Monday, June 25, 2012

Behind the masks

Over the last few years, this grinning mask has attained planetary notoriety as a symbol of political protest:

Anonymous at Scientology, Los Angeles (2008) — Vincent Diamante

This iconic disguise has been adopted by members of the Anonymous group of hacktivists, but they were not the inventors of the mask, which had been a key visual element in the 2005 movie V for Vendetta by James McTeigue.


Today, it has become one of the most famous masks of all time, on a par with theater masks of Ancient Greece:


Or the carnival masks of Venice:


The historical personage depicted in the mask is supposed to be the English Catholic would-be terrorist Guy Fawkes [1570-1606].


In the early hours of 5 November 1605, Guy Fawkes and a small group of conspirators, opposed to the Protestant monarch James I, made a foiled attempt to blow up the English Parliament with barrels of gunpowder. We might say that the veritable creator of the iconic mask was the anonymous 17th-century Dutch artist who dashed off this famous drawing of the group of conspirators.


Did the Dutchman actually see any members of the group before drawing their portrait? Probably not, but that's neither here nor there, for the artist had a knack for drawing convincing conspirators: the proof being that his iconic "conspiracy look" is still making front-page news some four-and-a-half centuries later.

The eight conspirators who were captured alive were subjected to some very nasty treatment, to say the least. It started with sessions of torture in the Tower of London. Then they were rapidly tried and condemned. The following drawing shows the so-called hurdles of wattle branches on which the condemned men were finally strapped and drawn by horses to the gallows at Westminster.


One of the executed conspirators (not shown, curiously, in the group portrait) was a Leicestershire knight, Sir Everard Digby [1578-1606]. He was in fact the only one of the conspirators who pleaded guilty. He also had the dubious honor of being hanged for a short period of time. Consequently, when they cut him down, he was still perfectly conscious... and therefore capable of observing in agony the ensuing operations of castration and disembowelment.

Digby (issued from a long line of distinguished males, most of whom were named Everard) came from the village of Tilton, just a few kilometers to the north of our ancestral village of Skeffington. Here's a recent photo of the parish church of Tilton-on-the-Hill (as it is now known) and the old school-house (made from the same stone):


Our ancestor Sir William Skeffington [1460-1535] was married in that church in 1492. And his 20-year-old bride was a village girl, Margaret Digby, daughter of an Everard Digby... who was a predecessor of the Everard Digby involved (over a century later) in the Gunpowder Plot. William, a Catholic—known familiarly as "the Gunner" because of his military predilection for heavy artillery—had seven offspring with Margaret. Then, when she died, William seems to have concluded that Digby women were a good affair, for he married Margaret's cousin Anne Digby, and had another five offspring.

Getting back to the famous mask, I have the impression that no authentic images of Guy Fawkes have survived. On the other hand, we do have an authentic portrait of at least one of the condemned conspirators: Everard Digby.


It's quite possible that this Digby portrait was the only visual document that could be accessed by the anonymous Dutch artist who created the group drawing of the conspirators. I have the impression that Digby's facial features and his vaguely cynical expression are not unlike those of Guy Fawkes in the group drawing. If it were the case that the Digby portrait inspired the Dutch artist, then that would mean that all those modern V for Vendetta masks might be thought of as joyful mementos of a curious Catholic from the tiny Leicestshire village of Tilton who was knighted by King James I on 24 April 1603, and then tried to blow up that same monarch just two and a half years later.

What would Sir William Skeffington "the Gunner" have thought of the behavior of this Digby descendant? We shall never know, of course, because these two Leicestershire knights were separated in time by a century. But I have my own idea on that question.
Remember, remember the 5th of November:
Gunpowder, treason and plot.
I see no reason that gunpowder treason
Should ever be forgot.

Saturday, June 23, 2012

Elusive Turing

Today is the centenary of the birth of Alan Turing [1912-1954]. He is represented in Manchester by this park-bench sculpture, which includes the cyanide-laced apple that killed the genius.


Google has celebrated the centenary by creating an ingenious doodle representing a Turing machine, but it takes some time and effort to figure out what it's supposed to do.


In my earlier blog post entitled Turing that unknown [display], I suggested that it's not easy to grasp what exactly Turing achieved. Fortunately, the US computer-science author Charles Petzold has offered us an excellent book, The Annotated Turing, which explains precisely the achievements of Turing.


