Over the last couple of days, I've started work on another chapter of my maternal genealogy, concerning ancestors from Ireland. In fact, they were basically Scottish Protestants who had formed so-called "plantations" in Ulster, in order to propagate the English language and import the Protestant faith into Catholic Ireland. I'm not surprised that such transplanted folk found it an attractive idea, in the middle of the 19th century, to abandon their adopted land in Northern Ireland and move out to New South Wales. Meanwhile, during the century and a half since then, Ulster hasn't yet got over the cultural turmoil created by these British squatters who once decided to settle in the Gaelic isle.
Here's a photo of my aged great-grandfather Isaac Kennedy in my native town of South Grafton:
He was born in a plantation context in County Fermanagh in 1844, and arrived in New South Wales in 1866. This photo would have been taken in the early 1930s, not long before Isaac's death at the age of 90.
Isaac's massive gold signet ring was inherited by his grandson, my uncle Isaac Kennedy Walker. Today, my uncle—whom we've always nicknamed Bargy—lives in Coffs Harbour, where he turned 93 last January. Aware of my fondness for family history, Bargy recently passed this ring on to me.
Yesterday, while looking at the above photo of Isaac Kennedy, I started wondering where exactly in South Grafton it might have been taken. So, last night, I phoned Bargy and asked him where his grandfather used to live. Bargy's reply: "Somewhere in Spring Street." This morning, I opened Google Maps, displayed Spring Street in South Grafton, and turned on the street-view device. I imagined that, in the secluded neighborhood of Spring Street, the old Kennedy house might still exist, along with its original fence. I said to myself that there couldn't be too many old properties with a quaint white fence like that, whose palings slope up to the fence posts. Sure enough, I soon came upon an image of an old house with a fence of that kind.
I enlarged a section of the fence, and filtered it with Photoshop to examine closely the palings.
There's no doubt in my mind that this is Isaac's front fence. Besides, Google Maps indicates street numbering. So, this tool has enabled me to learn that my ancestor, a solitary widower, spent the final years of his life in a nice-looking old house at 46 Spring Street, South Grafton.
Wednesday, March 25, 2009
Monday, March 23, 2009
Familiar visitor
Look who raced madly into the yard at Gamone this afternoon for a lightning get-together with his old sparring partner Sophia.
It was several months since we had last seen the familiar black silhouette of Pif... who turned up unexpectedly with an older mate.
The little puppy has turned into a powerful lanky dog, with all his extrovert enthusiasm for life and action perfectly intact. To greet me, Pif galloped past me with the speed of a greyhound, barking excitedly. He didn't stop for a pat, or even slow down long enough to let me take a few good photos. I had the impression that Pif seemed to be saying to Sophia and me:
"During the time since those distant days when I used to turn up here for Sophia's daily lessons in dog-fighting, I've been doing a lot of traveling, both in France and in Spain. I've been in high-speed trains, and I even did a trip in an international jet airliner. And, of course, I had an opportunity of visiting our glorious capital, Paris... which was a splendid adventure for a rural creature like me. [I could tell from Pif's new language that something has changed in him, that he has indeed become an experienced and worldly animal.] In any case, you must realize that I'm now a very busy dog, leading a rich urban life and meeting up with all kinds of individuals... if you see what I mean."
Five minutes later, Pif grabbed his old tweaking plastic bone between his teeth (I had been keeping it here for him) and the two canine tourists raced off furiously back up towards Pif's old home, where his mistress Alison was waiting in an automobile.
It was several months since we had last seen the familiar black silhouette of Pif... who turned up unexpectedly with an older mate.
The little puppy has turned into a powerful lanky dog, with all his extrovert enthusiasm for life and action perfectly intact. To greet me, Pif galloped past me with the speed of a greyhound, barking excitedly. He didn't stop for a pat, or even slow down long enough to let me take a few good photos. I had the impression that Pif seemed to be saying to Sophia and me:
"During the time since those distant days when I used to turn up here for Sophia's daily lessons in dog-fighting, I've been doing a lot of traveling, both in France and in Spain. I've been in high-speed trains, and I even did a trip in an international jet airliner. And, of course, I had an opportunity of visiting our glorious capital, Paris... which was a splendid adventure for a rural creature like me. [I could tell from Pif's new language that something has changed in him, that he has indeed become an experienced and worldly animal.] In any case, you must realize that I'm now a very busy dog, leading a rich urban life and meeting up with all kinds of individuals... if you see what I mean."
Five minutes later, Pif grabbed his old tweaking plastic bone between his teeth (I had been keeping it here for him) and the two canine tourists raced off furiously back up towards Pif's old home, where his mistress Alison was waiting in an automobile.
Tuesday, March 17, 2009
On God's wavelength
The man in white often gets things wrong. Talk about less than perfect infallibility, the descendant of Saint Peter screws up, in one way or another, whenever he tries to step into the modern here-and-now world of ordinary folk like you and me and a few billion other specimens of the animal named Homo sapiens... created incidentally, not by God (as Benny believes), but by Darwinian evolution.
While preparing for his forthcoming excursion to Africa, I imagine that the pope has been able to take advantage of scores of wise experts who know everything that could possibly be known about this continent, its inhabitants, their problems and their challenges. Among other things, Benedict XVI must have surely listened to terrible tales concerning the ravages of the human immunodeficiency virus (HIV), culminating in acquired immunodeficiency syndrome (AIDS). Concerning this hellish affliction, rampant in Africa, what does the Holy Father conclude? In the plane heading to Cameroon, Benny told journalists today that he considers that the distribution of condoms is not a feasible problem-solving approach. "On the contrary, it aggravates the problem."
Maybe, in the depths of his saintly soul, the pope feels that, if this pandemic finally wipes out hordes of sinful fornicators, that will automatically increase the percentage of good God-fearing spouse-respecting Catholics left alive on Earth. Is that Christian logic?
BREAKING NEWS: People from every walk of life in France are unanimous in condemning the pope's silly words about condoms. With a rare exception...
The bishop of Gap, Jean-Michel Di Falco, has had a busy day. I have the impression that he's one of the rare churchmen in France who's prepared to stand up and say something nice about the pope's astounding assertion. For a decade, the telegenic prelate was the official spokesman for French bishops (a heartthrob for pious middle-aged Catholic women, in the style of Father Ralph de Bricassart of the Thornbirds movie) before becoming a bishop himself. Today, he has been swept up by the French media. On TV, he made a feeble attempt to defend Benny Bonkers by a far-fetched argument. Di Falco claims that, in Africa, many men have the habit of sharing the same condom. So, the pope was perfectly right in saying that condoms spread the Aids pandemic. For dreaming up this ingenious explanation of the sense of the pope's declaration, Di Falco deserves to receive some kind of prize for imaginative thinking in the service of his chief, maybe a cardinal's job...
TRIVIA: I was amused to learn that Di Falco studied for the priesthood just up the road from Choranche, in the neighboring village of Rencurel. The seminary for so-called "tardy vocations" no longer exists, but the old building itself changed its vocation tardily, being transformed into a guest house.
This guest house was used a few years ago as the headquarters in the Vercors for the making of the film The Girl from Paris, with Michel Serrault and Mathilde Seigner.
While preparing for his forthcoming excursion to Africa, I imagine that the pope has been able to take advantage of scores of wise experts who know everything that could possibly be known about this continent, its inhabitants, their problems and their challenges. Among other things, Benedict XVI must have surely listened to terrible tales concerning the ravages of the human immunodeficiency virus (HIV), culminating in acquired immunodeficiency syndrome (AIDS). Concerning this hellish affliction, rampant in Africa, what does the Holy Father conclude? In the plane heading to Cameroon, Benny told journalists today that he considers that the distribution of condoms is not a feasible problem-solving approach. "On the contrary, it aggravates the problem."
Maybe, in the depths of his saintly soul, the pope feels that, if this pandemic finally wipes out hordes of sinful fornicators, that will automatically increase the percentage of good God-fearing spouse-respecting Catholics left alive on Earth. Is that Christian logic?
BREAKING NEWS: People from every walk of life in France are unanimous in condemning the pope's silly words about condoms. With a rare exception...
The bishop of Gap, Jean-Michel Di Falco, has had a busy day. I have the impression that he's one of the rare churchmen in France who's prepared to stand up and say something nice about the pope's astounding assertion. For a decade, the telegenic prelate was the official spokesman for French bishops (a heartthrob for pious middle-aged Catholic women, in the style of Father Ralph de Bricassart of the Thornbirds movie) before becoming a bishop himself. Today, he has been swept up by the French media. On TV, he made a feeble attempt to defend Benny Bonkers by a far-fetched argument. Di Falco claims that, in Africa, many men have the habit of sharing the same condom. So, the pope was perfectly right in saying that condoms spread the Aids pandemic. For dreaming up this ingenious explanation of the sense of the pope's declaration, Di Falco deserves to receive some kind of prize for imaginative thinking in the service of his chief, maybe a cardinal's job...
