At the G8 summit meeting in L'Aquila, the world's leaders generally looked upwards, hoping for better days. Exceptionally, to obtain a global view of the situation, they looked downwards.
Why not? If I understand correctly, he's launching a Franco-Australian commercial venture, and it appears that this image would make a good background for his business card. I'm happy to think that my ancient passport can be recycled in this way.
So far, Lance Armstrong has impressed us greatly, whereas his team mate (?) Alberto Contador has played a waiting game. A French website says that the Astana team is sitting on a volcano... which might well go into eruption this afternoon, when the riders encounter the first mountain stage.
Concerning the future pergola, I'm aware that I'm not exactly breaking any construction-speed records. But I like to savor this kind of job. One of the three basic U-shaped structures is now solidly fixed in the earth by concrete... but I prefer, for the moment, to leave the supporting posts and struts in place. The next step will consist of erecting a similar structure (which is already bolted together, and waiting to be raised) on the left-hand side of the photo. Yesterday afternoon, at about the time that the cyclists were approaching the finishing line, I decided to start digging a pair of holes at places that seemed to be more or less correct. That's to say, instead of measuring things, I took the liberty of using visual guesswork. Well, this morning, when I took a closer look at yesterday's holes, and measured their locations carefully, I was alarmed to discover that visual guesswork of this kind simply doesn't work for me. I was ashamed to discover that my holes were about 25 cm to the right of their correct locations! No great problem: I simply enlarged the holes so that the posts would be positioned correctly.
A few years ago, when I planted a little plum tree beneath my bedroom window, I wasn't certain that it would ever grow and bear fruit. Well, this morning, I noticed with joy that the miracle has happened.
Further to the south, the pair of fig trees that Natacha and Alain gave me are thriving, and there might even be a few tiny fruit by the end of summer.
The first thing you discover about this exciting new genealogical tool is that there are two quite different approaches:
Let me explain rapidly the sense of my blog title:
Once you scrape away the moss, it's pure calcium carbonate, of the kind that once blocked the ancient ceramic water pipes at Gamone:
Tufa rock forms rapidly in places where highly-calcareous water emerges into the open air and meets up with mossy vegetation, which enters into the production of the rock. That's why I refer to this tufa as vegetal rock. It's a soft substance, easily cut with a saw, which was often used in the construction of houses. Here's an example from the corner of my house at Gamone:
In this photo, you can see fragments of Gamone bluestone (ancient hard rock) interspersed among the blocks of tufa.
Since time immemorial, water filled with 315 mg/liter of limestone (compared to 10 to 50 mg/liter for ordinary mineral water) has been tumbling into the Isère at La Sône, at the following magnificent spot:
And that's what the phenomenon of calcareous tufa is all about. Here's a close-up view of the formation of this vegetal rock:
Today, at La Sône, visitors can admire splendid gardens at the base of these water-falls. Before the calcareous waters disappear into the Isère, they are collected in a series of beautiful ponds.
It would appear that the vegetation and the frogs have had time to get adjusted to the high degree of calcium carbonate.
Needless to say, the hand of humans is omnipresent in these gardens, as it should be, just alongside the place where the hands of weavers once produced a century of silk.
The garden's attractions include weird hand-made inventions that use the falling waters to produce ethereal sounds.
Bamboo-lovers like me are equally enchanted. La Sône is a magic place!
The weekly includes a short interview with a well-known individual: the celebrated 89-year-old writer Jean Dutourd, who's a member of the Académie Française. Still complaining bitterly about the insolence of the France Soir daily, which asked him to quit as a journalist at the early age of 80, Dutourd warns: "If anybody dares to call me a 'senior', he'll get my fist in his face."
The agency's interim director-general is a young Frenchwoman, Hélène Pelosse, who's been a colleague of Jean-Louis Borloo, the French minister for Ecology, Energy, Sustainable Development, and Town and Country Planning.
When I'm woken up by the noise of a tractor cutting the weeds alongside the road up to Gamone, I know that summer has well and truly reached my home place. And that the Tour de France and Bastille Day are just down the track.
There's a corollary that has never ceased to amaze me. In the heat of summer, with the buzzing of cicadas filling the air at Gamone, it's hard to believe—and "unfair" in a way, to talk stupidly—that the days are already getting shorter!
Sophia obviously appreciates this kind of excursion. First, of course, she can cool off. More importantly, I think, there's the pleasure of exotic odors and encounters with the vast world beyond Gamone.

In the ground-floor window, Jacques Pic [1932-1992] was the founder of a celebrated restaurant in Valence, run now by his daughter Anne-Sophie Pic, who is the only female chef in France with three stars in the Guide Michelin. Anne-Sophie will be turning 40 on Sunday, 12 July.
The drowsy capital of the Drôme appeared to be empty yesterday. Maybe it was the heat that was keeping people off the streets.
Since I had time on my hands while awaiting the replacement of my windscreen, I sat down for a beer at a sidewalk café just opposite the old train station in the center of the city, and watched the rare people and vehicles passing by. At times, doing nothing can become a serious preoccupation. I was happy to feel that my laziness was in perfect harmony with the spirit of the city.
Walking back to pick up my automobile, I was delighted to come across this intersection planted with bamboo, which was an unexpected oasis in the hot city.
The genius who introduced punched-card digital technology into the textile industry was the inventor Joseph Marie Jacquard [1752-1834] from Lyon. Later, his automatic card-reader inspired the Englishman Charles Babbage [1791-1871] who is generally looked upon as the inventor of the computer.