While it's true that Turing's contribution to the British war effort at Bletchley Park was invaluable, his achievements in code-breaking were not the reason why we consider Turing today as the patriarch of computing. Likewise, while we appreciate Turing's suggestion about considering convincing man/machine conversations as a criterion for so-called artificial intelligence, this too was not really an all-important factor in Turing's claim to fame. So, why is Turing so greatly admired by computer scientists?

Well, his invention of the abstract concept of a so-called Turing machine (like the one in the Google doodle) threw light upon the limitations of algorithmic devices such as computers. More precisely, to use a horrible German term, Turing demonstrated that the Entscheidungsproblem cannot be solved. And what is this exotic beast? You might call it the "mission accomplished" problem. Like George W Bush with his war games, computers will remain forever incapable of determining beforehand whether or not a certain computing challenge can indeed be handled successfully. Turing taught us that the only way of knowing whether or not a computer can handle such-and-such a complex challenge is to set the machine into action and see whether or not it soon halts with a solution.

You might say that Turing proved that the proof of the computer pudding is in the computing.

Wednesday, June 20, 2012

Save Julian

As a fifth-generation Australian, whose ancestors were English or Irish, I'm disgusted to realize that our compatriot Julian Assange has been obliged, following an "Australian declaration of abandonment", to seek political asylum at the embassy of Ecuador in London.


Meanwhile, Australian authorities dare to evoke retrospectively the question of "the possibility of cancelling Mr Assange's passport'', as if a modern nation might have the option of deciding to blacklist one of her citizens and chase him into exile. Shame upon Australia!

The inspirational origins of our international English-speaking community—indeed a former empire and civilization—were largely Judeo-Christian. And one of our symbolic personages was the Wandering Jew, cursed and outcast forever.

                                   — Samuel Hirszenberg (1865-1908)

Alone, torn from his roots, Julian Assange awaits his destiny in a dull ambassadorial building in London, where the otherwise kind people don't speak the same language that kids like Julian and me used to speak Down Under. His isolation is a shame upon Australia.


In France, not so long ago, there was a great man, like Julian, named Emile Zola [1840-1902].

If you shut up truth and bury it underground, it will but grow and gather to itself such explosive power that, the day it bursts through, it will blow up everything in its way.

Monday, June 11, 2012

Dogs in God's city

Dogs, in the context of conventional religions, have often had a hard time. An antiquated version of Revelations, on the very last page of my ugly King James Bible, states:
I am Alpha and Omega, the beginning and the end, the first and the last.
Blessed are they that do his commandments, that they may have right to the tree of life, and may enter in through the gates into the city.
For without are dogs, and sorcerers, and whoremongers, and murderers, and idolaters, and whosoever loveth and maketh a lie.
So, in a heavenly context, dogs would be "without" (along with perverts, sorcerers, fornicators, murderers and idolaters)... just like the body of Jesus with respect to his tomb in Jerusalem. [One of my favorite jokes. A pious lady visiting the ornate tomb of the Holy Sepulcher asks her guide, a priest: "Is there anyone inside?" Priest: "Lady, if He's in, then I'm out."]

All this Biblical stuff is most smelly dogshit.

I remain astonished—as I said in my blog post entitled Is the Bible good English literature? [display]—that a great evolutionary zoologist such as Richard Dawkins might seriously appreciate the alleged literary qualities of this kind of antiquated twaddle.

Within Buddhism, of course, the situation for dogs is not much better. If I understand correctly, Buddhists place dogs at the extreme lower end of the spiritual scale (or whatever it might be called). I evoked this horrifying canine disparagement in my blog post entitled Tea for two expats [display].

In God's Own City, Jerusalem, the authorities are fed up with those nice droppings of angels, commonly referred to as dog shit. And they plan to use a genetics database to identify culprits.

Translation: "If you didn't clean it up, then it's you who left the shit."

This means that all dogs in Jerusalem will be required to supply their DNA specifications (a fine idea in the perspective of future yet-undefined biological research). Then a squad of turd inspectors (employment conditions and salaries not yet specified) will spend their working days gathering biological data on the Holy City's latest dog shit. And dog-owners will be fined whenever their animals are found to have defecated on the municipal territory.

I laugh out loud at the image of Israeli turd inspectors sticking their noses inadvertently and unknowingly into UFOs [unidentified fallen objects] such as non-canine excrement (including human shit). Within the category of possible turds, we have no theological right to exclude the possibility of authentic angels' poo (bearing small white wings), or even (God be blessed!) a tiny turd or two from the good old Holy Ghost himself. All these possibilities are based, of course, upon the predictions of high-quality Byzantine science.