TRIVIA: I was amused to learn that Di Falco studied for the priesthood just up the road from Choranche, in the neighboring village of Rencurel. The seminary for so-called "tardy vocations" no longer exists, but the old building itself changed its vocation tardily, being transformed into a guest house.
This guest house was used a few years ago as the headquarters in the Vercors for the making of the film The Girl from Paris, with Michel Serrault and Mathilde Seigner.
Friday, March 13, 2009
Suppressing a right might be wrong
In an attempt to eliminate the illegal downloading of multimedia products, French minister Christine Albanel is introducing a law that might make it possible to punish a culprit by depriving him/her of the right to use the Internet. That eye-for-an-eye vision of justice brings to mind the suggestion, not so long ago, that delinquents who burn automobiles shouldn't be allowed to obtain a driver's license.
Now, Europeans have the privilege of being protected by a Charter of Fundamental Rights.
Here's Article 11 of this charter, concerning the freedom of expression and information:
In the case of a delinquent condemned, say, for vandalizing mailboxes, would it be possible in France to prohibit him from sending or receiving letters? If a man were caught urinating into a river that supplied water to a township, would it be possible to prohibit him from drinking tap water? As Marie-Antoinette might exclaim: "The fellow's unable to drink tap water? Then let him quench his thirst with champagne!"
BREAKING NEWS: The above-mentioned law, aiming to protect the rights of multimedia creators, entails the constitution of a so-called supreme authority in this domain, to be known by an ugly acronym: Hadopi. Members of the parliamentary opposition criticized, for diverse more or less sound reasons, the existence of such a body. Reacting to this perfectly normal criticism, Christine Albanel made an astonishing declaration: "It's particularly ridiculous to use a nasty caricature, which presents that body, composed of magistrates, as a kind of branch of the Gestapo." Opposition parliamentarians were flabbergasted. There's one thing that serious individuals never do in France, particularly when they happen to be elected representatives of the people. People never make superficial allusions to things that characterized the terrible Nazi epoch. You never compare anybody, today, to Hitler or his henchmen. And you never say that a respectable organization brings to mind the SS or the Gestapo. Back in the boisterous environment of May 1968, it's true that the intense animosity between demonstrators and riot police was expressed in the following poster, which plastered the walls of Paris:
But today, in serious circles, people don't usually evoke the Gestapo in a light-hearted fashion. No French parliamentarian in his right mind would ever liken an organization, of which Nicolas Sarkozy is a member, to a branch of the Gestapo.
The pen of this intelligent and sympathetic woman, who happens to be a ministerial successor to the great André Malraux, was austerely elegant and moving when she wrote the words of Jacques Chirac's speech in 1995, recognizing France's responsibility in the deportation of the Jews. A year later, once again, she worked splendidly as a speechwriter for Chirac when he pronounced a homage to François Mitterrand. Today, stupidly and uncharacteristically, Christine Albanel has put her foot in her mouth. And I believe that the best thing she could possibly do would be to apologize.
Now, Europeans have the privilege of being protected by a Charter of Fundamental Rights.
Here's Article 11 of this charter, concerning the freedom of expression and information:
In the case of a delinquent condemned, say, for vandalizing mailboxes, would it be possible in France to prohibit him from sending or receiving letters? If a man were caught urinating into a river that supplied water to a township, would it be possible to prohibit him from drinking tap water? As Marie-Antoinette might exclaim: "The fellow's unable to drink tap water? Then let him quench his thirst with champagne!"
BREAKING NEWS: The above-mentioned law, aiming to protect the rights of multimedia creators, entails the constitution of a so-called supreme authority in this domain, to be known by an ugly acronym: Hadopi. Members of the parliamentary opposition criticized, for diverse more or less sound reasons, the existence of such a body. Reacting to this perfectly normal criticism, Christine Albanel made an astonishing declaration: "It's particularly ridiculous to use a nasty caricature, which presents that body, composed of magistrates, as a kind of branch of the Gestapo." Opposition parliamentarians were flabbergasted. There's one thing that serious individuals never do in France, particularly when they happen to be elected representatives of the people. People never make superficial allusions to things that characterized the terrible Nazi epoch. You never compare anybody, today, to Hitler or his henchmen. And you never say that a respectable organization brings to mind the SS or the Gestapo. Back in the boisterous environment of May 1968, it's true that the intense animosity between demonstrators and riot police was expressed in the following poster, which plastered the walls of Paris:
But today, in serious circles, people don't usually evoke the Gestapo in a light-hearted fashion. No French parliamentarian in his right mind would ever liken an organization, of which Nicolas Sarkozy is a member, to a branch of the Gestapo.
The pen of this intelligent and sympathetic woman, who happens to be a ministerial successor to the great André Malraux, was austerely elegant and moving when she wrote the words of Jacques Chirac's speech in 1995, recognizing France's responsibility in the deportation of the Jews. A year later, once again, she worked splendidly as a speechwriter for Chirac when he pronounced a homage to François Mitterrand. Today, stupidly and uncharacteristically, Christine Albanel has put her foot in her mouth. And I believe that the best thing she could possibly do would be to apologize.
Abundant water
The winter that's drawing to an end hasn't been particularly cold, but it was dominated by several big snowfalls. Today, it's wonderful to see the sunny weather returning to Gamone. For the moment, my spring continues to overflow at a furious rate.
It's a great pity to see all this water being wasted. Ah, if only I could channel it magically out to my sunburnt country. Several years ago, I had imagined the idea of erecting a stone fountain alongside my house. For half the year, though, the spring goes dry, and a stone fountain without water is like a pub with no beer. Sophia appreciates this chilly water, just after it emerges from the earth around the spring.
Most of this abundant water runs into Gamone Creek, a hundred meters down from the spring.
This creek is a joy for my dog. For me too, the soft sound of the water cascading over the limestone rocks is like a lullaby.
When the weather's warm, like today, Sophia is capable of stepping into the creek for a minute or so, to cool off. But it's never more than a minimalist immersion.
Sophia has never been been enthusiastic about getting wet... apart from the special case of rolling around in the snow (influenced, no doubt, by her Labrador genes).
Like me, Sophia is happy to observe the peaceful landscape. What's the sense in running around excitedly? On the other hand, there's a curious ritual activity that she performs every time we wander up near the spring. This consists of rolling on the grass at a certain place, always at exactly the same spot.
Maybe the earth at that spot retains the remote scent of an exotic animal such as a wild boar or a roe deer. Be that as it may, Sophia's favorite place is her basket, in front of the house.
My dear dog will be turning eleven this summer. I'm delighted to see that she appears to be in fine form.
It's a great pity to see all this water being wasted. Ah, if only I could channel it magically out to my sunburnt country. Several years ago, I had imagined the idea of erecting a stone fountain alongside my house. For half the year, though, the spring goes dry, and a stone fountain without water is like a pub with no beer. Sophia appreciates this chilly water, just after it emerges from the earth around the spring.
Most of this abundant water runs into Gamone Creek, a hundred meters down from the spring.
This creek is a joy for my dog. For me too, the soft sound of the water cascading over the limestone rocks is like a lullaby.
When the weather's warm, like today, Sophia is capable of stepping into the creek for a minute or so, to cool off. But it's never more than a minimalist immersion.
Sophia has never been been enthusiastic about getting wet... apart from the special case of rolling around in the snow (influenced, no doubt, by her Labrador genes).
Like me, Sophia is happy to observe the peaceful landscape. What's the sense in running around excitedly? On the other hand, there's a curious ritual activity that she performs every time we wander up near the spring. This consists of rolling on the grass at a certain place, always at exactly the same spot.
Maybe the earth at that spot retains the remote scent of an exotic animal such as a wild boar or a roe deer. Be that as it may, Sophia's favorite place is her basket, in front of the house.
My dear dog will be turning eleven this summer. I'm delighted to see that she appears to be in fine form.
Sunday, March 8, 2009
Antrim assassinations
Last night, two British soldiers were assassinated at the Massereene army base in Antrim, a few dozen kilometers north-west of Belfast. This village, in a county of the same name, has been associated for almost four centuries with the Skeffington family from Leicestershire. The present holder of the Massereene viscountcy is 68-year-old John Skeffington. His father, John Skeffington [1914-1992], the 13th Viscount Massereene, was Deputy Lieutenant for County Antrim.
Back in 1981, Lord Massereene helped me personally get started in my Skeffington genealogical research, whose results are now available at
In 1922, Massereene's castle at Antrim was set on fire by members of the Irish Republican Army, resulting in the destruction of many ancient Skeffington archives.
