On autumn mornings like this, my son and I used to have mock-serious conversations in which we would reminisce about the precise exotic regions of faraway China that were most evoked by the misty mountains of Choranche and Châtelus.
I would air my erudition: "Choranche has always reminded me of the upper regions of Fu-Ching, in the vicinity of the great Wong."
François would beg to disagree: "No, not at all; your judgment and visual memories are flawed. The Bourne provides us with exactly the same kind of splendid vision that I recall during my extensive journeys through the Min-Yang, on horseback, in early October."
At other times, I would show the above photo to friends and ask them what they thought of this image of the Bourne in the vicinity of Gamone. Let me cease my trivial joking. It's an old photo of the Clarence River at Jackadgery, not far from where I grew up in Australia.
I rarely behave in the manner of a conscientious Chartreux monk who keeps his abode spick and span for the simple reason (so he thinks) that God is observing him non-stop. Why should I act that way? I tend to clean up the house only when I'm expecting a visit from somebody who ain't the Almighty. Otherwise, I don't bother too much about unmade beds, dusty floors and furniture, and a backlog of dirty dishes. Whenever I think about housekeeping tasks, I've inevitably got something more urgent to do. Consequently, the countdown to a forthcoming visit is always an exceptionally busy period, during which I clean up the mess.
Most of the interview with me was shot in my living room. But I talked so much about my computers and the Internet that Mohamed suggested that it would be a good idea if they were to create some footage in my upstairs bedroom. Everything worked out fine… except that I still couldn't guess the intended theme of the movie they wanted to make. At one moment, I had the impression that they wanted to create some kind of a cultural document aimed at promoting the lovely idea that, in the Vercors, we're all a bunch of jolly neighbors. Unfortunately, I had already squashed that concept by explaining at length that the Vercors is an abode of solitary "fools on the hill".
The other day, a specialist in local history dropped in at Gamone, to ask me for an article on the Royans for their journal, whose title includes a strange regional term: peuil. When I asked him the meaning of this word, he explained that a peuil is any kind of eye-catching singularity in the landscape. Since we were seated in front of my house, facing up towards the Cournouze, he pointed up in that direction and exclaimed: "There you have a perfect example of a peuil."
He was designating the curious little mound in the middle of the saddle-back crest between the Cournouze and the Barret. I've always said that its smooth tapering rounded shape reminds me of a young woman's mons pubis (pubic mound, often designated as her "mound of Venus"), particularly when it's covered in sparse early-Spring vegetation (I'm speaking of the landscape entity). I guess I must be imagining the Cournouze and the Barret as a pair of mountainous thighs. In any case, at last, I could associate that exotic and erotic tuft with a dialectical name. The personage Malte of Rilke exclaimed with joy, while reading Verlaine in the great library in Paris: "I have a poet!" As of yesterday, at Gamone, I could cry out: "I have a peuil!"
Their monastery of Val Sainte-Marie was located a dozen or so kilometers to the south of Choranche, at Bouvante in the Drôme, just beyond St-Jean-en-Royans. In 1543, they purchased a property at the Clos de Salomon (now known by two names: the Chartreux or Choranche-les-Bains), a few hundred meters away from Gamone. Their building is still standing today:
The track between le Val Sainte-Marie and their vineyards at the Clos de Salomon was known, for centuries, as the Path of the Chartreux, and it went over the Mézelier mountain pass. The following diagram indicates the general layout of this area:
In this diagram, I've only indicated the presence of the two most prominent mountains: Baret and the Cournouze. But readers must realize that most of the white area in this diagram (which is not drawn to scale) is a maze of cliffs and steep mountain slopes, with the two rivers flowing down from the right to the left. For the last century or so, a road has existed between Choranche and the region in which the Val Sainte-Marie monastery (now in ruins) was located. An observer, today, finds it difficult to understand why the monks didn't simply skirt Pont-en-Royans, to the left of the Baret, on their way to the Clos de Salomon. We are so accustomed to the modern road that we easily forget that this itinerary was unthinkable at the time of the monks. Arriving from the south, the monks would have had no problem in coaxing their mules across the Vernaison, a little further upstream from where today's road crosses that river. But, from that point, they would have found it impossible to climb up towards the Picard Bridge that leads out of Pont-en-Royans. Instead, they made their way up to the Col de Mézelier. After moving through the pass, it's quite likely that they crossed the shallow waters of the Bourne in the vicinity of the present-day Rouillard Bridge, before continuing their journey eastwards to the Clos de Salomon.
It's the center of the commune of Châtelus: a name that evokes the castellum (fortified residence) of a certain Lucius, maybe a Roman settler. The earliest surviving trace of the name of the commune was the term Castelucii in a document of the year 1100. The left-hand structure is the church of Saint Martin, which lies alongside the municipal building. Apart from that, there's little else in the village of Châtelus. The hundred or so residents of the commune are scattered over isolated properties.
The bells of Châtelus now ring out the Angelus at three moments of the day: 7.45 in the morning, noon and 7 o'clock in the evening. The chimes reach Gamone almost as clearly as if I were located in Châtelus.