Raw fish

Supermarkets of the French Intermarché group have a good reputation for their fish, based upon the fact that their Scapêche subsidiary operates a fleet of 17 fishing boats, employing 220 officers and sailors. Their website [here] describes the vessels, their activities and their ecological fishing principles. Most of the fleet is composed of trawlers: 5 small boats and 8 deep-sea trawlers based in the Breton port of Lorient. Two dragnet vessels harvest fish such as sardines, and they also operate a crab boat. The flower of their fleet is a vessel for longline fishing, the Ile de la Réunion, which operates in Antarctic oceans in the vicinity of the Kerguelen and Crozet islands.


Thanks to the activities of this Intermarché fleet, we can purchase all kinds of excellent fish products in the local stores. At the Intermarché store in St-Jean-en-Royans, the friendly woman in charge of their fish counter knows that I'm an aficionado of fresh fish that can be eaten raw, in the Japanese sushi fashion. Here's a dish of espadon (swordfish) that I prepared yesterday.


The green stuff is ultra-hot wasabi paste, and the rice is sprinkled with sesame seeds and Kikkoman soy sauce. Purists will be shocked to learn that I've put a dab of Indian lime chutney on top of the rice.

The Scapêche fleet also provides us with red tuna (not exactly cheap), which is surely the king of sushi-style products.

Friday, June 8, 2012

Patron saint of French Socialists

Next Sunday, as we wander out of our village churches after the Mass (while shaking hands with Monsieur le curé and expressing admiration for the excellence of his sermon) and stroll to the polling booths for the first round of the parliamentary elections, we Socialists must not fail to remember that our party now has a patron saint.


The feast day of Saint Nafissatou is the 14th May. A legendary tale reveals that, on that day in the year 2011, in a humble inn in the village of Manhattan, the Holy Ghost alighted upon our heroine in the bodily form of Dominique Strauss-Kahn, clad in less than the bare necessities. Were it not for all the shit that followed, we French Socialists would have pleaded with Dominique to be our leader.


History will surely confirm that Strauss-Kahn would have accepted our pleas of allegiance. We would have gone into presidential battle behind Dominique's banner. And it's not unlikely that Christians among us would have evoked the celebrated words of the Singing Nun, the tragic Belgian Jeanine Deckers [1933-1985 suicide with her female lover]... without worrying too much about the fact that the French verb niquer means "to screw" (in the sense that an internationally-renowned master of economics might like to screw prostitutes).


Were it not for Saint Nafi (her familiar name among friends), we would have gone into the recent presidential elections as innocent lambs, not knowing that the malefic forces of Sarko had more than enough data on hand to screw our hero and ourselves. And the whole nasty affair would have blown up in the middle of the electoral activities.

Thursday, May 31, 2012

Albertine in bloom

During the night after Sophia left us, the Albertine came out in bloom.

[Click to enlarge]

That will be an annual reminder of Sophia's departure for the stars.


Also, yesterday happened to the birthday of both my son François and my Choranche neighbor Serge.

Tuesday, May 29, 2012

Lady Sophia has left us

b 25 July 1998 Beauvoir-en-Royans
d 29 May 2012 St-Jean-en-Royans

During the final weeks and days, I appreciated greatly the wise and kind words of many friends.

Christine, Emmanuelle and François have learned, through the bitter death of Gamone (Sophia's daughter), that the loss of a dog is the disappearance of a precious piece of the Cosmos.

— I thank my Provençal friends Natacha and Alain, who knew Sophia so well, particularly when she accompanied their aging Geoffroy.

Annie, in Australia, has comforted me constantly in the domain of dog drama, just as she has applauded regularly in the domains of dog marvels. I don't know Annie personally, but she sounds like the sort of intelligent and sensitive Australian lady whom I would love to meet.

— My Swedish friends Eric and Marita have sent me marvelous Scandinavian blessings, full of canine understanding and sympathy.

— My Choranche neighbors Madeleine, Tineke and Serge were special friends of Sophia, and they often commented upon her sleek elegance over the last few months. (A few years ago, Sophia tended to put on weight, and I put her on a special diet.)

— My veterinarian (who euthanized Sophia this afternoon at 3 pm) is as cold as ice... but that's fine, indeed necessary. Behind his cool calm, he has a tender heart of gold, and he knows how to console a grief-stricken dog-owner such as me.