In pointing out that the army barracks carry the same name as the viscountcy, and that the former viscount was already the target of a terrorist attack in this same village, I do not however intend to suggest that these associations might have any bearing whatsoever on the reasons behind yesterday's assassinations.
A dissident republican group known as the Real IRA has claimed responsibility for the assassinations. A British government specialist in counter-terrorism said that Antrim might have been chosen simply because it was a "soft target": that's to say, an engineering base with minimal protection. Whatever the explanation, let us hope that this stupid act is not going to rekindle the fires of hatred and terror that burned for far too long already in Ulster.
Back in 1981, Lord Massereene helped me personally get started in my Skeffington genealogical research, whose results are now available at
In 1922, Massereene's castle at Antrim was set on fire by members of the Irish Republican Army, resulting in the destruction of many ancient Skeffington archives.
In pointing out that the army barracks carry the same name as the viscountcy, and that the former viscount was already the target of a terrorist attack in this same village, I do not however intend to suggest that these associations might have any bearing whatsoever on the reasons behind yesterday's assassinations.
A dissident republican group known as the Real IRA has claimed responsibility for the assassinations. A British government specialist in counter-terrorism said that Antrim might have been chosen simply because it was a "soft target": that's to say, an engineering base with minimal protection. Whatever the explanation, let us hope that this stupid act is not going to rekindle the fires of hatred and terror that burned for far too long already in Ulster.
Two sisters in Paris
Long ago in Paris, I got to know two sisters. Well, I always believed they were sisters, because there was a family look about them, and they were never far away from one another. I used to see them often, whenever I happened to cross the Place de l'Hôtel de Ville, and I was attached to both of them, but in quite different ways. In spite of their being sisters, of roughly the same age, they were not at all identical individuals. One was a scientist; the other, an artist.
Normally, this distinction between the two sisters should have been clear-cut and fixed, but it wasn't. At times, I had the strange impression that the scientist was in fact more of an artist than her sister, and inversely. But I never saw them as twins, because they remained distinct women, with contrasting personalities and behaviors. Maybe "complementary" would be a better adjective than "contrasting", because one seemed to possess what was lacking in the other, and vice versa. In any case, they were splendid sisters, each in her specific style, and I was happy to be their friend.
Normally, this distinction between the two sisters should have been clear-cut and fixed, but it wasn't. At times, I had the strange impression that the scientist was in fact more of an artist than her sister, and inversely. But I never saw them as twins, because they remained distinct women, with contrasting personalities and behaviors. Maybe "complementary" would be a better adjective than "contrasting", because one seemed to possess what was lacking in the other, and vice versa. In any case, they were splendid sisters, each in her specific style, and I was happy to be their friend.
à la mémoire de Dominique
Saturday, March 7, 2009
Lower snow line
Here's another photo of the Cournouze, taken today:
If you compare this image with the one displayed in my recent article entitled Sisyphus road act [display], you'll notice that the snow line at Châtelus—the lowest level at which snow has fallen—has descended over a vertical distance of a couple of hundred meters. What this meant at Gamone is that, when I drove out yesterday to buy a bag of food for Sophia (fearing that we might be cut off from civilization for a few days), the road was covered in snow for the first hundred meters, and then it was suddenly as dry as a bone. In other words, the snow line actually passed midway through my property. You can get a feeling for the situation from the following photo of Mount Baret, taken this afternoon from my bedroom window:
Although the sun has been warming us well since eight o'clock this morning, the rocky bald summit of the mountain is still flecked with patches of snow, whereas the slopes of Gamone are now fairly free of snow... except for that curious patch that remains on the lawn just outside my bedroom.
You may have noticed, in the previous paragraph, that I indicated the precise time at which the sun rose this morning. That's because, for this final fortnight of winter, the sun behaves in a funny fashion at Gamone. The following photo shows you what happens:
First of all, I hasten to point out that the "sun" in this image is in fact a fake yellow Photoshop blob... because I don't wish to melt the electronic innards of my Nikon by trying to take photos of the real sun. Besides, you will have guessed that there's no way in the world that the real sun could ever get down to a cozy little spot in the sky between the top of the Cournouze and the cloud bank in the background. [The great English seascape painter J M W Turner once tried to get away with a lunar situation of that kind in his Fishermen at sea.]
During the long winter months, the sun rises behind the Cournouze, and I don't see it until late in the morning. Then, all of a sudden, as the location of the sun's initial appearance moves towards the left (the north), I'm woken up by an unusually early but short-lived beam of light as the sun pokes its nose above the horizon to the left of the Cournouze. At the present period of the year, the sun rises early, at around eight o'clock, then it is "eclipsed" for a while by a corner of the Cournouze before reappearing and moving freely towards its winter zenith in the sky. So, you might say that, within a span of a couple of hours, I'm treated to two successive sunrises. That, of course, is simply yet another of the many simple charms of my home in the mountains.
If you compare this image with the one displayed in my recent article entitled Sisyphus road act [display], you'll notice that the snow line at Châtelus—the lowest level at which snow has fallen—has descended over a vertical distance of a couple of hundred meters. What this meant at Gamone is that, when I drove out yesterday to buy a bag of food for Sophia (fearing that we might be cut off from civilization for a few days), the road was covered in snow for the first hundred meters, and then it was suddenly as dry as a bone. In other words, the snow line actually passed midway through my property. You can get a feeling for the situation from the following photo of Mount Baret, taken this afternoon from my bedroom window:
Although the sun has been warming us well since eight o'clock this morning, the rocky bald summit of the mountain is still flecked with patches of snow, whereas the slopes of Gamone are now fairly free of snow... except for that curious patch that remains on the lawn just outside my bedroom.
You may have noticed, in the previous paragraph, that I indicated the precise time at which the sun rose this morning. That's because, for this final fortnight of winter, the sun behaves in a funny fashion at Gamone. The following photo shows you what happens:
First of all, I hasten to point out that the "sun" in this image is in fact a fake yellow Photoshop blob... because I don't wish to melt the electronic innards of my Nikon by trying to take photos of the real sun. Besides, you will have guessed that there's no way in the world that the real sun could ever get down to a cozy little spot in the sky between the top of the Cournouze and the cloud bank in the background. [The great English seascape painter J M W Turner once tried to get away with a lunar situation of that kind in his Fishermen at sea.]
During the long winter months, the sun rises behind the Cournouze, and I don't see it until late in the morning. Then, all of a sudden, as the location of the sun's initial appearance moves towards the left (the north), I'm woken up by an unusually early but short-lived beam of light as the sun pokes its nose above the horizon to the left of the Cournouze. At the present period of the year, the sun rises early, at around eight o'clock, then it is "eclipsed" for a while by a corner of the Cournouze before reappearing and moving freely towards its winter zenith in the sky. So, you might say that, within a span of a couple of hours, I'm treated to two successive sunrises. That, of course, is simply yet another of the many simple charms of my home in the mountains.
Goldilocks zones
I remember vaguely seeing a movie that contained a dialogue along the following lines:
QUESTIONER: What made you want to leave England?
ENGLISHMAN: Too bloody cold.
QUESTIONER: Today, why don't you want to stay in Australia?
ENGLISHMAN: Too bloody hot.
That sums up things nicely. What we're all searching for, of course, is a place that's just right.
When I was a child, I was particularly fond of the story of Goldilocks and the Three Bears. For those of you who've forgotten this marvelous tale, here's a version I found on the web:
What I liked about this tale, I think, was the idea that a solid little single-son family unit could be existing harmoniously in the middle of the woods, in an isolated and independent environment. All the elements of their domestic environment had been adjusted optimally to cater for the respective sizes of the father, the mother and the son. And, when a lovely little blond girl happened to stray into this home, and evaluate its contents, she found—not surprisingly, I was tempted to imagine—that the mini-universe of the son (including his bed) was "just right".
For a long time, researchers in cosmology have been using the term Goldilocks as a metaphorical adjective to designate any remote world that might be just right for some form of life. We lucky Earthlings live in such a Goldilocks corner of the Cosmos. Maybe, elsewhere among the stars and black holes, there are other Goldilocks zones...
The NASA has just launched its Kepler satellite, designed to spend the next few years searching for Goldilocks zones inside the Milky Way.
Now, I don't wish to be a devil's advocate in any way whatsoever, because the idea of finding new forms of life appears to me as one of the most exciting human challenges that could possibly exist. But the Goldilocks metaphor disturbs me a little, for two reasons:
— We cannot exclude the possibility that the satellite might discover unfriendly places inhabited by ferocious giant Papa bears and wicked Mama bears.
— The harshest part of the children's story is that Goldilocks, having found an environment that was "just right", did not however decide to stay there. For bizarre reasons, she raced away in terror. In other words, in this otherwise delightful tale, there was no happy ending...