Prior to Jacquard, another brilliant Frenchman had been deeply involved in the early days of the textile industry: Jacques Vaucanson, one of Grenoble's most famous sons (along with Stendhal). It might be said that, without the basic mechanism invented by Vaucanson, Jacquard would not have been able to devise his punched-card apparatus.
Before getting involved in the design of weaving machines, Vaucanson had become famous as a creator of automats, the most spectacular of which was a mechanical duck that bent over to eat food, and then went on to drop a nice little turd. Unfortunately, no traces of Vaucanson's automats (including, beside the duck, a flute-player and a drummer) have survived, but there are ample historical accounts of his achievements.
Many years ago, when I was working with French Television and became involved in artificial intelligence (theme of a series of five documentaries that I shot mainly in the USA), a kind colleague gave me this book. At that time, knowing next to nothing about the illustrious creator of automats, I could never have imagined that I would soon be working in a hi-tech computing laboratory, Delphia, in Vaucanson's native city, and that I would end up living not far away from the beautiful castle at La Sône in which he resided, as a guest of the Jubié family, while carrying out the fine tuning of his machine. Today, the privately-owned castle is a patrimonial jewel in the Dauphiné.
These days, all that I've found of the premises of Vaucanson's silk-weaving factory at La Sône is a grim fresco of unknown vintage:
You might say that Vaucanson ushered in the industrial age when he invented his machine for weaving silk. And the inevitable next step consisted of generations of workers who entered that doorway, every morning, under the terrible effigy of a lion with its paws enchained in metal loops. Not exactly an ideal symbol to encourage pride and productivity.
When I heard of Madoff's sentence, I thought immediately of a gentle US prisoner, 54-year-old Jonathan Pollard, indicted on a charge of passing classified information to an ally, Israel, without intent to harm the USA. He was motivated, not at all by Madoff-like financial greed, but solely by his ideological admiration for the modern nation that symbolizes the land of Pollard's Jewish ancestors. Contrary to what is often stated, Pollard was never condemned for treason, nor for any other crime, for the simple reason that he was never, at any moment, tried before a US court! As the consequence of a plea agreement—honored by Pollard but not by the American Government—he has been rotting in a US jail now for nearly a quarter of a century. [Click the photo to access Pollard's official website, or Google with his name.]
I first heard of Pollard's sad case long ago, during my initial encounters with the legendary Holy Land: a wonderful experience that I shall always treasure. There's a whole chapter about him in this fine book on Israeli espionage. His case inspired a fascinating French movie, Les Patriotes, by director Éric Rochant.
A silly idea has sprung into my mind. It's totally unrealistic, but I would like to insert it here into my blog. One of the high-profile victims of Madoff, from both an institutional and a personal viewpoint, was the 80-year-old intellectual Elie Wiesel, who was awarded the Nobel Peace Prize in 1986 as a "messenger to mankind" through "his own personal experience of total humiliation and of the utter contempt for humanity shown in Hitler's death camps" as well as his "practical work in the cause of peace". Elie Wiesel has no doubt heard of Madoff's sentence, and thought of what it means for a man to receive such a punishment. My silly idea is simple. Maybe Elie Wiesel might use the Madoff event as a pretext for thinking also about the Pollard predicament, which is a blatant case of a forgotten prisoner. Maybe Elie Wiesel could use his weight to talk to both Barack Obama and Benjamin Netanyahu about the case of Jonathan Pollard.
In France, a case of behavior characteristic of a brain-damaged nation was provided by the president Nicolas Sarkozy himself when he used a big bag of taxpayers' money to stage an in-house show for parliamentarians and senators in the ancient royal palace of Versailles, with the aim of spreading the message that the French people will have to accept the fact that times are hard.
And the background to this sermon was a recent audit revealing that never before in the history of the 5th République, from a budget viewpoint, has the president's Elysées Palace lived so extravagantly. As a young queen with her head in the clouds (prior to falling into a basket) might have said: "The people are crying out for a better deal, more jobs, increased purchasing power and overall prosperity? Let them admire us, eat cake and listen to my sweet songs!"
Believe it or not, he was down in Argentina with a lady friend, following up on an encounter established during a state-funded economic-development trip. "She's no lady; she's an economical female contact."
I'm so backward from a social viewpoint that I wasn't even aware that this fine restaurant existed on the river bank, just alongside the road to Romans. The outdoor terrace, shaded by a pair of huge trees—a lime and a plane—is so close to the bottle green waters of the Isère that you could almost go fishing between dishes. And there's a lovely old-fashioned suspension bridge just a few meters upstream, with the Vercors mountains in the background.
Let me get around to a visual presentation of Tineke's latest work of art: a plate of home-made French macaroons.
You might ask: How come this celebrated Dutch sculptress is baking cookies, and offering them to you as a gift?
Well, it all started a fortnight ago when I showed Tineke an irresistible book I had just bought, with "easy" recipes for making macaroons. When I say "irresistible", what I mean is that everybody in France loves macaroons, and everybody knows that they're terribly expensive to buy in top-quality cake shops. So, it's naturally very tempting to discover a nice little book that claims to provide you with the secret of making macaroons in a few easy lessons.
I've just been told of an amusing link that can take you to the Antipodes blog by way of Richard Branson, the French photographer Stéphane Gautronneau and Stéphane's girlfriend. Click Stéphane's portrait to go there.