— Conversations with my childhood mates Bruce Hudson and Ron Willard have eased my grief.

On the final trip from Gamone to St-Jean-en-Royans, I talked non-stop to Sophia... who may or may not have heard me. (I like to believe that she was lapping up every word.) My declarations were totally unplanned and spontaneous. I even found myself apologizing to Sophia for having suppressed some of her progeny back at the time of the birth of Christine's dog Gamone.

For Sophia, there have always been two magic phrases: "Tu veux manger ?" (Want to eat?) and "Tu veux te promener ?" (Want to go for a walk?). This afternoon, on our journey to the end of the road at the veterinarian's clinic, I repeated ceaselessly to Sophia:

"This evening, Sophia, you're going to walk with the stars."

That's where she is now.

Saturday, May 26, 2012

France, one point

Let me get this out of my system right away, so that I'll feel less guilty this evening. I intend to watch the Eurovision song contest... for as long as I can, courageously, at the risk of getting nauseated. OK, now that I've made my EVCO (Eurovision Coming Out), I feel much better, and I think I can even put forward a few reasons why I intend to watch this kitsch stuff.

First, for anybody with tired neurons (like me, with all the anguish brought about by the ongoing critical state of my dear Sophia), watching the Eurovision song contest is a tremendously relaxing way to spend an evening. Not only are you not obliged to think; you're actually encouraged not to think about anything you see or hear, because it's all happening in a make-believe place called EuroFairyland, and the whole thing has almost nothing to do with the talents of the performers or the musical qualities of their songs.

Second, as a typical French chauvinist, I want to see and hear the stunning creature Anggun, representing the French Republic.


Third, I'm curious about the colorful group of Russian oldies. I'm convinced that, at the end of their performance, they're no doubt capable of disappearing into one another in the style of wooden dolls.


Fourth, for the first time in my life (and maybe the last), I wish to see and sit through a performance by the British gentleman named Engelbert Humperdinck. I've disregarded him impolitely for so long that I must give him all my attention this evening.


Fifth, there are those Irish Jedward twins, who look like they've just stepped out of a pop remake of Star Wars. After all the years I've been devoting to the research of my Irish ancestry (which might well be less ubiquitous than I had once imagined), I owe it to Erin to be brave, and bear stoically the spectacle of these prancing plastic lads.


Finally, above all, we're all aware that Azerbaijan is a nasty dictatorship. And it's unwise, indeed dangerous, to simply disregard dictators. Hopefully, sooner or later, that silly old-fashioned stuff named democracy must end up prevailing in Azerbaijan, inevitably. So, watching the dictator's super-show this evening amounts to keeping an eye on him... and maybe even getting a feeling for the most effective approach towards toppling him.

Friday, May 25, 2012

Marvelous ghosts

I'm fascinated by the craftsmanship of the bright fellows who earn their living writing speeches for leading figures such as heads of state. For the last five years in France, everybody has known that, whenever Nicolas Sarkozy happened to be expressing himself in an exceptionally brilliant style in a speech, he was simply repeating words written for him by Henri Guaino, often referred to as Sarkozy's "plume" (quill).

Henri Guaino

In the case of François Hollande, his excellent speech-writer Aquilino Morelle is the son of a Spanish immigrant who worked on Citroën's assembly line at Nanterre.

 Aquilino Morelle

Once upon a time, a writer who produced words that were then attributed officially to another author or speaker was referred to as a "nègre" (Negro)... but this term, in such a context, is no longer politically correct. In English, we speak of ghostwriters.

Many years ago, just after my marriage, I worked briefly as the ghostwriter for a distinguished French industrial leader, Maurice Ponte, head of the CSF (Compagnie générale de la télégraphie sans fil), later to become Thomson–CSF. He had been called upon to deliver a speech in London, and he asked me to invent a style of English expression that was sufficiently rickety (my adjective, not his) to give his audience the impression that he had indeed written his speech. I even got around to including explicit apologies for Ponte's allegedly less-than-perfect English. Truly, in earning my living like that, I felt like a male prostitute.