QUESTIONER: What made you want to leave England?
ENGLISHMAN: Too bloody cold.
QUESTIONER: Today, why don't you want to stay in Australia?
ENGLISHMAN: Too bloody hot.
That sums up things nicely. What we're all searching for, of course, is a place that's just right.
When I was a child, I was particularly fond of the story of Goldilocks and the Three Bears. For those of you who've forgotten this marvelous tale, here's a version I found on the web:
Goldilocks and the Three Bears
Once upon a time, there was a little girl named Goldilocks. She went for a walk in the forest. Soon, she came upon a house. She knocked and, when no one answered, she walked right in. At the table in the kitchen, there were three bowls of porridge. Goldilocks was hungry. She tasted the porridge from the first bowl. "This porridge is too hot!" she exclaimed. So, she tasted the porridge from the second bowl. "This porridge is too cold," she said. So, she tasted the last bowl of porridge. "Ah, this porridge is just right," she said happily, and ate it all up. After she had eaten the bear's breakfast, Goldilocks was feeling a little tired. So, she walked into the living room where she saw three chairs. Goldilocks sat in the first chair to rest her feet. "This chair is too big!" she exclaimed. So she sat in the second chair. "This chair is too big, too!" she whined. So she tried the last and smallest chair. "Ah, this chair is just right," she sighed. But just as she settled down into the chair to rest, it broke into pieces! Goldilocks was very tired by this time, so she went upstairs to the bedroom. She lay down in the first bed, but it was too hard. Then she lay in the second bed, but it was too soft. Then she lay down in the third bed and it was just right. Goldilocks fell asleep. While she was sleeping, the three bears came home. "Someone's been eating my porridge," growled the Papa bear. "Someone's been eating my porridge," said the Mama bear. "Someone's been eating my porridge and they ate it all up!" cried the Baby bear. "Someone's been sitting in my chair," growled the Papa bear. "Someone's been sitting in my chair," said the Mama bear. "Someone's been sitting in my chair and they've broken it all to pieces," cried the Baby bear. They decided to look around some more, and went upstairs to the bedroom. "Someone's been sleeping in my bed," growled Papa bear. "Someone's been sleeping in my bed too," said the Mama bear. "Someone's been sleeping in my bed and she's still there!" exclaimed Baby bear. At that moment, Goldilocks woke up and saw the three bears. She screamed: "Help!" Then she jumped up and left the room. Goldilocks ran down the stairs, opened the door and raced away into the forest. She never returned to the home of the three bears.What I liked about this tale, I think, was the idea that a solid little single-son family unit could be existing harmoniously in the middle of the woods, in an isolated and independent environment. All the elements of their domestic environment had been adjusted optimally to cater for the respective sizes of the father, the mother and the son. And, when a lovely little blond girl happened to stray into this home, and evaluate its contents, she found—not surprisingly, I was tempted to imagine—that the mini-universe of the son (including his bed) was "just right".
For a long time, researchers in cosmology have been using the term Goldilocks as a metaphorical adjective to designate any remote world that might be just right for some form of life. We lucky Earthlings live in such a Goldilocks corner of the Cosmos. Maybe, elsewhere among the stars and black holes, there are other Goldilocks zones...
The NASA has just launched its Kepler satellite, designed to spend the next few years searching for Goldilocks zones inside the Milky Way.
Now, I don't wish to be a devil's advocate in any way whatsoever, because the idea of finding new forms of life appears to me as one of the most exciting human challenges that could possibly exist. But the Goldilocks metaphor disturbs me a little, for two reasons:
— We cannot exclude the possibility that the satellite might discover unfriendly places inhabited by ferocious giant Papa bears and wicked Mama bears.
— The harshest part of the children's story is that Goldilocks, having found an environment that was "just right", did not however decide to stay there. For bizarre reasons, she raced away in terror. In other words, in this otherwise delightful tale, there was no happy ending...
Thursday, March 5, 2009
Sisyphus road act
Long ago, shortly after my arrival at Gamone, I learned that it can be a mistake to imagine that the weather at Choranche, at a particular moment, indicates the climatic conditions I might expect to discover five minutes later on, further up or down the road, if I were to decide to leave on an automobile excursion. For example, this photo I took today reveals that everything's fine as long as you stay on the lower slopes of the Cournouze:
After reaching the church of Châtelus, though, you would suddenly find yourself driving through snow.
Yesterday, late in the afternoon, I set off for Valence. A few hundred meters down from Gamone, I was called upon to do a Sisyphus road act. Maybe certain particularly bright blog readers have guessed what that means. I simply stopped my old Citroën on the slopes, got out and carried a big rock up to a place alongside the road where it would do no harm. Whenever the temperature climbs a few degrees after a cold period, rocks thaw and can roll onto roads.
In the environment of Greek gods and goddesses, Sisyphus (depicted in the above painting by Titian) was in fact a mere mortal, but he seemed to have special high-quality links with divine beings... much like the kind of exceptional relationship that exists these days between a humble sinner such as the pope and the Holy Trinity, if you see what I mean. At an earthly level, Sisyphus was renowned for having built the city of Corinth, on the northern coast of the Peloponnese. Alas, his cherished city was conquered by Theseus... the famous Athenian whom I mention briefly in my website that allows you to stroll virtually though the labyrinth of Lucca [access]. During the conflict, Sisyphus was killed and he went directly to Hell, where he was assigned the task of moving a big boulder up to the top of a mountain, and then letting it roll down again.
Insofar as Sisyphus is condemned to repeat this task endlessly, the French writer Albert Camus seized upon this assignment as an ideal symbol of existentialist absurdity. The book by Camus on the theme of Sisyphus played a primordial role in bringing me to France.
Now, getting back to the rock I moved off the road this morning, there was a tiny but interesting consequence. At exactly the moment I got out of my car and walked towards the rock, a four-wheel-drive truck halted alongside me. It was driven by a young guy named Frédéric, who has disliked me intensely ever since I arrived in his native commune of Choranche. This animosity was brought about by a trivial incident. Every winter, ever since he was a young teenager, Frédéric has been driving the family's tractor with a snow plow, to clear the roads of Choranche after heavy snowfalls. Well, during my first winter at Gamone, Frédéric dragged his snow plow across my lawn and tore up inadvertently a drain that I had spent a day or so installing. I was furious, and I complained about this accident in a letter to the mayor. To cut a long story short, Frédéric has never talked to me since then... up until this morning, when he came upon me doing my Sisyphus act. Maybe Frédéric never imagined that an urban gentleman such as me would be capable of performing such an altruistic act as stopping my automobile in order to remove a rock on the other side of the road: that's to say, a rock he might have hit. Whatever the explanation, Frédéric smiled at me in a friendly fashion, for the first time in fifteen years, and thanked me for removing the rock.
In his evaluation of the arduous task of Sisyphus, Camus may have gone a little too far. My personal experience suggests—as I've just indicated— that rolling a rock is not necessarily a totally absurd operation.
By the way, the personal autobiography on which I've been working lately, entitled Digital Me, opens with the following extract:
At that subtle moment when a man glances back over his life, Sisyphus, returning towards his rock, contemplates the series of unrelated actions that has become his fate, created by him, combined in his memory’s eye and soon to be sealed by his death. Convinced of the wholly human origin of all that is human, a blind man eager to see, who knows that the night has no end, he is therefore advancing still. The rock is still rolling. I leave Sisyphus at the foot of the mountain! We always return to our burden. But Sisyphus teaches a higher fidelity, which negates gods and raises rocks. He, too, considers that all is well. This universe, henceforth without a master, appears to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, forms in itself a world. The struggle towards the heights is enough to fill a man’s heart. We must imagine Sisyphus happy.
After reaching the church of Châtelus, though, you would suddenly find yourself driving through snow.
Yesterday, late in the afternoon, I set off for Valence. A few hundred meters down from Gamone, I was called upon to do a Sisyphus road act. Maybe certain particularly bright blog readers have guessed what that means. I simply stopped my old Citroën on the slopes, got out and carried a big rock up to a place alongside the road where it would do no harm. Whenever the temperature climbs a few degrees after a cold period, rocks thaw and can roll onto roads.
In the environment of Greek gods and goddesses, Sisyphus (depicted in the above painting by Titian) was in fact a mere mortal, but he seemed to have special high-quality links with divine beings... much like the kind of exceptional relationship that exists these days between a humble sinner such as the pope and the Holy Trinity, if you see what I mean. At an earthly level, Sisyphus was renowned for having built the city of Corinth, on the northern coast of the Peloponnese. Alas, his cherished city was conquered by Theseus... the famous Athenian whom I mention briefly in my website that allows you to stroll virtually though the labyrinth of Lucca [access]. During the conflict, Sisyphus was killed and he went directly to Hell, where he was assigned the task of moving a big boulder up to the top of a mountain, and then letting it roll down again.
