I tuned in exclusively to a single author, reading nothing else, was back in my adolescent Durrell days. Totally enraptured by this novelist, I've surely read the greater part of everything that Lawrence Durrell [1912-1990] ever wrote, culminating in Caesar's Vast Ghost, mentioned in my article of 27 March 2007 entitled Books about Provence and the French Riviera [display].
Later, in other domains, I often made a point of reading everything I could lay my hands upon from poets, intellectuals and researchers who impressed me greatly: Rainer Maria Rilke, of course, then my friend and mentor Pierre Schaeffer in France, and great US computer scientists such as Marvin Minsky and Roger Schank. At the same time, I was thrilled in particular by the literary opus of Kurt Vonnegut. Concerning all the above-mentioned authors, I ended up acquiring and reading all their fundamental writings. But, in all these cases, my basic emotion [to use the concept at the heart of Minsky's recent masterly synthesis entitled The Emotion Machine] was admiration, rather than total fascination as in the Durrellian universe. There always seemed to be some little thing that was missing in their works: maybe simply the power and magic of first-person poetic writing.
These days, once again, I've become a one-author reader. His name won't surprise readers of my blog: Richard Dawkins, born in Africa... like all of us, at one time or another. As a reader, I feel that my commitment is for life! Faced with the Dawkins phenomenon, I'm a little like a novice monk about to make his permanent vows. [Dawkins would surely sprout some kind of invisible rash if he learned that a devoted reader dared to liken him to a spiritual abbot.]
Unweaving the Rainbow, as the title implies, is all about rainbows, of all kinds: those that we see in the sky, formed by light passing through droplets of water, and those in our human minds, construed by the foibles of Darwinian evolution. The soul of this book is poetic. Was it not Keats who complained that Newton's analysis of the colors of the rainbows had destroyed forever their charm? Dawkins deals, as it were, with Keats, placing him on the sidelines of fabulous scientific revelations that enable us, now, to know the rainbow.
A Devil's Chaplain is pure Dawkins curled up in a leather lounge in front of a log fire, talking on about anything and everything: that's to say, about life and death, and the quest for profound challenges in our meaningless existence. Dawkins tackles all kinds of topics, including the emptiness of fashionable French philosophy (professed by intellectuals such as Lacan, Guattari and Deleuze), silly religious reactions to the cloned sheep named Dolly, alternative medicine, and the obnoxious expression of religion that disgusted the world at large on 11 September 2001. Dawkins reiterates that the religions of everybody are to be condemned, once and for all: Catholics, Protestants, Jews of all denominations and Moslems.
In the wake of Dawkins, I simply can't imagine what I might ever read from now on. Maybe old Tintin comics. Better still, exciting tales of archaic fiction from the Bible...