Here's an interesting mental experiment. Imagine that you're a ghostwriter and that you've been hired to write a speech for the head of the Australian delegation at the forthcoming Olympic Games in London. At the last minute, the person who was supposed to deliver your carefully-written speech informs you that he has changed his mind, in that he has decided to write his own speech. At the same time, since he doesn't want you to waste your efforts, he puts you in contact with the head of the delegation from Papua New Guinea, because they are prepared to pay you for the use of your speech. Now, would this arrangement work out? Probably not, since the words you propose in the case of one nation can't normally be "put into the mouth" of another quite different nation. In the same way, a political ghostwriter couldn't simply create a brilliant speech and sell it to the highest bidder. Obviously, a ghostwriter has to choose his words in accordance with what he believes his employer would normally say.

It's a funny situation. If a ghostwriter named Fred were hired to write a speech for a great lady of politics named Julia, say, then he has to invent in his imagination, as it were, a kind of ethereal Julia, and he then has to try to think and talk in the style of this virtual creature. Finally, the words of the speech belong, neither to the real Julia, nor to the ghostwriter, but to this imaginary creature in-between. The term "ghostwriter" is therefore well chosen, because the word craftsman is indeed setting down the words of a ghost, who does not really exist.

Ghostwriting has long been recognized as quite a challenge in the ancient domain known as rhetoric, which is the art of effective or persuasive speaking or writing. And if ghostwriters were seeking a patron saint, it would surely be the Roman rhetorician Quintilian.

Marcus Fabius Quintilianus [35-100]

He referred to this branch of rhetoric by the Greek term prosopoeia, which suggests that a fictitious "face" (that of the ghost) has been created, and made to speak. Consequently, one might say that the craftsman who writes words for the ghost is practicing the art of prosopography.

Now, let us jump into a domain that doesn't appear, at first sight, to have much to do with the art of ghostwriting. Let us look at history. In a historical text describing the words, actions and presence of a long-dead individual, who exactly is expressing himself? Is it the historical personage, or is it rather the living historian? In fact, it is neither... but rather a ghost that appears between them, between the inferred events of the past, and the present-day discourse that is supposed to describe those events. In other words, the historian is practicing a creative art that is not all that far removed from ghostwriting.

Over the last couple of decades, an entirely new branch of so-called prosopographical history has come into existence in the great English universities of Oxford and Cambridge. Instead of pretending to explain what happened in the past, the prosopographical historian collects every imaginable item of data concerning the past events with which he is concerned, and organizes them in the form of a vast structured database, enabling modern researchers to stick their inquisitive noses into the piles of data—as it were—and make up their own minds about what might or might not have been the case. In other words, it is the database that becomes the ghost, and modern researchers can listen to fragments of the discourse of this ghost in any way they please.

Concerning the history of families named Skeffington (or something of the kind), it is quite possible that a prosopographic approach would be ideal. We dispose of quite a lot of fragments of data concerning events and individuals that appeared on the scene in the wake of the Norman Conquest, then through the Tudor period and beyond, right up to my personal ancestors in Dorset. But the earlier individuals remain ghosts, and we must respect them as such. The most mysterious ghost of all is of course the original patriarch who called himself Skeffington.

Recently, I got led away into imagining, for a moment, that this patriarch might have been a member of the de Verdun family, but that idea is almost certainly false, for the simple reason that people named de Verdun and Skeffington coexisted in parallel for ages.

There is another possible explanation of the identity of the Skeffington patriarch that should not be ignored. Most often, we talk as if the Normans simply killed or chased away all the Saxons and took over their settlements and lands. And that is how Normans came to settle in Sceaftinga tûn: the place of Sceaft. But is it thinkable that the Normans might have spared Sceaft and his people, and allowed them to carry on living in Leicestershire? If that were the case, then my earliest ancestors would indeed have been Saxons, not Normans.

In that spirit, let us listen for a moment to the voices of the Saxon ghosts. That is not difficult, thanks to the excellent database of prosopographic historians from King's College London, the Arts and Humanities Research Council, the Centre for Computing in the Humanities and the University of Cambridge. Click here.


 If anybody could get the ghost of Sceaft's place to say a few words, then it's surely this prestigious group of experts. When I browsed through their long list of Saxon personalities, looking for my possible patriarch Sceaft, I was in for a huge surprise. He's quite possibly there, but as Sceaf, without the final "t". That doesn't worry me. What's a missing "t" between me and a Saxon ghost! In fact, the database offers me two choices. One is relatively realistic. This Sceaf would have been the father of Cerdic and an ancestor of Æthelwulf. Fair enough. But I prefer by far the other choice in this fabulous database.