Insofar as Sisyphus is condemned to repeat this task endlessly, the French writer Albert Camus seized upon this assignment as an ideal symbol of existentialist absurdity. The book by Camus on the theme of Sisyphus played a primordial role in bringing me to France.
Now, getting back to the rock I moved off the road this morning, there was a tiny but interesting consequence. At exactly the moment I got out of my car and walked towards the rock, a four-wheel-drive truck halted alongside me. It was driven by a young guy named Frédéric, who has disliked me intensely ever since I arrived in his native commune of Choranche. This animosity was brought about by a trivial incident. Every winter, ever since he was a young teenager, Frédéric has been driving the family's tractor with a snow plow, to clear the roads of Choranche after heavy snowfalls. Well, during my first winter at Gamone, Frédéric dragged his snow plow across my lawn and tore up inadvertently a drain that I had spent a day or so installing. I was furious, and I complained about this accident in a letter to the mayor. To cut a long story short, Frédéric has never talked to me since then... up until this morning, when he came upon me doing my Sisyphus act. Maybe Frédéric never imagined that an urban gentleman such as me would be capable of performing such an altruistic act as stopping my automobile in order to remove a rock on the other side of the road: that's to say, a rock he might have hit. Whatever the explanation, Frédéric smiled at me in a friendly fashion, for the first time in fifteen years, and thanked me for removing the rock.
In his evaluation of the arduous task of Sisyphus, Camus may have gone a little too far. My personal experience suggests—as I've just indicated— that rolling a rock is not necessarily a totally absurd operation.
By the way, the personal autobiography on which I've been working lately, entitled Digital Me, opens with the following extract:
At that subtle moment when a man glances back over his life, Sisyphus, returning towards his rock, contemplates the series of unrelated actions that has become his fate, created by him, combined in his memory’s eye and soon to be sealed by his death. Convinced of the wholly human origin of all that is human, a blind man eager to see, who knows that the night has no end, he is therefore advancing still. The rock is still rolling. I leave Sisyphus at the foot of the mountain! We always return to our burden. But Sisyphus teaches a higher fidelity, which negates gods and raises rocks. He, too, considers that all is well. This universe, henceforth without a master, appears to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, forms in itself a world. The struggle towards the heights is enough to fill a man’s heart. We must imagine Sisyphus happy.
— Albert Camus, The Myth of Sisyphus.
Sunday, March 1, 2009
Method in their dumbness
I've often wondered whether the concept of democracy might not be some kind of an archaic mistake... like the theory that the Earth is flat, with a dangerous edge.
Among the good people who have the democratic right to vote in political elections, I've always been alarmed by the idea that, clearly, many don't necessarily have the basic faculties of reasoning that might enable them to know what politics and elections are all about. Like countless observers throughout the world, I had often wondered in amazement by what weird decision processes a great nation such as the USA could have allowed itself to be governed for eight terrible years by a nitwit such George W Bush. Then, when the woman from Alaska was put in the limelight, I had the sickening feeling that America had learned nothing from the Dubya tragedy.
Then there was a curious affair involving an alleged plumber named Joe, who seemed to have been dragged out of the hat of a magician.
Not only did this Joe guy hang around in the background of John McCain for quite a while, but he still hasn't disappeared yet. I even saw him on French TV playing some kind of a journalistic role in Israel, of all places. It's reassuring, of course, to see that Americans finally elected a great guy such as Barack Obama. But frankly, if I were to hear that Mrs Moose and Joe the Plumber were forming a ticket for the next presidential elections, I wouldn't be at all surprised.
My impressions concerning personalities such as Sarah and Joe are not yet clear in my mind, but I'm starting to get a feeling for what it might be all about. Without evoking conspiracy theories, I truly believe that clever members of a more-or-less clandestine lobby, with ample resources, are pulling the strings of the above-mentioned puppets. In other words, I don't think that Sarah and Joe get up of a morning saying to themselves: "Now, what must I do today to advance my chances of winning the next presidential election?" No, other individuals, in the background, are asking this kind of question on behalf of the potential straw candidates. They might not necessarily be seriously concerned by the possibility of the victory of Sarah or Joe, but these background folk surely have a vested interest in the diversion brought about by their stars.
It's all very fuzzy, and I realize I haven't explained anything in an intelligible fashion. All I'm trying to say is that certain smart people consider that puppets such as Sarah and Joe are essential ingredients in plans for the future. Why or how, I don't know...
Once upon a time, people thought that forms of life such as germs and maggots came into being spontaneously on heaps of farmyard dung. We know now that the Earth has no edges, that democracy can in fact screw up, and that nothing comes into being spontaneously. There are natural causes behind the creation of every living entity. Including Sarah and Joe...
Among the good people who have the democratic right to vote in political elections, I've always been alarmed by the idea that, clearly, many don't necessarily have the basic faculties of reasoning that might enable them to know what politics and elections are all about. Like countless observers throughout the world, I had often wondered in amazement by what weird decision processes a great nation such as the USA could have allowed itself to be governed for eight terrible years by a nitwit such George W Bush. Then, when the woman from Alaska was put in the limelight, I had the sickening feeling that America had learned nothing from the Dubya tragedy.
Then there was a curious affair involving an alleged plumber named Joe, who seemed to have been dragged out of the hat of a magician.
Not only did this Joe guy hang around in the background of John McCain for quite a while, but he still hasn't disappeared yet. I even saw him on French TV playing some kind of a journalistic role in Israel, of all places. It's reassuring, of course, to see that Americans finally elected a great guy such as Barack Obama. But frankly, if I were to hear that Mrs Moose and Joe the Plumber were forming a ticket for the next presidential elections, I wouldn't be at all surprised.
My impressions concerning personalities such as Sarah and Joe are not yet clear in my mind, but I'm starting to get a feeling for what it might be all about. Without evoking conspiracy theories, I truly believe that clever members of a more-or-less clandestine lobby, with ample resources, are pulling the strings of the above-mentioned puppets. In other words, I don't think that Sarah and Joe get up of a morning saying to themselves: "Now, what must I do today to advance my chances of winning the next presidential election?" No, other individuals, in the background, are asking this kind of question on behalf of the potential straw candidates. They might not necessarily be seriously concerned by the possibility of the victory of Sarah or Joe, but these background folk surely have a vested interest in the diversion brought about by their stars.
It's all very fuzzy, and I realize I haven't explained anything in an intelligible fashion. All I'm trying to say is that certain smart people consider that puppets such as Sarah and Joe are essential ingredients in plans for the future. Why or how, I don't know...
Once upon a time, people thought that forms of life such as germs and maggots came into being spontaneously on heaps of farmyard dung. We know now that the Earth has no edges, that democracy can in fact screw up, and that nothing comes into being spontaneously. There are natural causes behind the creation of every living entity. Including Sarah and Joe...
Thursday, February 26, 2009
It's a small spy world
In 1964 and 1965, I worked as an assistant English teacher at the prestigious Lycée Henri IV in the heart of the Latin Quarter in Paris. Then Christine and I were married in May 1965, and I had to think about earning my living. Through a friend of friends, I found myself working as a French/English translator for an electronics company named CSF, which stood for Compagnie générale de télégraphie Sans Fil, which can be translated literally as General Company for Telegraphy Without Wires. The company was founded in 1918, whence its old-fashioned name. For me, it was quite a boring job, because I had to translate highly technical stuff that I didn't necessarily understand.
The CSF had built the Cyrano radar system installed in the nose of Mirage jet fighters from Dassault, and most of my work consisted of translating the user manuals for this military stuff. Funnily enough, I learned that Australia happened to be a client for these early Mirage/Cyrano systems, but I never had any contacts with compatriots during the four dull months I spent at CSF. I remember meeting up with CSF engineers who were associated with a man named Henri de France [1911-1986] who had invented the Sécam TV standard. The CSF had also invented an early version of an audiovisual jukebox that displayed a video at the same time as the song, but it was a commercial flop. During my brief stay at CSF, maybe the most amusing job I had consisted of translating a speech to be made in England by the big boss, Maurice Ponte [1902-1983], who was a celebrated personage in French electronics history. His speech included words of apology for all the faults in his English. This seemed silly to me, because normally there wouldn't be any English errors at all in my translation.
Retrospectively, I'm not surprised by the idea that French companies such as CSF interested the Soviet Union back in 1965, because the Communists wanted to become independent in all the high-tech domains, and they imagined they could achieve this goal by stealing and copying Western inventions. Inversely, companies such as Thomson-Brandt and CSF—which would merge, a few years later, to form Thomson-CSF—looked upon the Soviet Union as a possible customer in the field of domestic electronics. So, it was normal that professional people on both sides of the Iron Curtain should become acquainted.
