[If you're interested in following up the origins of the curious terms Behemoth and Leviathan, evoking chimeric Biblical creatures, click the painting by William Blake to access the Wikipedia article on this subject. I hasten to add that, like Bigfoot, these archaic animals are not described in The Ancestor's Tale by Richard Dawkins.]One of the basic challenges in the quest for happiness as a computer user consists of finding the ideal software tools for the kind of work that concerns you. These days, in many everyday computing domains, the competing products are much of a muchness. For example, I've got into the habit of using the Firefox browser rather than Apple's much lauded Safari, but I wouldn't attempt to justify my choice objectively. Once upon a time, I used to think that nothing could be better than the Eudora application for email, whereas I now find that Apple's Mail tool suits me fine. Obviously, this "much of a muchness" aspect breaks down if you're reckless enough to start comparing Ferraris with aging pickup trucks. The differences between, say, the latest Mac OS and a veteran Windows system, or even a Linux thing tied together with bits of string and wire, are not purely a matter of taste and familiarity. There are objective tests for determining whether or not one solution is better (more efficient in a friendly way) than another. Above all, the "much of a muchness" judgment is no longer pertinent when Internet users are obliged to devote money and energy to protecting themselves constantly from spam and viruses, or wondering whether such-and-such a service provider is indeed delivering their emails.
The reason I'm rambling on about such things is that I wish to say a few words about one of the time-honored tools of personal computing: word processors.
Over the years, I've used many different kinds of word processors, including one that I built myself, named Irma (Intelligent Rewriting Tool for Authors), with which I produced the conference proceedings, published in 1980, entitled Videotex in Europe. For me, the most exotic wood processing software of all was surely the LaTeX system, implemented on the Macintosh as a tool named Textures. On a high-resolution laser printer, it produces truly beautiful output, like a finely-printed Bible, but it's diabolically complex. About half the author's energy and imagination are used up in determining what the printed output should look like, and only the other half in what it might contain in the way of words. That's to say, it's an esthete's toy for would-be printers. As for Microsoft Word, described in typical French invective as a "gas factory", I've always hated it. I'm convinced that it would have never become widespread were it not for the early business strategy of encouraging (or at least not discouraging) its unpaid acquisition... like distributing free cigarettes and alcohol to teenagers. One of my favorite word processors, up until it went out of existence on the Macintosh, was FrameMaker, which was a truly friendly and well-documented tool for authors. To replace it, I tried my hand at InDesign, but I've never succeeded in mastering it intuitively. Even such an elementary task as inserting half a page of text into a chapter, and moving an illustration, seem to be unnecessarily complicated, particularly when you're not using the tool on a daily basis.So, why am I happy today? Well, I've just decided to drop InDesign for my genealogical documents and get back to Apple's nice Pages tool, which is amazingly simple to use.
It might sound trite to say so, but I'm convinced that an author who's well-equipped with friendly word processing resources (including on-line access to good dictionaries) finds it so much easier to be inspired, find ideas, and express them optimally.