Wow, a Saxon Sceaf who was "born in the Ark; father of Beadwig and son of Noah". I'm convinced that's him, the Saxon patriarch I've been searching for!


Prosopography is truly a great approach to digging up possible facts about the past. Back in Grafton, when I was a child, there were many disastrous floods. Ah, if only I had been able to boast at the time to my schoolmates that maybe my most ancient ancestor was born in the Ark... and a son of Noah!

Virtual pilgrimage to my patriarchal village

As I've often said already in this blog, I refer to Skeffington in Leicestershire as my patriarchal village because we have every reason to believe that the earliest male ancestor of our families (who have written their surnames as Skeffington, Skevington, Skevyngton, Skivington, Skyvington, etc) came from that place, shortly after the Norman Conquest of 1066.

I've never set foot in Skeffington. So, this morning, I decided to set out on a virtual pilgrimage to this village. These days, pilgrims no longer need to wear their boots out walking. During their pilgrimages, they don't even need to leave home. In other words, I used Google Maps. I left the city of Leicester at a leisurely pace (from an Internet viewpoint) and set out in an easterly direction along Uppingham Road. The following sign soon informed me that my destination was three-quarters of a mile in front of me.

[Click to enlarge]

Coming upon the following messy set of redundant warnings, I started to wonder whether I was about to meet up with a busy urban environment, with dense traffic all over the place.


In fact, the Skeffington turnoff was so quiet that, at first, I carried on straight past it.


When I backed up to the tidy intersection, I noticed a small sign indicating the direction of Skeffington village.


A little further on, I turned right and soon came upon Skeffington's ancient church, dedicated to Thomas Becket.


In fact, the village is surprisingly small... and it appears to contain neither shops, pubs nor businesses.

Most of the historical data about Skeffington and the Skeffingtons comes from an old book by John Nichols. For years, I've been using a poor-quality photocopy of the 25 Skeffington pages in this book, which I've never been able to find on the Internet. A few days ago, I sent off an e-mail to a distinguished Leicestershire archaeologist asking where I might obtain a good copy of the Nichols pages. Well, this friendly man, named Richard Buckley, reacted by sending me spontaneously an immaculate PDF file of the precious pages. I'm always impressed when I discover that it's possible for a simple researcher such as me to communicate meaningfully with a distinguished scholar such as Richard Buckley.

Yesterday, still on the theme of the village of Skeffington and its inhabitants named Skeffington, I received a copy of another precious book on Leicestershire, published in 1926:


I've already scanned J B Firth's dozen or so pages on Skeffington, and I shall soon make them available through my Skeffington website.

Thursday, May 24, 2012

Jungle excursion

On the slopes just above my house, the gully where Gamone Creek flows (when there's rain) is, at present, a dark and humid jungle. And that's where Sophia has always gone to do her business. Yesterday morning, I took this photo of her as she was emerging.

[Click to enlarge]

Fitzroy joined me, and we waited for Sophia to wander back up onto the road.


Instead of that, Sophia suddenly decided to stroll resolutely into the depths of the jungle, into a zone that is too steep for me to explore. It was only an hour or so later that she reemerged calmly, down at the corner where the road crosses over the creek. You can imagine that, during that hour, I had visions of my dog having wandered off into oblivion, to a place that I would never locate, meaning that I would never find traces of her. Worse than there, Gamone Creek was running violently in a series of cascades, and I feared that Sophia could get drowned. When she suddenly reappeared, and I led her back up to the house, I was like a disciple on the road to Emmaus.

I rewarded Sophia by subjecting her to a warm bath and a shampoo, to get rid of the muck that has been accumulating on her fur since she entered her disturbing state of food aversion... which continues, unfortunately. All I can say for the moment (as I know that many friends are concerned by her condition) is that Sophia spends most of her time sleeping on the warm kitchen floor, and that she does not appear to be unduly distressed. But she's living dangerously...

Garden flowers are back

I'm pleased to discover that I haven't lost a single rose or peony plant since I planted them in 2009. This year, the Gay Paree is splendid, and doesn't appear to be bothered by its position alongside a giant rose bush and a clump of lavender (neither of which are flowering yet).


The Princess Margaret is thriving, but its huge flowers are weighted down by all the recent wetness. (Please disregard all the vegetation in the aisles between the plots, which I haven't had an opportunity of removing.)


On the opposite side of my garden, the Manou Meilland is a rose reflection of the peonies.