According to what I learned from a French TV documentary last night, I may well have been a colleague of this engineer, Jacques Prévost, back in 1965. But I have no recollection of ever running into him at CSF.
At that time, there was a sleazy Russian "diplomat" named Vladimir Vetrov stationed in Paris, and he became acquainted professionally with Prévost. Vetrov, an alcoholic, smashed up an embassy vehicle while driving in a drunken state. Normally, this accident would have put an end to Vetrov's diplomatic career. Well, in circumstances that remain fuzzy, Vetrov asked Prévost if he would be kind enough to get the automobile repaired, discreetly and rapidly. Prévost—who had never, at any moment, been an adept of any kind of espionage, neither industrial nor military—obliged, and thereby won a Russian friend for life.
To cut a long story short, years later, Vetrov—who had never forgotten the kindness of his engineer friend in Paris—started inundating spontaneously the Thomson-CSF representative in Moscow, Xavier Ameil, with tons of top-secret documents. Exceptionally, the Russian traitor asked for nothing in return. Vetrov had grown to hate his native land, and he had only one desire: to cripple the Soviet Union by giving away as many of their confidential documents as possible.
Not long after the documents started to arrive, the French secret service let the Thomson-CSF employee get back to his ordinary work, enabling French specialists to step in to take delivery of the huge quantity of documents that Vetrov was still supplying. They invented an English code-name for the Russian traitor: Farewell. Soon after, François Mitterrand kicked out 43 Soviet "diplomats", and Ronald Reagan was informed of all the precious stuff that had arrived in France. The rest—the crumbling of the Soviet Union and Communism—is world history...
Concerning the intelligence that played a fundamental role in the fall of the Soviet Union, the CIA has little to brag about today, since almost everything was handed to them on a brass plate.
Click their website banner to see a brief article on the Farewell affair.
The moral of this story is that, unlike the incredibly complex tales invented by espionage authors such as John Le Carré, a huge real-life affair resulting in the divulgation of top-secret files can be triggered by trivial events. Such an affair can start from almost nothing: a drunken driver, disgruntled about how his native land is behaving, who gets his automobile repaired by a foreign friend. And yet it can blow up into something big enough to overturn an empire and an ideology.
You remember the fable about the runaway slave Androcles who removed a thorn from a lion's paw. Later, he came face-to-face with that same lion in a Roman arena, whereupon the lion rewarded the kindness of Androcles by refusing to eat him. And they left the arena as liberated friends, to the applause of the Roman onlookers.
So, if ever, late at night, you come upon a drunken foreigner who has just rammed his vehicle into a lamp post, be kind to him. Call a pickup truck to tow the damaged automobile to a garage, and take the guy back home to your place to let him sleep off his drunkenness on your couch. You never know: your name could go down in history as the unwitting instigator of an earth-shaking revolution.
The CSF had built the Cyrano radar system installed in the nose of Mirage jet fighters from Dassault, and most of my work consisted of translating the user manuals for this military stuff. Funnily enough, I learned that Australia happened to be a client for these early Mirage/Cyrano systems, but I never had any contacts with compatriots during the four dull months I spent at CSF. I remember meeting up with CSF engineers who were associated with a man named Henri de France [1911-1986] who had invented the Sécam TV standard. The CSF had also invented an early version of an audiovisual jukebox that displayed a video at the same time as the song, but it was a commercial flop. During my brief stay at CSF, maybe the most amusing job I had consisted of translating a speech to be made in England by the big boss, Maurice Ponte [1902-1983], who was a celebrated personage in French electronics history. His speech included words of apology for all the faults in his English. This seemed silly to me, because normally there wouldn't be any English errors at all in my translation.
Retrospectively, I'm not surprised by the idea that French companies such as CSF interested the Soviet Union back in 1965, because the Communists wanted to become independent in all the high-tech domains, and they imagined they could achieve this goal by stealing and copying Western inventions. Inversely, companies such as Thomson-Brandt and CSF—which would merge, a few years later, to form Thomson-CSF—looked upon the Soviet Union as a possible customer in the field of domestic electronics. So, it was normal that professional people on both sides of the Iron Curtain should become acquainted.
According to what I learned from a French TV documentary last night, I may well have been a colleague of this engineer, Jacques Prévost, back in 1965. But I have no recollection of ever running into him at CSF.
At that time, there was a sleazy Russian "diplomat" named Vladimir Vetrov stationed in Paris, and he became acquainted professionally with Prévost. Vetrov, an alcoholic, smashed up an embassy vehicle while driving in a drunken state. Normally, this accident would have put an end to Vetrov's diplomatic career. Well, in circumstances that remain fuzzy, Vetrov asked Prévost if he would be kind enough to get the automobile repaired, discreetly and rapidly. Prévost—who had never, at any moment, been an adept of any kind of espionage, neither industrial nor military—obliged, and thereby won a Russian friend for life.
To cut a long story short, years later, Vetrov—who had never forgotten the kindness of his engineer friend in Paris—started inundating spontaneously the Thomson-CSF representative in Moscow, Xavier Ameil, with tons of top-secret documents. Exceptionally, the Russian traitor asked for nothing in return. Vetrov had grown to hate his native land, and he had only one desire: to cripple the Soviet Union by giving away as many of their confidential documents as possible.
Not long after the documents started to arrive, the French secret service let the Thomson-CSF employee get back to his ordinary work, enabling French specialists to step in to take delivery of the huge quantity of documents that Vetrov was still supplying. They invented an English code-name for the Russian traitor: Farewell. Soon after, François Mitterrand kicked out 43 Soviet "diplomats", and Ronald Reagan was informed of all the precious stuff that had arrived in France. The rest—the crumbling of the Soviet Union and Communism—is world history...
Concerning the intelligence that played a fundamental role in the fall of the Soviet Union, the CIA has little to brag about today, since almost everything was handed to them on a brass plate.
Click their website banner to see a brief article on the Farewell affair.
The moral of this story is that, unlike the incredibly complex tales invented by espionage authors such as John Le Carré, a huge real-life affair resulting in the divulgation of top-secret files can be triggered by trivial events. Such an affair can start from almost nothing: a drunken driver, disgruntled about how his native land is behaving, who gets his automobile repaired by a foreign friend. And yet it can blow up into something big enough to overturn an empire and an ideology.
You remember the fable about the runaway slave Androcles who removed a thorn from a lion's paw. Later, he came face-to-face with that same lion in a Roman arena, whereupon the lion rewarded the kindness of Androcles by refusing to eat him. And they left the arena as liberated friends, to the applause of the Roman onlookers.
So, if ever, late at night, you come upon a drunken foreigner who has just rammed his vehicle into a lamp post, be kind to him. Call a pickup truck to tow the damaged automobile to a garage, and take the guy back home to your place to let him sleep off his drunkenness on your couch. You never know: your name could go down in history as the unwitting instigator of an earth-shaking revolution.
Wednesday, February 25, 2009
Rural roots
Once, when I was chatting about family-history research with my father-in-law Jacques Mafart, he told me that such investigations would inevitably be dull and fruitless in the case of his ancestors. "Although I don't have many facts concerning my early ancestors in Brittany, I'm fairly sure they were all members of ancient Breton farming families who rarely moved far away from the villages where they grew up." As an Australian, whose ancestors had left the Old World and sailed out to the Antipodes (just as I had made the reverse trip—in largely more comfortable conditions—in 1962), I wasn't accustomed to the notion of ancestors remaining fixed in the same place and leading the same kind of agricultural existence for generation after generation. I was conditioned into considering that ancestors were primarily, if not necessarily, pioneers who spent their time jumping from one spot on the globe to another, and changing constantly their lifestyles. To put it bluntly, in spite of all my personal family-history research, I had never really learned the profound everyday sense of the concept of roots. Rural roots...
Napoleon Bonaparte described England (borrowing an expression invented by the Scottish economist Adam Smith) as a nation of shopkeepers. I don't know if anybody got around to making such a sweeping generalization, but France might have been described, at that time, as a nation of farmers.
Today, as you cross the French countryside in high-speed trains that are a modern marvel of engineering, you can still see to what extent France has remained a great agricultural nation. Rural France is a vast patchwork quilt of pastures, fields, woods and vineyards, crossed by a dense networks of highways, roads, lanes and tracks. Seen from the windows of a train, the French countryside is a splendid visual poem, evolving subtly at all times of the year. Personally, whenever I travel by train in France, I never bother to bring along something to read, because it's always an intense visual pleasure for me to spend my time watching the magnificent landscapes. The various buildings on each farm property, even when glimpsed fleetingly for a few seconds, tell stories. You obtain at a glance a train's-eye view of what kind of a family it is: their basic agricultural activities, their relative prosperity or poverty, the nature and state of their residence, their life style...