In the above photo, we're looking eastwards along the road that leads through the village of Choranche and then up onto the Vercors range at Villard-de-Lans. Even the familiar silhouette of the Cournouze looks different when viewed from this spot.
The following photo, looking due south, shows the homes of my closest Châtelus neighbors, whose geographical sector is named Gérassière.
The white house belongs to the Testoud couple. Through their kitchen window, they have an excellent view of my land at Gamone. Funnily enough, from my own house, because of the slopes, I do not have a global view of my property, so I've often been grateful to Jacques and his wife, over the years, for phoning to let me know that my donkey or sheep have escaped onto the road.
For Sophia and me, even though we're only a few minutes away from the house, this new perspective on the surroundings is a little like an excursion to a faraway land.
Incidentally, I was happy to receive a newsletter yesterday informing us that a local government association has just been set up to implement a major project designed to clean up the waters of the Bourne.
Clouds normally conceal, but an autumn mist has revealed the unexpected truth. So what? For all you know, chers voyeurs, I'm turned on by big noses. I've always found the Cournouze sexy. Maybe it's her voluptuous nose that has been arousing my Alpine libido all this time. The worst thing of all would be the idea that it's a Pinocchio nose, that of a liar. Indeed, if ever I were to learn that my dear Cournouze was unfaithful, and that she loved another solitary gentleman, not me, then I would surely succumb from a rare malady named Gamone Despair. But nothing proves yet that we are at the gates of this affliction. I think the real problem was an unusual spread of morning mist over the slopes of Châtelus.
In a hugely more modest fashion, I find myself behaving similarly, using a Nikon instead of watercolors, with respect to "my" mountain, the Cournouze.
I captured this twilight image late yesterday afternoon, when a final broad shaft of sunshine from the valley of the Bourne above Pont-en-Royans was hitting the tiny white church of Châtelus and the wooded slopes to the south.
Tineke and Serge are standing alongside the painted marks delimiting the safety zone for spectators. Many of the people who turned up here, mingling with road-workers in their bright uniforms, were residents who had been evacuated by the authorities. Since it was quite cold outdoors, the mayor and councilors of Châtelus had the brilliant idea of setting up a roadside stand to serve us free drinks: cups of warm red wine flavored with cinnamon. The mounting excitement of the onlookers may have been enhanced by the wine. In any case, the atmosphere was festive. At one stage, a Belgian dentist who has recently moved into an old farmhouse in Châtelus started entertaining us with his accordion.
A red mobile crane had hoisted the heavy plastic to the top of the rock, where workers were draping it over the rock, so that houses down to the left might be protected from projections due to the blast.
The first indication that the explosion had taken place was visual. The rock was encircled by brilliant red flashes. Then everything was hidden by a gigantic cloud of yellowish smoke, and an enormous dull thud resounded throughout the so-called Circus of Choranche. A minute later, when the smoke had cleared, we were amazed to see that the rock had disappeared, the road was perfectly intact, and all the vegetation on the slopes beneath the site had been cleared by the hail of rocks, forming a twenty-meter-wide path down to the edge of the Bourne.
When I succeeded in photographing the site from a closer distance, I was intrigued to discover that the interior of the rock contained the same blue limestone found below my property, commonly referred to as Gamone bluestone.
Down at the site, everything was now calm. Except for a few big fragments and a lot of rubble, most of the rock had been disintegrated and blown clean across the road, as planned, and I had the impression that not even a single tire had been touched by the blast. But the site was ghostly, as if a great crime had just been perpetrated here.
For Tineke, in a way, this was the case. As a sensitive sculptor, from the moment she bought the property thirty years ago, she had always imagined the great rock as the fist of an outstretched arm, ready to protect her from the obscure forces of the surrounding mountains. Now the authorities had come along and blown the hand off her protector. But Serge and Tineke were thrilled to discover that the engineers had carried out their task impeccably, and that the houses adjacent to the explosion had suffered no damage whatsoever.
The rock is located several kilometers up beyond my property, and a kilometer or so to the east of the village of Choranche. There are relatively few houses in the vicinity of the rock. The pretty beige house with pale green shutters is quite close to the rock, and could be damaged by the explosion. The property of my friends Tineke Bot, the Dutch sculptor, and her husband Serge is a hundred meters further down the road. The constructions in the foreground of the above photo are in fact located at Châtelus, and separated from the rock by the Bourne. It goes without saying that all these properties will be emptied of their occupants a few hours before the explosion.
Beneath the rock, the engineers have created a huge pile of old tires, covered in gravel. Ideally, this should cushion the shock of big chunks of rock falling onto the road, and nudge them off into the valley... where hikers will be discovering, for years to come, wedged between the trees and the rocks, mysterious fragments of damaged tires. The next time the Bourne is flooded at Pont-en-Royans, residents of the cliff houses will be intrigued by the strange vision of rafts of old tires floating beneath their balconies.
My friends Michèle and Daniel Berger run a camping park in Châtelus named Chez la Mère Michon, located just below their house. I've just reinstalled an updated version of the simple website I built for them. Click on the above photo to access this website. You can then click on a Union Jack flag to display the English version.