But the most glorious flower of all, at this time of the season, is the Don Quichotte, whose aroma is intense.


A month or so ago, in a quite heavy-handed manner, I cut away all the climbing rose branches protruding from the top of the pergola. Today, they've all sprouted even more abundantly.


It's a bit like a scruffy-haired boy whose mother needs to send him to the barber. Notice, on the left, the first small red blossoms of Albertine, whose stalks are also reddish.

Tuesday, May 22, 2012

Amazing American shit

It's nice and reassuring for an Antipodean European such as me to realize that we can look in on US weirdies as if we were visiting a sociological zoo, housing endangered species, without being expected to feed any of the inmates, let alone call upon funds to nourish them. Here's video testimony concerning an excellent specimen in the crazy American zoo, the pastor Charles Worseley, who considers that gays and lesbians should be herded together into a camp and left to die off.


Nice nasty stuff, to say the least...

Is the Bible good English literature?

I'm surprised — amused, not irritated—to find Richard Dawkins arguing in favor of the idea that the King James Bible is "a great work of literature", deserving a place in the libraries of UK state schools.


We get a better grasp of Dawkins's motivations (likes and dislikes) through his comments concerning the famous words of Ecclesiastes 1:2 evoking the absurd emptiness and fleeting futility of our human existence: "Vanity of vanities, saith the Preacher, all is vanity." Countless members of my generation in the English-speaking world have been struck by those Biblical words—now replaced, in modern translations, by more down-to-earth terms—but it's not at all certain that we've all understood what the speaker was really saying. In any case, this sentence cannot be looked upon as a sample of fine expression, neither in modern English nor even in old-fashioned words.

First, the all-important word "vanity" means little more these days than excessive and foolish pride in oneself. Admittedly, the expression "in vain" starts to hint at what the unidentifiable speaker (named Qoheleth in Ecclesiastes and, incidentally, not at all a "preacher" in the modern sense of this word) was saying: namely, that our existence is vaporous, a brief gust of wind. Indeed, the Hebrew term הֲבֵל (havel) signifies "a breath". It is not by mere coincidence that this same word appears in Genesis as the name of the first human being to die: Abel, slain by his brother Cain.


The expression "vanity of vanities" is not ordinary English, but we end up understanding what the Bible seems to be saying. In Hebrew, havel havelim (literally "breath of breaths") is a superlative form that might be translated literally as "ultimate vaporousness". In other words, in the context of all that might be thought of as vaporous, Qoheleth evokes a supreme instance, like the terminal value in calculus of a function, expressed as the sum of a series of increasingly-infinitesimal elements, when the number of summations approaches infinity.

In the line of the King James Bible that Dawkins appreciates, the presence of the archaic form "saith" of the verb "to say" is hardly a sign of great English. It's rather obsolete English. Consequently, I can't help wondering whether Dawkins might not be making a donnish attempt to pull our legs when he evokes the alleged literary greatness of the King James Bible.


The explanation, I believe, is more subtle. In the '50s, for the youth named Richard Dawkins, as for me, the "Vanity of vanities, all is vanity" declaration was a kind of absurdist slogan, on a par with other attractive existentialist nonsense such as Sartre's "Hell is other people". It conveyed the charming image of frocked but befuddled archbishops (we were Anglicans) who paraded like peacocks, and tried vainly to adjust their faith to science. We liked this kind of language, because we sensed that it was dynamite, and we soon set about investigating its supposed profundity and ramifications.

In the case of Richard Dawkins, the former Anglican lad, a latter-day Qoheleth, metamorphosed into a poet of science, hit upon a fantastic new way of saying that "all is vanity", that we were struck by the fleeting breath of awareness:
The Universe could so easily have remained lifeless and simple -- just physics and chemistry, just the scattered dust of the cosmic explosion that gave birth to time and space. The fact that it did not -- the fact that life evolved out of nearly nothing, some 10 billion years after the universe evolved literally out of nothing -- is a fact so staggering that I would be mad to attempt words to do it justice. And even this is not the end of the matter. Not only did evolution happen: it eventually led to beings capable of comprehending the process, and even of comprehending the process by which they comprehend it.
                                       — The Ancestor's Tale  2005  p 613
Yes, Richard, we must honor the King James Bible. It's an indirect way of honoring your fabulous intellectual path and quest.

Now, were you really serious about promoting the presence of antiquated religious documents in UK school libraries? Or were you joking? And what about Shakespeare?