With roots like that, it's hardly surprising that one of the biggest happenings of the year in Paris is the agricultural show.
For politicians, it's a must to show up and be photographed at the Paris agricultural show... otherwise they run the risk of losing the support of the vast hordes of electors with rural roots, including those who still live on the land. In years to come, no doubt, politicians will find it more worthwhile, from an efficiency viewpoint, to be seen at technology shows. For the moment, though, it still pays to drop in to the biggest farm in France. Jacques Chirac—seen here in 1975, when he was the prime minister—played a major role in elevating this annual visit to the rank of a sacred ritual.
Charles de Gaulle had evoked jokingly the difficulties of governing correctly and calmly a nation that produces 246 varieties of cheese. Chirac, on the other hand, took pleasure in taking the reins of a nation with countless varieties of cattle, horses, sheep, goats, etc. Young people laughed at Chirac when he referred to a computer mouse (apparently an unknown item in his personal environment) by the rural term designating a field mouse. But everybody forgave the French president for not being a computer geek. On the other hand, people would have been discouraged without the reassuring image of Chirac fondling farm animals, and chatting with rural folk as if he were one of them... which he was, in a way.
For Nicolas Sarkozy, the obligation of visiting the agricultural show, and trying to caress tenderly the nose of a cow as if it were a woman, is a cross he must bear.
The president knows full well that nobody in France is likely to imagine their president as a rural lad, so he doesn't have to take himself too seriously... which is fine for everybody, since the phenomenon of Sarko taking himself seriously is even more unpleasant than stepping into fresh cow shit.
Napoleon Bonaparte described England (borrowing an expression invented by the Scottish economist Adam Smith) as a nation of shopkeepers. I don't know if anybody got around to making such a sweeping generalization, but France might have been described, at that time, as a nation of farmers.
Today, as you cross the French countryside in high-speed trains that are a modern marvel of engineering, you can still see to what extent France has remained a great agricultural nation. Rural France is a vast patchwork quilt of pastures, fields, woods and vineyards, crossed by a dense networks of highways, roads, lanes and tracks. Seen from the windows of a train, the French countryside is a splendid visual poem, evolving subtly at all times of the year. Personally, whenever I travel by train in France, I never bother to bring along something to read, because it's always an intense visual pleasure for me to spend my time watching the magnificent landscapes. The various buildings on each farm property, even when glimpsed fleetingly for a few seconds, tell stories. You obtain at a glance a train's-eye view of what kind of a family it is: their basic agricultural activities, their relative prosperity or poverty, the nature and state of their residence, their life style...
With roots like that, it's hardly surprising that one of the biggest happenings of the year in Paris is the agricultural show.
For politicians, it's a must to show up and be photographed at the Paris agricultural show... otherwise they run the risk of losing the support of the vast hordes of electors with rural roots, including those who still live on the land. In years to come, no doubt, politicians will find it more worthwhile, from an efficiency viewpoint, to be seen at technology shows. For the moment, though, it still pays to drop in to the biggest farm in France. Jacques Chirac—seen here in 1975, when he was the prime minister—played a major role in elevating this annual visit to the rank of a sacred ritual.
Charles de Gaulle had evoked jokingly the difficulties of governing correctly and calmly a nation that produces 246 varieties of cheese. Chirac, on the other hand, took pleasure in taking the reins of a nation with countless varieties of cattle, horses, sheep, goats, etc. Young people laughed at Chirac when he referred to a computer mouse (apparently an unknown item in his personal environment) by the rural term designating a field mouse. But everybody forgave the French president for not being a computer geek. On the other hand, people would have been discouraged without the reassuring image of Chirac fondling farm animals, and chatting with rural folk as if he were one of them... which he was, in a way.
For Nicolas Sarkozy, the obligation of visiting the agricultural show, and trying to caress tenderly the nose of a cow as if it were a woman, is a cross he must bear.
The president knows full well that nobody in France is likely to imagine their president as a rural lad, so he doesn't have to take himself too seriously... which is fine for everybody, since the phenomenon of Sarko taking himself seriously is even more unpleasant than stepping into fresh cow shit.
Labels:
Jacques Chirac,
Nicolas Sarkozy,
rural France
Tuesday, February 24, 2009
Radio voice of my childhood
A month before I was born, on 24 September 1940, the Nazis had started to bomb British factories, aerodromes and communication links. Then they got around to daily raids on cities such as Liverpool and London. As a young child at Waterview in South Grafton, I must have been immersed in the wartime radio broadcasts, because the voice of Vera Lynn and the words and music of her songs are as vivid in my mind today as if I had just been lulled for the first time by their soft tones and rhythms.
It's amazing for me to learn that the grand old lady is alive and well today. On March 20, she'll be 92.
Maybe it's because of the following song that countless Australians of my generation learned that the English Channel was bordered by tall white chalk cliffs. Those of us who have problems in trying to imagine blue-feathered birds in the English sky must understand that Vera Lynn's symbolic "bluebirds" above the English Channel were in fact Spitfire fighter aircraft.
The haunting refrain of Vera Lynn's following song—no doubt her greatest success—was a prayer for the safe return of soldiers:
The great English cities were blacked out at night so that Nazi bombers would not be able to find them. The bombs, too, must have cut off the electricity in many places. So, the image of awaiting the return of the lights is both a metaphor of peace and a reality.
I'm surprised at times to realize that, although I was a child out in the Antipodes, the events and the spirit of this harsh period appear to have marked me.
It's amazing for me to learn that the grand old lady is alive and well today. On March 20, she'll be 92.
Maybe it's because of the following song that countless Australians of my generation learned that the English Channel was bordered by tall white chalk cliffs. Those of us who have problems in trying to imagine blue-feathered birds in the English sky must understand that Vera Lynn's symbolic "bluebirds" above the English Channel were in fact Spitfire fighter aircraft.
The haunting refrain of Vera Lynn's following song—no doubt her greatest success—was a prayer for the safe return of soldiers:
The great English cities were blacked out at night so that Nazi bombers would not be able to find them. The bombs, too, must have cut off the electricity in many places. So, the image of awaiting the return of the lights is both a metaphor of peace and a reality.
I'm surprised at times to realize that, although I was a child out in the Antipodes, the events and the spirit of this harsh period appear to have marked me.
History, heritage and tourism
Last week, Natacha phoned to suggest that I might watch a TV evening on Corsica. Although she has always lived in her native Provence, Natacha is linked to this unique island through her maternal ancestors, and she has often looked for superlatives to tell me about the magnificent landscape and the spirit of Corsica.
"All they're ever asking of visitors, " explained Natacha, "is to respect scrupulously the Corsican people and their culture."
That sounded fair enough to me. In any case, although I've never set foot in Corsica, and have no current plans to go there as a tourist, I decided to drop in on the TV evening about the place that is often designated as "the island of beauty". Well, I ended up watching in amazement a splendid documentary (I said already, in my previous post, that French TV can be incredibly good) that obliged me to reflect upon the bundle of themes summed up in my title: history, heritage and tourism. And the outcome of my reflections was both novel (for me, that is) and positive.
To my mind, these three concepts are different but closely linked:
— In general, history should interest and concern anybody who agrees with the Spanish-American philosopher George Santayana in The Life of Reason: "Those who cannot remember the past are condemned to repeat it." I realize, of course, that many people are totally uninterested in history. They would never go out of their way to visit a place solely because of its links with the past, nor would they lift a little finger to contribute to the conservation of historical edifices, artifacts and archives. They do not seek to understand, let alone appreciate, the past. In fact, they want to have nothing to do with it.
— What we refer to as heritage might be thought of as the particular subset of history that has unfolded, as it were, in your back yard. Not necessarily your geographical backyard (so-called local history), nor even your biological backyard (genealogy), but at least a backyard that you've personally "adopted", in the spirit of a foster parent who has decided to take care of, and bring up, a child.
— Finally, as far as tourism is concerned, most often it lies outside the domains of history and heritage. People don't visit Disneyland or Las Vegas, nor even the French Riviera, for reasons linked to history or heritage. But countless serious tourists (I prefer to refer to them by means of a lovely old-fashioned term: pilgrims) visit various precious spots on the planet in a quest for vestiges of past events, past constructions, past societies, past individuals...
The TV documentary that Natacha advised me to watch was entitled Gardiens des trésors de Corse (Guardians of the treasures of Corsica), and it concerned the guardianship of three different kinds of Corsican treasures: exotic specimens in the marine sanctuary of the Lavezzi Isles, ecclesiastic architecture and, last but not least, Corsican haute cuisine.
In the first domain, the guardian is, to a large extent, a maritime policeman, constantly on the lookout for tourists whose incursions into the protected site might harm the precious fauna and flora. In the third domain, cooking, I was struck above all by a variety of Corsican beef cattle with striped tiger-hued hides, which devour the foliage of wild olive trees. Apparently, the meat is pure nectar, but the proud grazier refuses to sell his beasts to mainland butchers unless they drop in personally at his property. Then there's a variety of fat little black pigs, who run around freely on the slopes. Transformed into smoked hams, their creamy fat is said to be even more succulent than the red meat. As I write, my mouth waters...
The part of the documentary that most impressed me concerned the restoration of ancient churches in the Castagniccia (chestnut) region, south-west of Bastia. This work is supervised and financed to a large extent by the republican authorities in charge of old buildings. But the profound sense of the word "heritage" is made manifest by the involvement of the local people, whose attitudes towards the restoration projects are expressed superbly in the documentary.
Many of these rural Corsicans are religious in an old-fashioned Mediterranean fashion, which involves the adoration of statues, the kissing of painted icons, and colorful processions through village streets. Needless to say, this kind of fervor leaves me cold personally, because I wasn't brought up in that kind of atmosphere and, even if I had been, I would have surely abandoned such practices as soon as I grew up. But the marvelous aspect of this relationship between the Corsican folk, their religious traditions and their ecclesiastic heritage is the fact that, in their minds, all this is strictly "for real". They're not putting on a show for tourists. They probably don't give a damn about outsiders, leaving that for hotel-keepers and restaurant-owners. And we hear constantly about the ways in which the local folk often react to new settlers from the mainland. To my mind, that's the right of these native Corsicans: their birthright. To a lesser extent, I've encountered the same kind of reactions since settling down here at Choranche.
Corsicans look upon the history and the heritage of their island and their culture as if they were taking care of a dearly-loved child, protecting him from harm and teaching him to grow up in the best imaginable circumstances. Admittedly, it's easier to appreciate history and heritage when your native cocoon happens to be a green island in the Mediterranean, rather than a sad wasteland. The TV documentary made it clear that there is much natural beauty in Corsica, but countless generations of Corsicans have no doubt enhanced that beauty through their works. Today, they are justly proud of their past. They have nothing to prove to anybody, no excuses to make, no lessons to receive. In a nutshell, they're authentic.
"All they're ever asking of visitors, " explained Natacha, "is to respect scrupulously the Corsican people and their culture."
That sounded fair enough to me. In any case, although I've never set foot in Corsica, and have no current plans to go there as a tourist, I decided to drop in on the TV evening about the place that is often designated as "the island of beauty". Well, I ended up watching in amazement a splendid documentary (I said already, in my previous post, that French TV can be incredibly good) that obliged me to reflect upon the bundle of themes summed up in my title: history, heritage and tourism. And the outcome of my reflections was both novel (for me, that is) and positive.
To my mind, these three concepts are different but closely linked:
— In general, history should interest and concern anybody who agrees with the Spanish-American philosopher George Santayana in The Life of Reason: "Those who cannot remember the past are condemned to repeat it." I realize, of course, that many people are totally uninterested in history. They would never go out of their way to visit a place solely because of its links with the past, nor would they lift a little finger to contribute to the conservation of historical edifices, artifacts and archives. They do not seek to understand, let alone appreciate, the past. In fact, they want to have nothing to do with it.
— What we refer to as heritage might be thought of as the particular subset of history that has unfolded, as it were, in your back yard. Not necessarily your geographical backyard (so-called local history), nor even your biological backyard (genealogy), but at least a backyard that you've personally "adopted", in the spirit of a foster parent who has decided to take care of, and bring up, a child.
— Finally, as far as tourism is concerned, most often it lies outside the domains of history and heritage. People don't visit Disneyland or Las Vegas, nor even the French Riviera, for reasons linked to history or heritage. But countless serious tourists (I prefer to refer to them by means of a lovely old-fashioned term: pilgrims) visit various precious spots on the planet in a quest for vestiges of past events, past constructions, past societies, past individuals...
The TV documentary that Natacha advised me to watch was entitled Gardiens des trésors de Corse (Guardians of the treasures of Corsica), and it concerned the guardianship of three different kinds of Corsican treasures: exotic specimens in the marine sanctuary of the Lavezzi Isles, ecclesiastic architecture and, last but not least, Corsican haute cuisine.
In the first domain, the guardian is, to a large extent, a maritime policeman, constantly on the lookout for tourists whose incursions into the protected site might harm the precious fauna and flora. In the third domain, cooking, I was struck above all by a variety of Corsican beef cattle with striped tiger-hued hides, which devour the foliage of wild olive trees. Apparently, the meat is pure nectar, but the proud grazier refuses to sell his beasts to mainland butchers unless they drop in personally at his property. Then there's a variety of fat little black pigs, who run around freely on the slopes. Transformed into smoked hams, their creamy fat is said to be even more succulent than the red meat. As I write, my mouth waters...
The part of the documentary that most impressed me concerned the restoration of ancient churches in the Castagniccia (chestnut) region, south-west of Bastia. This work is supervised and financed to a large extent by the republican authorities in charge of old buildings. But the profound sense of the word "heritage" is made manifest by the involvement of the local people, whose attitudes towards the restoration projects are expressed superbly in the documentary.
Many of these rural Corsicans are religious in an old-fashioned Mediterranean fashion, which involves the adoration of statues, the kissing of painted icons, and colorful processions through village streets. Needless to say, this kind of fervor leaves me cold personally, because I wasn't brought up in that kind of atmosphere and, even if I had been, I would have surely abandoned such practices as soon as I grew up. But the marvelous aspect of this relationship between the Corsican folk, their religious traditions and their ecclesiastic heritage is the fact that, in their minds, all this is strictly "for real". They're not putting on a show for tourists. They probably don't give a damn about outsiders, leaving that for hotel-keepers and restaurant-owners. And we hear constantly about the ways in which the local folk often react to new settlers from the mainland. To my mind, that's the right of these native Corsicans: their birthright. To a lesser extent, I've encountered the same kind of reactions since settling down here at Choranche.
Corsicans look upon the history and the heritage of their island and their culture as if they were taking care of a dearly-loved child, protecting him from harm and teaching him to grow up in the best imaginable circumstances. Admittedly, it's easier to appreciate history and heritage when your native cocoon happens to be a green island in the Mediterranean, rather than a sad wasteland. The TV documentary made it clear that there is much natural beauty in Corsica, but countless generations of Corsicans have no doubt enhanced that beauty through their works. Today, they are justly proud of their past. They have nothing to prove to anybody, no excuses to make, no lessons to receive. In a nutshell, they're authentic.
Labels:
French heritage,
French landscape,
French society
Monday, February 23, 2009
Speechless
I've often expressed the opinion that French TV can, at times, be incredibly good: a powerful medium in the hands of exceptionally talented creators with humanistic ideals. Admittedly, it's not like that all the time. You can find shit on French TV... but the ratio of good stuff to bad stuff is vastly superior in France to what I've seen elsewhere.
Last Friday evening, I watched a documentary by a French journalist, Daniel Grandclément, on the plight of children in Koranic "schools" in a village of Senegal named M'bour.
The documentary was so powerful, and some of the images were so terrifying, that I was left speechless... and I remain literally in that state. I simply don't know how to react in the face of those ugly images of young undernourished kids wincing in pain when they were whipped on the bare back and frail shoulders by a cruel adult guardian who uses this pedagogical method to inform the victim that he has made a mistake in his recitation of the Koran.
The children's misery is accentuated by the fact that they are poorly fed, dirty and dressed in rags, and they clearly don't get enough sleep.
The documentary certainly presented clearly the frightening conditions in which these poor kids are surviving. Maybe powerful TV messages of this kind can give rise to miracles. In any case, nothing short of a miracle could righten the terrible wrongs of M'bour, and attenuate the children's suffering.
Last Friday evening, I watched a documentary by a French journalist, Daniel Grandclément, on the plight of children in Koranic "schools" in a village of Senegal named M'bour.
The documentary was so powerful, and some of the images were so terrifying, that I was left speechless... and I remain literally in that state. I simply don't know how to react in the face of those ugly images of young undernourished kids wincing in pain when they were whipped on the bare back and frail shoulders by a cruel adult guardian who uses this pedagogical method to inform the victim that he has made a mistake in his recitation of the Koran.
The children's misery is accentuated by the fact that they are poorly fed, dirty and dressed in rags, and they clearly don't get enough sleep.
The documentary certainly presented clearly the frightening conditions in which these poor kids are surviving. Maybe powerful TV messages of this kind can give rise to miracles. In any case, nothing short of a miracle could righten the terrible wrongs of M'bour, and attenuate the children's suffering.
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